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|
Chr. A dalmatic, or an alb; i.e. a deacon's vestment.(1883m1) |
|
O.E., Chr.
Prayers for the dead.(1883m1) |
|
R. (dealbo, to whiten over).
Covered with a coating of stucco (albarium opus<=
/i>).
The builders of antiquity made great use of stucco, both in the interior =
and
exterior of buildings. All the buildings of |
|
(Arch.) An old name =
for
aisle (q.v.).(1891a1) |
|
Arch. (deambulo, to walk about).=
The
lateral nave which surrounds the choir of a church; it is usually separat=
ed
from the aisles by a grating (cancelli).(1883m1) |
|
Deas, Dais, Dees. Sc=
otch.
(1) A table, especially the great hall table. (2) A pew in a church. (3) A
turf seat erected at the door of a cottage. (See DAIS.)(1883m1) |
|
O.E. The
executioner.(1883m1) |
|
Her. Reversed.(1883m=
1) |
|
Measures of weight=
10
qite  =
; &n=
bsp;  =
; =3D
1 deben<=
/span> 10
deben of
copper =
=3D 1 qite of=
silver
(in the time of Ramesses II). 6
deben of
copper &nbs=
p; =3D
1 qite=
span> of
silver (in the late Ramesside period).(1894e1=
) |
|
(Her.) A term applie=
d to
charges passing one above the other.(1891a1) |
|
The term in ancient =
art is
applied to the period after the fall of |
|
Art is said to be in
decadence at a particular period when the works produced at that period a=
re
not equal to those of the time immediately preceding. The expression, is =
also
applied, but often incorrectly, to certain works designed and executed
without sufficient regard to the laws and traditions of classical
art.(1891a1) |
|
Decaduchi ( |
|
Egyp. A period of ten days, which was ruled by a st=
ar
called its D=
ecan.
The month was divided into three decans, and =
the
year into thirty‑six, each being presided over by its own inferior
divinity. On zodiacs they are arranged in groups of three above the twelve
superior gods. The decans were the tutelary g=
enii
of the horoscope.(1883m1) |
|
Decarchia ( |
|
Med. Lat. To
dismantle.(1883m1) |
|
(Arch.) In Grecian
architecture a temple was termed decastyle =
when
it had ten pillars in its façade.(1891a1) |
|
Arch. A building of =
which
the portico has ten columns; a decastylic ped=
iment
is a pediment supported by ten columns.(1883m1) |
|
Decemjugus (sc. currus)=
, R. A
chariot drawn by ten horses abreast; represented on the medals of the lat=
er
emperors.(1883m1) |
|
R. A ten‑foot
measuring‑rod used by architects and surveyors.(1883m1) |
|
R. (remus, an oar). A vessel =
with
ten banks of oars. It is certain that the different ranks of rowers, who =
had
each his own seat, sat one above the other; the lowest row was called |
|
To remove the centre, or temporary structure o=
f wood
upon which arches are built, after the masonry has consolidated. [Centre.=
](1891a1) |
|
The tenth part of a =
metre. A metre is 39.37=
inches,
and consequently a decimetre is 3.9 inches, o=
r very
nearly equal to a hand.(1891a1) |
|
A festival at |
|
(=3D beheading). An
ecclesiastical expression applied to |
|
Decorated Style of Architecture. The second of the P=
OINTED
or GOTHIC styles of architecture used in
|
|
Decorated Style. The
culmination of the Gothic style in |
|
By the decoration of a
façade we mean the system of ornament which is placed upon it. Thi=
s may
consist of designs either sculptured in relief or painted. One branch of =
the
art of decoration is the adornment of rooms with tapestries, works of art,
tropical plants, &c. Under the term theatrical decoration are included
all the curtains, painted scenes and furniture, which help to give an air=
of
reality and splendour to a scene on the
stage.(1891a1) |
|
A work of art is sai=
d to be decorative when it is applied to=
the
decoration of a particular space, and when it is designed with a view to =
the
shape and character of the space which it fills. A painting may be said t=
o be
decorative when, quite apart =
from
the subject it portrays, it produces upon the spectator the impression of=
a
piece of decoration, either from the harmony of its =
colouring
or the beauty of its lines. Decor=
ative
Art is that branch of art,
which is applied to the decoration of objects of luxury or use, and to the
adornment of houses and other buildings. Thus the object of decorative ar=
t is
not the creation of a separate work, such as a picture or statue, but the
production of sculptures, paintings, or fabrics which are intended to |
|
An artist who devotes
himself to decorative painting or sculpture, and executes his work with d=
ue
regard to the space which it is intended to occupy.(1891a1) |
|
A
stela in the |
|
Her. A half‑moon having its horns to the sinis= ter. Fig. 2= 39. Decrescent.(1883m1)
|
|
R. (decurro, to run or march).
Military manoeuvres; a review, sham fight, or=
any
exercise for training soldiers; the term decursus was also used.(1=
883m1) |
|
R. (decem, ten, and as). A piece of money marked wit=
h the
numeral X (10), and which was worth ten asses (post‑Augustan; see
DENARIUS).(1883m1) |
|
A district in Arabia now represented by the |
|
A tribe of Joktanite Arabs, not to be confounded wit= h the Dedan of of the Bahrein Isles. (1876c1) |
|
Works offered to
distinguished persons or submitted to their patronage by a written, print=
ed,
or engraved dedication are said to be dedicated
to them.(1891a1) |
|
An inscription engra=
ved on
plates principally of the 17th and 18th centuries. The inscription someti=
mes
embodied armorial bearings, and described the respect of the engraver for=
the
possessor of the picture or his gratitude towards some person of high
rank.(1891a1) |
|
A name given to cert=
ain
silks, which were dyed of the richest purple, and figured with gold in the
pattern of netting.(1883m1) |
|
O.E. A musical instr=
ument.
