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Checkere. O.E. A che=
ss‑board.(1883m1) |
|
Checkstone. O.E. A g=
ame
played by children with small round pebbles.(1883m1) |
|
Checky, Her. (See CHEQUÉE.) (1883m1) |
|
Checky.
|
|
Chequée, Checky. Her.
Having the field divided into contiguous rows of small squares; alternate=
ly
of a metal (or fur) and a colour.(1883m1) |
|
Cheese. Chr. St. Augustine says that a sect called the |
|
Chef d'oeuvre. [See Masterpiec=
e.](1891a1) |
|
Chef&=
#8209;d'oeuvre.
Fr. A work of the highest
excellence.(1883m1) |
|
Chef-d'oeuvre. (Fr.)
A work of the highest excellence in itself, or relatively to the other wo=
rks
of the same artist. Thus the Apol=
lo
Belvidere, or the Transfigura=
tion
of Raffaelle, are chef-d'oeuvres<=
/i> of
sculpture and painting. (1855f1) |
|
Chefren. Or<= /i> Khefrenes. The Greek form of the royal name Shafra, which see. (1876c1)= p> |
|
Cheiron. In Greek mythology Cheiron=
is the kindly centaur to whom Achilles and Jason owed their education. He
possessed nothing in common with the centaurs except his shape, and was
skilled in all the sciences and arts.(1891a1) |
|
Chêlê (<=
/span>P08¬[=3Dchele], prob. f=
rom a root
=
P"‑[cha‑], meaning cloven). This term is appl=
ied to
a great variety of objects; it signifies a cloven foot, a hooked claw, or=
anything
presenting a notched or serrated appearance. Thus a breakwater, the irreg=
ular
projections of which bore some resemblance to the teeth of an immense saw,
was also called chêlê. There were,
besides, various engines and machines which went under this name.(1883m1)=
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Chelidoniacus sc. |
|
Chelidonize Gr. (lit. to twitter like a swallow). Si=
nging
the "Swallow Song" (=
P,=
84=
*`=
<4=
F:=
"[=3Dchelidonisma]), a popular song sung by the Rho=
dian
boys in the month Boedromion, on the return of the swallows, and made int=
o an
opportunity for begging. A similar song is still popular in |
|
Cheliform ( |
$H Chel Minar.
|
Chel Minar. |
|
Chelonium (a tortois=
e‑shell,
from =
P,8f<0[=3Dchelone], a tor=
toise). (1) A kind of cramp =
or
collar placed at the extremities of the uprights of certain machines. (2) A part of a cata=
pult,
also called =
pulvinus.
(See CATAPULTA.)(1883m1) |
|
Chelys (PX8LH[=3Dchelus], a tort=
oise). (1)
The lyre of Mercury, formed of strings stretch=
ed
across a tortoise‑shell. (2) In the 16th and 17th centuries, a bass=
‑viol
and division‑viol were each called chelys. (See also
TESTUDO.)(1883m1) |
|
Chemise de Chartres. Fr. A
kind of armour mentioned among the habiliments
proper for knights who should engage in single combat. (Meyrick.)(1883m1) |
|
Chemmis=
span>. A nome in |
|
Chemmis=
span>. The name erron=
eously
given by Diodorus Siculu=
s
to the founder of the great pyramid of Gizeh.=
See Armaeus=
and Chufu. (1876c1) |
|
Chemosh=
span>. The chief deity =
of the
Moabites, to whom human sacrifices were offered, and in whose honour the Moabite stone was erected by Mesha, king of Moab, the contemporary of Jehoshaphat, king of Judah. (1876c1) |
|
Chemosh=
span>-gad. |
|
Kemosh-natbi. Or
Chemosh-natbi. A king of |
|
Chem-tat-ef. The son of an ea=
rly
Egyptian king. (1876c1) |
|
Chenalopex. The species of g=
oose
which was worshipped as a sacred animal at |
|
Cheneres<=
/span>. A king of the |
|
Cheng. Chinese. A mu=
sical
instrument, consisting of a box or bowl, into which a series of tubes of
different length and pitch are inserted; the tubes have holes in them to =
be
played upon with the fingers.(1883m1) |
|
Chêniscus (P¬<[=3Dchen], a goose)=
. An
ornament placed at the bow, and sometimes the stern of ships. In shape it
resembled the neck of a swan or goose.(1883m1) |
|
Cheniscus. An ornament in the shape of a goose's head whic=
h was affixed
sometimes to the prow, sometimes to the stern of ancient vessels. It is v=
ery
often met with in representations of ships on classical monuments. One is=
to
be seen on Trajan's column. ILLUS. cheniscu(1=
891a1)
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|
Cheniscus. (Gr.)
In works of ancient Art, ships are seen with ornamental prows, shaped to
represent the head and neck of a goose, or other aquatic bird; this part =
was
called CHENISCUS, and was constructed of bronze and other materials.
