bu

$H Buba.

The father of Bubu, chief of Kirhi, which see. (1876c1)

$H Bubastic Dynasty.<= /b> Egypt

The historical name of the kings of the XXIInd dynasty whose seat of empire was at Bubastis. (1876c1)

$H Bubastis.     Egypt

Another form of the name of the Egyptian goddess Bast, the peculiar deity of the Latopolite nome. (1876c= 1)

A nome in the = Delta of Lower Egypt, which was held by the Calasirian class of soldiers. Its principal city was Bubastis,= which was sacred to the goddess Bast. (1876c1)=

The Greek name for Pa-Bast capital of the eighteenth nome of Lower Egypt, the modern Tell Basta. Ch= ief deity, Bast, a goddess frequently represented= with a cat's head.(1902b1)

A town in Lower Egypt, now called Tel Basta, the seat of empire of the XXIInd Egyptian dynasty. Also anciently called the city and nome of Habu. From this city <= span class=3DSpellE>Psametik I. = enlarged a canal begun by King Seti, to open a way fro= m the Nile to the Red Sea. The work was stop= ped by an unfavourable oracle after 120,000 men had = been worked to death in the excavations. (1876c1)

$H Bube.

An Elamite city destroyed by Sennacherib. (1876c1)

$H Bubi.

A city of Elam, destroyed by Sennache= rib; probably the same as the the preceding. (1876= c1)

$H Bubu.

The son of Buba. He was chief of the town of Kirhi= , on the Upper Tigris, which he vainly defended against Assurnazirpal, king of Assyria, by whom he was taken prisoner and flayed alive. (1876c1)

$H Buccaboo.

A common Cornish word of affright. It is s= aid to be derived from an Aryan noun meaning "Deity." (Lach Szyrma.) (1876c1)<= o:p>

$H Buccina.    Greek

Buccina (Gr. $= L6= V<= 0[=3Dbukane]). A kind of trumpet anciently made of a con= ch‑shell, represented in the hands of Tritons.(1883m1)

$H Buccula.    Roman

R. (bucca, a cheek). The chin= ‑piece or cheek‑piece of a helmet, which could be raised or lowered by the soldier at will.(1883m1)

$H Bucentaur.

A monster, half man and half ox. The name of the Venetian state galley.(1883m1)

In classical mythology a bucentaur<= /span> was a monster, half ox, half man. This name was given in later times to t= he state galley in which the Doge of Venice and the Senate went to sea during the ceremony, the "Marriage of the Adriatic."(1891a1)

$H Buckets, Anglo‑Saxon.    (See BOWLS.) (1883m1)

$H Buckle.<= span lang=3DEN-GB style=3D'mso-ansi-language:EN-GB;font-weight:normal'> <= span lang=3DEN-GB style=3D'mso-ansi-language:EN-GB'>    Heraldry

(Her.) A buckle furnished with a tongue is a charge in heraldry. It is generally circular in form, and when it is lozenge‑= shaped it should he specified in the blazoning. ILLUS. buckle(1891a1)

Her. Th= e crest of the Pelham family, now represented by the Earls of Chichester. It is a common ornament of ecclesiastical buildings, houses, and other objects in= Sussex. (Fig. 115.) Fig. 115. Heraldic buckle.(1883m1)

$H Buckler.=

Buckler. (See CLIPEUS and SCUTUM.) [Clipeus is a rou= nd shield & scutum is an oblong shield.](1883m1)

Buckler. (Arch.) An ornament used in the decoration of friezes and trophies. It is sometimes circular in form and sometimes loze= nge‑shaped. Bucklers of the latter shape are often placed obliquely and bound up with bundles of arms. ILLUS. buckler= (1891a1)

$H Buckram.

A cloth stiffened with gum, so called from Bokhara, where it was originally made.(1883m1)

$H Bucrania and Bucranium.

Bucrania. (Arch.) Ornaments in = the form of ox‑skulls with their horns wreathed in flowers, which were employed to adorn the frieze in the ancient orders of architecture. Bucrania were generally placed in the metopes or intervals between the triglyphs (q.v.). So= me have and some have not wreaths of flowers round the horns, and their representation on ancient temples suggested the victims offered in sacrif= ice. ILLUS. bucr= ania(1891a1)

Bucranium. R. (= $@= L6= DV= <4= @<[=3Dboukranion]). An ox's head from= which the flesh has been stripped; an ox‑skull employed in the decoration= of friezes by Greek and Roman architects. Fig. 116 represents a bucranium in the temple of Vespasian at Rome. Fig. 116. Bucranium.(1883m1)=

$H Buddahu.      Arabia

An Arabian kingdom, which was ravaged, and= its king, Habanamru, put to death by Esarhaddon, king of Assyria<= /st1:place>. (1876c1)

$H Budge.    Old English

O.E. Lambskin with t= he wool dressed outwards. Mentioned by Chaucer.(1883m1)

$H Buddha.      Hindu

The great Hindu deity and reformer, and the originator of the Buddhistic religion. He was= a real personage, named Sakya-Muni, which see. (1876c1)

$H Budibahal.

One of the ten competitors for the crown o= f Arvad, after the death of King Yakinlu.

$H Budii.

The Greek form of the name of the Medo-Persian caste Budiya, which see. (1876c1)

$H Budil. Or Pudil.      Assyria

An early king of As= syria. He was the father of Vulnirari I. and was a great conqueror. He built the first royal palace of Assyria= . (1876c1)

$H Budiya.= "Adscripti Gleboe."

The name of the fifth great caste of the Medes. It was composed of serfs, and was the Budii of the Greek historians. (1876c1)

$H Buduil.=

King of the Ammonites, and one of the tributaries of Sennacherib. His name is sometimes written Peduil. (1876c1)

$H Buff.

A clear yellow colour.(1891a1)

$H Buffet.

A piece of furniture on which dishes, plate, and glass a= re displayed. The difference between a buffet and dresser lies in the fact that the latter is only fitted with shel= ves, while the former has drawers and a cupboard enclosed by doors capable of a good deal of decoration. ILLUS. buffet(1891a1)

$H Buffett‑stoole= .    Old English

O.E. A stool with th= ree legs.(1883m1)

$H Buffin.    Old English

O.E. Coarse cloth of= Elizabeth's time.(1883m1)

$H Bugles.    Old English

O.E. Glass beads in = the hair, temp. Elizabeth and Jam= es I.(1883m1)

$H Bugle‑horn. <= span lang=3DEN-GB style=3D'mso-ansi-language:EN-GB'>    Heraldry

(Her.) A figure in blazonry in the shape of a small hunt= ing horn. Thus we say a "buglehorn gules." In blazoning we sho= uld specify whether it as "enguiché," i.e. whether it has a cord atta= ched to it or not. ILLUS. buglehor(1891a1)

$H Buhl.

A kind of furniture which was invented and manufactured = by Charles André Boule or Buhl (1642̴= 9;1732). It was richly inlaid with tortoise‑shell, gold, copper, &c., and was much in vogue at the court of Louis XIV.(1891a1)

$H Building.    Architecture

(Arch.) A buildi= ng is a general term applied to any construction whether completed or not.(1891a1)

$H Buldiellus.    Mediaeval

Med. Lat. A baudric.(1= 883m1)

$H Bulga.    Roman

R. A purse or leathe= rn bag for money which was carried on the arm. According to Festus the word is of Gallic origin.(1883m1)

$H Bulge.

A line or surface slightly convex is said to bulge.(1891= a1)

$H Bull.     Egypt

Of all the sacred animals in Egypt perhaps the bull received the most attention. In the ithyphallic cult he = is represented by Khem. Amen is addressed as "bull, fair of face." The Theban kings took a title "strong bull," possibly from Bakut, the name und= er which the bull sacred to Mentu was worshipped= in Erment. The bull was the emblem of strength and cou= rage. (See APIS and MNEVIS and SERA= PEUM.)(1902b1)

$H Bulla.    Roman

A small ornament of gold which was worn round the neck of free‑born children at = Rome. It was laid aside when the youth assumed the toga virilis. The "= bullae " of poor persons were made of leather. It was regarded as a charm and as especially efficacious in keep= ing off the evil eye. ILLUS. bulla(1891a1)

R. (bullo, to bubble). A term denoting objects of various kinds, but all more or less approximating in shape to a water‑bubble. The heads of certain nail= s were called bullae; Fig. 117 shows= one of the bullae decorating an a= ncient bronze door in the Pantheon at Rome. The bulla aurea was an orname= nt of globular shape, worn round the neck by children of patrician family. The = bulla scortea was an ornament ma= de of leather, worn by freedmen or individuals of the lower orders. Fig. 1= 17. Bulla (on a door).(1883m1= )<= /o:p>