Sometimes, but rarely, the CHENISCUS is affixed to the stern of a ship. T=
he
custom descended to the eleventh and twelfth centuries, as we find Danish=
and
Saxon ships represented with similar decorations, in the sculptures and
drawings of ancient manuscripts. FIGURE =
(1855f1)
|
|
Chenoboscium. A chief town in =
the Panopolite nome, of the=
Thebaid of Upper Egypt. (1876c1) |
|
Cheops. The Greek form of the royal name Khufu, whic= h see. (1876c1) |
|
Chephets. Another name of the Phenician deity Pothos, which see. (1876c1) |
|
Cherub. The head of =
an angel
emerging from two wings employed as a painted or sculptured ornament. In =
the
17th and 18th centuries these figures were frequently employed, and somet=
imes
they are found on monuments of colossal proportions. ILLUS. cherub<=
span
style=3D'mso-no-proof:no'>(1891a1)
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Cherub, pl. Cherubim, Heb.
According to the classification of Dionysius, the first hierarchy of Angels consists of three choirs called SERAPHIM, CHERUBIM, and THRONES, and, receiving
their glory immediately from Deity, transmit it to the second hierarchy. =
The
first hierarchy are as councillors; the secon=
d as
governors; the third as ministers. The SERAPHIM are absorbed in perpetual
love and worship round the throne; the CHERUBIM know and worship; the THR=
ONES
sustain the throne. The SERAPHIM and CHERUBIM are in general represented =
as heads merely with two or four or=
six
wings, and of a bright red or blue colour, &a=
mp;c.
(Cf. Mrs. Jameson's Legendary Art=
.)
(See ANGELS, SERAPHIM, DOMINIONS, &c.)(1883m1) |
|
Cherubim.
In Christian Art, a higher class of angels, the nearest to the throne of =
God,
of which they are the supporters. Their forms are known by the poetical
writings of the Old Testament. They appear first as guardians of ** Cherubim=
signifies
the plentitude of knowledge and wisdom; they are represented young, having
four wings to cover their faces and feet, and standing on wheels of fire,=
of
a bright red colour, to set forth the intensity of divine love, in refere=
nce
to the vision of the prophet Ezekiel. Art cannot adequately represent the=
ir
spiritual agency and rapid movements, therefore they are drawn as the anc=
ient
Persians drew Ormuz, who, unable to represent their god as a pure being of
light, implied his nature by a half-figure ending in a winged body, sweep=
ing
through the air. P. Cornelius, in his picture of the "Creation"=
at
|
|
Cherubic Hymn. Chr. A hymn sung in the=
Greek
Church before the great entrance (see ENTRANCE); so called from its first
words, =
@Ê[=3Dhoi] J[=3Dta] P,D@L$ÂL[=3Dcheroubiu] :LFJ46äH[=3Dmustikos] ,Æ6@<\.@<J,H[=3Deikonizontes] |
|
Chesf-chent. The Egyptian name for the city and nome=
in |
|
Chesf-pehu. A city and |
|
Chestnut. A dark red=
brown colour.(1891a1) |
|
Chestnut Brown. A br=
own lake
pigment prepared from the horse chesnut; very
durable for oils and water‑colour
painting.(1883m1) |
|
Chess. Writers immed=
iately
after the Conquest speak of the Saxons as playing at chess, which, they s=
ay,
they learned from the Danes. The game of chess is very prominent in the
romances of the Middle Ages. The Scandinavian navigators introduced some
remarkable elaborately carved chessmen, of walrus ivory, from |
|
Chess=
e. O.E. (Fr. chasse). A border, a circlet.(1883m1) |
|
Chests and Coffers, in Norman
times, were adorned with elaborate carving and richly inlaid. They were s=
till
the general depositories for clothes and treasures. Cupboards (armoires) were introduced by the |
|
Chest. A piece of fu=
rniture
which serves the double purpose of a large coffer in which to store linen=
and
of a bench to sit upon. It was the most important item in the household
furniture of the Middle Ages. In early times it was simple in form and on=
ly
decorated by ornamental iron‑work. In the 14th and 15th centuries i=
ts
panels were richly carved and it was raised upon legs. 2 ILLUS. chest1, chest2=
(1891a1)
|
|
Chest of Viols. O.E.=
A set
of instruments complete for a "consort" of viols, i.e. two treb=
les,
two tenors, and two basses.(1883m1) |
|
|
|
Chev. The Egyptian n=
ame
for the city and nome near the Fayum,
called Aphroditopolis by the Greeks. Here the=
great
chancellor Bai caused the usurper Septhah and his queen Tauser=
span> to
be proclaimed joint-sovereigns of |
|
Chevalet. Fr. The bridge of a violin or other stri=
nged
instrument.(1883m1) |
|
Cheva=
ucheurs. Anglo‑Norman horsemen, or running
messengers.(1883m1) |
|
Chevaux‑de‑frize. An arrangement of iron spikes for the defence
of a battlement against assault.(1883m1) |
|
Cheveril. O.E. Kid l=
eather,
proverbially elastic; hence, =
a cheveril conscience (that will
stretch).(1883m1) |
|
Chevesaile. Old Fr. A
necklace.(1883m1) |
|
Old Fr. A captain; h=
ence the
mediaeval ch=
euptanus.(1883m1) |
|
(1) Arch. One of the=
mouldings frequently used in Norman architecture, u=
sually
called zigzag (q.v.). (2) A badge on the c=
oat‑sleeve
of a non‑commissioned officer. (3) Her. One of the
ordinaries; the lower half of a SALTIRE (V.).(1883m1) |