$H Bull's-eye.     Architecture

(Arch.) A round or oval window, placed either in the fro= nt of a house or in a roof. From the period of the Renaissance, the 17th and 18th centuries, many specimens of bull's-eyes have come down to us richly ornamented. 2 ILLUS. bulls= ey1, bullsey2(1891a1)

       &nbs= p;            &= nbsp;           &nbs= p;

$H Bulludhu.      Chaldaea

An early Chaldean astronomer, some prognostications by whom have been preserved. (1876c1)

$H Bullula, R. (bulla).    Diminutive of BULLA (q.v.). = (1883m1)

$H Bulting‑pipe.<= /span>    Old English

O.E. A bolting‑cloth for sifting meal.(1883m= 1)

$H Bunasi.=

A city in the mountains of Nizir, conquered by Assurnazirpal. (1876c1)

$H Bundehesh.

The name of a Pehlevi= translation of a lost Zendic work upon the creation, one of the sacred books of the Parsees. (1876c1)

$H Bunu.      Egypt

One of the twenty petty kingdoms into whic= h Egypt was divided after the Assyrian invasion under Esarha= ddon. (1876c1)

$H Bur.    Engraving

A term in etching fo= r the rough edge of a line, commonly removed, but by Rembrandt and other great masters made effective.(1883m1)

(Engrav.) A bur is a ridge of metal on the edge of the lines of an engraved plate, which is generally removed by an instrument termed the scraper (q.v.). Some engravers, howev= er, have taken advantage of the bur <= /i>to strengthen their shadows.(1891a1)

$H Buramanu.

The chief of the city of Sinapu. H= e raised a revolt against Ammibahla, the Syrian govern= or, and slew him; but his master, Assurnazirpal, conquered the town, and flaying Buramanu aliv= e, fastened his skin on the city wall. The rest of the rebels were allowed to purchase their pardon. (1876c1)

$H Burante.

A king of the country of Yazbuk, in Northern Syria, conquered by Shalmaneser II. (1876c1)

$H Burdada.

A Median chief, who at first attempted to resist Tiglath Pileser II. on his invasion of Media; but he was compe= lled to flee for his life, and was in the end captured by the Assyrians. Their treatment of him is not recorded. (1876c1)

$H = Burdalisaunder, Bourde de Elisandre.

Burda, a stuff for clothing (mentioned in the 4th ce= ntury) from Alexandria. A silken web in different coloured stripes; 1= 4th century.(1883m1)

$H Bure.      Scandinavia<= /st1:place>

In Scandin= avian mythology the first man, whose three grandchildren, Odin, Vili, and Ve, killed Ymir, the frost giant, from whose body they made the earth. See Ymir. (1876c1)

$H Burgau.

A univalve shell, Turbo marmoratu= s, producing a mother of pearl; and hence all works in mother of pearl, of whatever material, are called "burgau.&q= uot; (Jacquemart.)(1883m1)

$H Burin.

Burin. An instrument= for engraving on copper.(1883m1)

Burin. [See Graver.](1891a1) = A steel instrument with a sharp point at one end.

$H Burnaburyas I.=      Babylonia

An early king of Ba= bylonia. He succeeded Milisihu, and must not be confou= nded with the later Babylonian monarch of the same name. (1876c1)

$H Burnaburyas II.      Babylonia

Another early king of Babylonia. He made a treaty with Buzur Assur, king of Assyria, and repaired several = of the temples at Urukh and Lar= sa, which had fallen into decay. (1876c1)

$H Burnish.

To burnish is to polish gold or silver and give it a brilliant surface by means of a notched agate or bloodstone. Burnished me= tal reflects, and seen at a certain angle, its tone seems darker than that of= the dull metal, almost black in fact; hence the expression to burnish.(1891a= 1)

$H Burnisher.    Engraving

A steel instrument used by engravers to soften lin= es or efface them. An agate is used to burnish gold.(1883m1)

(Engrav.) A steel instrument= not having a very sharp edge in the form of an elongated = oval, used by engravers to soften a harsh line or remove it altogether. A burnisher worked by both hands is employed to burni= sh a copper‑plate before engraving it. ILLUS. burnishe= (1891a1)

$H Burnishing.

An operation by means of which the = roughnesses of a metal plate are taken away and the whole surface reduced to the same level. When burnished the plate becomes an excellent reflector.(1891a1)

$H Burnt Sienna.    Painting

Burnt Sienna. (See SIENNA.)(1883m1) Terra di Sienna.= A brown pigment.

(Paint.) A fine orange red pigment of a warm rich tone, which is obtained by burning raw sienna earth. It has the property of dissolving at once in water, and by means of it wonderfully clear tints m= ay be obtained at once. It is used for topographical drawings and sketches of constructions and machines, as well as for water‑colours. It is also suitable for oil‑painting.(1891a1)

$H Burnt Terra Verde. (See GREEN EARTH.)    (1883m1)

$H Burnt Umber.    Paitning

(Paint.) A russet‑brown pigment produced by burning raw umber. It is semi‑transparent, permanent, dries and mixes easil= y, but is not much used.(1891a1)

Burnt Umber. (See UMBER.) =3D Umber. A massive miner= al pigment used by painters as a brown colour, and to make varnish dry quick= ly. Raw umber is of an olive brown, which becomes much redder when burnt. (See OCHRES.)(1883m1)

$H Burr.    Old English

O.E. (1) The broad i= ron ring on a tilting‑lance, just below the gripe, to prevent the hand slipp= ing back. (2) Projecting defences at the front of= a saddle. (Mey= rick.) (3) The rough edge produced on the metal by an incised or etched line in = an engraving.(1883m1)

$H Buruta.=

An Elamite cit= y, destroyed by Sennacherib. (1876c1)

$H Busae.

The Greek form of the name of the Median c= aste Buza, which see. (1876c1)

$H Busiris.     Egypt

Greek name for Pa-= Ausar, capital of the ninth nome of Lower Egypt, the modern Abusîr. = The chief deity was Osiris (q.v.).(1902b1)

A nome in the = Delta, which was held by the Hermotybian class of warriors. Its chief city was Pa-osiri-neb-Tattu, "House of Osiris, Lord of Tattu," to whom it was dedicated. (1876c1)

$H Buskin.<= span style=3D'mso-spacerun:yes'>    Costume

Buskin. (See COTHURNUS.) Cothurnus =3D The Buskin; a high boot of Greek invention, met with on representations of certain divinities and of some of the emperors covered with rich ornamentation. It is an attribute of the huntress Diana. The so= le was thickened with cork for tragic actors, to make them taller. Horsemen = wore it as high as the knee.(1883m1)

A high boot made of leather and often elaborately ornamented. In classic times it was worn by hunters, horsemen, and tragic actors, and is especially characteristic of some deities, such as Diana t= he Huntress, Bacchus, and Mercury. Buskins were also worn in the Middle Ages, and kings at their coronation wore them of cloth of gold and other costly materials. ILLUS. buskin<= /span>(1891a1)

$H Bust. <= span lang=3DEN-GB style=3D'mso-ansi-language:EN-GB'>

The upper part of the human body; the representation, painted, drawn, engraved, or modelled, of the head, shoulders, breast, and arms cut‑off above the elbow. A portrait bust represents the head a= nd upper part of the body without the hands. A sculptured bust is said to be antique in style when the neck and upper part of the breast are bare and = cut off vertically. In modern busts a part of the arms is generally shown and= the model is draped, sometimes in a mantle which covers the lower part of the breast. In a picture we say that the bust of such and such a figure is badly proportioned, or in a work of sculpture that we do not feel the bust under the drapery, referring in each case to some fault in the proportion or execution of this part of the body.(1891a1)

$H Bustle.    Painting

(Paint.) A term signifying a restlessness and want of harmoniousness in the colouring of a picture. Sir Joshua Reynolds contras= ts the "quietness and chastity of the Bolognese pencil with the bustle and tumult that fills eve= ry part of a Venetian picture."(1891a1)

$H Bustum.    Roman

R. (buro, to burn). An open s= pot upon which a pyre was raised for burning the corpse of a person of distinction. When the area adjoined the burying‑ground, it was call= ed bustum;= when it was separate from it, it was called ustrina.(1883m1)

$H Busutu.=

A city of Minni, de= stroyed by Assurbanipal, after the defeat of Ahsera, king of Ararat. (1876c1)<= /p>

$H Busy. <= span lang=3DEN-GB style=3D'mso-ansi-language:EN-GB'>    Painting

(Paint.) Full of bustle (q.v.)(1891a1)=

$H Butau.      Egypt

The first = king of the IInd Thinite dynasty of Egypt. In his time an earthquake took place, which destroyed many people, at Bubastis. He rei= gned thirty-eight years, and was called by the Greeks Boethos. (1876c1)=

$H Buto.      Egypt

An Egyptian goddess, chiefly worshipped in= the city and nome of Bouto, in Lower Egypt, which was named after = her. (1876c1)

1. Goddess of the North. See UAZIT.(1902b1)

2. The Greek name for Pa-Uazt, the capital of the nineteenth nome of Lower Egypt; the modern Nebesheh. Chief deity Uazit (q.v.).(1902b1)

$H Buttery.     Architecture

(Arch.) A room near the hall and kitchen in monasteries = and mediaeval mansions from which beer and wine were served out.(1891a1)=

$H Buttress.     Architecture

Arch. An abutment employed to increase the solidity or stability of a wall; it may either immediately abut on the wall, or be connected with it by a flying = or arch buttress (Fig. 118). In the Romano‑Byzantine and lanceolated styles buttresses are largely employed to strengthen the walls of naves w= hich have to support high vaulted roofs. Fig. 118. Arch‑buttress.(1883m1)

(Arch.) A massive piece of masonry which served as a sup= port and added to the resistance of the vertical wall. Buttresses are universa= lly used in Gothic architecture. They were indispensable in holding up the lo= fty walls of churches. Originally they consisted merely of a squared mass, the surface of which was inclined to the wall at a sharp angle so that the ra= in might run off; they were afterwards polygonal and decorated with pinnacle= s, and in the 14th century terminated in turrets. ILLUS. buttres<= span lang=3DEN-GB style=3D'mso-ansi-language:EN-GB;mso-no-proof:no'>(1891a1)

--- $H Buttress, Flying.     Architecture

(Arch.) A pier which stands at some distance from a wall surmounted by a rampant arch, which connects it with the wall. It is inte= nded to counteract the thrust from the vaulting. It is found in Roman monument= s, and was was introduced early into England. In the north choir= aisle of Canterbury are some flying buttresses, which belong to the transition period. In the 12th century they were very simple, and were not much decorated until the 15th century. ILLUS. buttresf(1891a1)

$H Buvalu.= "The Giant."

An epithet applied by the Chaldeans to the mythical hero Izdubar, adored as a dei= ty. (1876c1)

$H Buxum.    Roman

R. (Bb>@H[=3Dpuxos]). Box, an evergreen, the wood of which was used for various purposes, as with us. By analogy, the term buxum was applied to objects made of this wood, such as combs, flutes, children= 's shoes, and waxed tablets for writing.(1883m1)

$H Buz.      Arabia

A district in Arabi= a, probably that known to the Assyrians as Bazu,= which see. (1876c1)

$H Buza. "Natives."

The third great caste of the Medes; the Busae of the Greek historians. (1876c1)<= /span>

$H Buzo.    Old English

O.E. The arrow for a= n arquebus, or cross‑bow. French, boujon: "a boult, an arrow with a great or broad head." (= Cotgrave.)(1883m1)

$H Buzur-Assur.      Assyria

An early king of As= syria, of whom little is known. (1876c1)

$H Buzur-Sa-Di-Rabi.<= /b>      Chaldaea

The pilot of the ark of Adrahasis in the Chaldean legend of the deluge. See Adrahas= is. (1876c1)

$H Byrrus.    (See BIRRUS 1883m1)

$H Byssus.    Graeco-= Roman

Gr. and R. (<= span style=3D'font-family:"WP Greek Courier";mso-ascii-font-family:"Times New = Roman"; mso-hansi-font-family:"Times New Roman";mso-char-type:symbol;mso-symbol-f= ont-family: "WP Greek Courier";mso-no-proof:no'>$bFF@H[=3Dbussos]). The p= recise meaning of this term is unknown; there is no doubt it was a texture made = of some very costly material, since we learn from Pliny that the byssus cloth which he calls linum byssinum was exceedingly dear. Everything leads us to suppose that it was a linen material of the finest quality. This opinion would seem to be confirmed by Herodotus and Aeschyl= us. The word comes from the Hebrew butz.(1883m1)

$H Byzantine Art.

The art which owes its origin to = Byzantium. It engrafted Christian sen= timent on reminiscences of Greek and Roman art. The Roman arch was retained in Byzantine architecture, but entablatures disappear, circular cupolas are erected, and the capitals adorned with arabesques. The Byzantine style exercised a powerful influence on the art of the Middle Ages. Many mosaics and paintings on a gold ground, as well as ivory‑carvings of Byzant= ine origin, have come down to us, and give us a high idea of this extraordina= rily rich and brilliant art, which imposed its characteristic forms on the sty= le of many generations (328 A.D. to 1204 A.D.).(1891a1)

$H Byzantine Period.

Time, about 6th to 1= 2th century A.D. (Byzantium, the Latin name of Constantinople.) Byz= antine Architecture is noteworthy for a bold development of the plan of Christian places of worship. It introduced the cupola, or dome, which was often surrounded by semi‑domes; an almost square ground‑plan in pla= ce of the long aisles of the Roman church; and piers instead of columns. The apse always formed part of Byzantine buildings, which were richly decorat= ed, and contained marble in great profusion. St. Sophia, Constantinople (A.D. 532‑537), is the finest example of Byzantine architecture. St. Mark's, Venice (A.D. 977), and the Cathedral of Aix‑la‑Chapelle (A. D. 796&#= 8209;804), are also of pure Byzantine style. Byzantine Painting was that which succe= eded the decline of the early Christian Art in the catacombs and basilicas of = Rome, and which preceded and foreshadowed the Renaissance of Art in Italy. In style it was based on that of the catacombs, but with a reminiscence of the excellence of ancient Greece; it was, however, restrained and kept within narrow limits by the conventionalities which were imposed upon it by the Church, and which alm= ost reduced it to a mechanical art. The mosaics of the 10th and 11th centurie= s in St. Mark's, Venice, are perhaps the best existing examples of the Byzantine period. Specimens= are also to be seen in St. Sophia, Constantinople; and at Ravenna. Fig. 119. Byzantine Font. = Fig. 120. Byzantine ornament on an English font. Fig. 121. Roman‑Byzanti= ne Cross at Carew.(1883m1)<= /o:p>

       &nbs= p;           &nbs= p;

$H Byzantines (Coin).     Numismatics

(Num.) Coins struck from the time of Constantine to the fall of the empire= of the East.(1891a1)

$H Bubastis. Egypt

$H Buccina. Greek

$H Buccula. Roman

$H Bucentaur.

$H Buckets, Anglo‑Saxon. (See BOWLS.) (1883m1)

$H Buckle.<= span lang=3DEN-GB style=3D'mso-ansi-language:EN-GB;font-weight:normal'> <= span lang=3DEN-GB style=3D'mso-ansi-language:EN-GB'> Heraldry

$H Buckler.=

$H Buckram.

$H Bucrania and Bucranium.

$H Budge. Old English

$H Buff.

$H Buffet.

$H Buffett‑stoole= . Old English

$H Buffin. Old English

$H Bugles. Old English

$H Bugle‑horn. <= span lang=3DEN-GB style=3D'mso-ansi-language:EN-GB'> Heraldry

$H Buhl.

$H Building. Architecture

$H Buldiellus. Mediaeval

$H Bulga. Roman

$H Bulge.

$H Bull. Egypt

$H Bulla. Roman

$H Bull's-eye. Architecture

$H Bullula, R. (bulla). Diminutive of BULLA (q.v.). = (1883m1)

$H Bulting‑pipe.<= /span> Old English

$H Bur. Engraving

$H = Burdalisaunder, Bourde de Elisandre.

$H Burgau.

$H Burin.

$H Burnish.

$H Burnisher. Engraving

$H Burnishing.

$H Burnt Sienna. Painting

$H Burnt Terra Verde. (See GREEN EARTH.) (1883m1)

$H Burnt Umber. Paitning

$H Burr. Old English

$H Busiris. Egypt

$H Buskin.<= span style=3D'mso-spacerun:yes'> Costume

$H Bust. <= span lang=3DEN-GB style=3D'mso-ansi-language:EN-GB'>

$H Bustle. Painting

$H Bustum. Roman

$H Busy. <= span lang=3DEN-GB style=3D'mso-ansi-language:EN-GB'> Painting

$H Buttery. Architecture

$H Buttress. Architecture

--- $H Buttress, Flying. Architecture

$H Buxum. Roman

$H Buzo. Old English

$H Byrrus. (See BIRRUS 1883m1)

$H Byssus. Graeco-= Roman

$H Byzantine Art.

$H Byzantine Period.

$H Byzantines (Coin). Numismatics