(See VIOL DE GAMBO.)(1883m1) |
|
Gen. The diminishing=
of the
tones of colour, light, and shade, according =
to the
different degrees of distance. (A term used especially in reference to gl=
ass
painting.)(1883m1) |
|
Her. Placed on
steps.(1883m1) |
|
Deid. Or= Dido. The wife of Batta king of the Lydians, and mother of King Maurmaiu, who was l= ost in battle fighting against Menepthah II. (1876c1) |
|
Gr. A vessel with a =
wide
mouth and semi‑spherical body, something like the cacabus.(1883m1) |
|
A small but beautiful, limestone and partly
rock hewn temple, near |
|
Deir-el-Medineh. A small temple near to Medinet-Habu=
in |
|
Dêr el Medineh. A small temple begun by Ptolemy IV. and finished by Ptolemy IX. It
lies between the Colossi and Medinet Habu. It is specially interesting as
containing the only lapidary representation of the Psychostasia (q.v.).(1902b1) |
|
The Greek form of the Median royal name |
|
A governor of Minni=
span>,
who revolted against Sargon II. at the instiga=
tion
of Ullusumue, king of Mi=
nni.
(1876c1) |
|
The son of Phraortes<=
/span>.
He was an able legislator, and united the whole of the independent tribes=
of
Media under one government. He reigned for fifty-three years, and was
succeeded by his son Phraortes or Fravartis. (1876c1) |
|
Abbreviation of the =
word delineavit. It
follows the name of the original author of a drawing which has been
reproduced by engraving or lithography.(1891a1) |
|
One of the many usurpers who for a short t=
ime
occupied the throne of |
|
Common pottery from =
|
|
(Pot.) Earthenware painted and
glazed is called delft, from the town |
|
Delft Faiences are remarkable for the beauty of their
paste and of their enamel, but spurious imitations are said to be abundan=
t.
Fig. 240 is a representative specimen of the real
|
|
Gr. Festivals and ga=
mes at
Delos.(1883m1) |
|
The outline of a fig=
ure or
landscape.(1891a1) |
|
In Scandinavian mythology a descendant of =
Asen, the third husband of Nott, by whom he had the=
deity
Dag, which see. (1876c1) |
|
Delphica (sc. cortina=
), R. A
table of a very costly description, made of wh=
ite
marble or bronze. It was used as a drinking‑table, and had only thr=
ee
feet richly ornamented. [Explained under the heading CORTINA.](1883m1) |
|
A Greek festival in =
honour of Apollo.(1883m1) |
|
R. The two columns a=
t one
end of the s=
pina
of a circus, on which marble figures of dolphins were placed. The seven ova (eggs) on similar columns at=
the
end of the s=
pina
opposite to these dolphins, served to indicate the number of turns made by
the chariots round the goal. (See OVUM.) [The figure of the dolphin was
selected in honour of |
|
Gen. (=
*,=
8N=
\<[=3Ddelphin]). The dolphin was ofte=
n used
as an ornament, and especially as a hand‑rest or banister to the vomitoria or entrances of the th=
eatres
and amphitheatres. Fig. 241 represents a dolphin utilized in this manner =
at
the theatre of Puzzoli. Many medals, as for instance those of Fig. 241. Dolphin. Used as an ornament. Fig. 242. Dolphin. Medal of Syracuse.<= /span>(1883m1)
|
|
R. A heavy mass of i=
ron or
lead used in naval warfare, to drop on board of a hostile ship and sink i=
t.
(Compare CORVUS.)(1883m1) |
|
A triangle surrounde=
d by
rays and containing inscribed within it the name of Jehovah in Hebrew
characters.(1891a1) |
|
|
|
R. (deluo, to cleanse). A shr=
ine;
the part of a temple which contains the altar or statue of the deity, and
thence a temple containing an altar.(1883m1) |
|
The modern name of the district called by =
the
Iranians Varena. (1876c1) |
|
Her. Cut into pieces=
, but
without any alteration in the form of the original figure.(1883m1) |
|
In Grecian
mythology the goddess of the generative power of the earth. The Ceres of =
the
Romans. See Parthivi Mutar. (=
1876c1) |
|
Demeter, the daughte=
r of Cronus and Rhea, was the goddess who watched over
agriculture and the production of the fruits of the earth. When her daugh=
ter
Persephone was carried off by Hades, she sought for her in every land,
conferring wherever she went the blessings of agricultural prosperity. She
was especially revered in |
|
Her. The half; the upper, front, or dexter half, unl= ess the contrary is specified. Fig. 243. Demi‑lion, rampant.(1883m1)
|
|
Demi‑brassards. Half arm=
our
for the arm. [Brassards.](1891a1) |
|
Demi&=
#8209;brassarts,
Vambraces, or Avant‑braces. Half‑ |
|
A column so built ag=
ainst a
vertical wall that only half of the column is seen, the rest being built =
into
the wall. [Column.](1891a1) |
|
A cannon of four inc=
hes'
bore. (Meyri=
ck.)(1883m1) |
|
When one of the vert=
ical
supports of a dolmen are non‑existent so=
that
the table of the dolmen rests with one end on the ground it is called a <=
span
class=3DSpellE>demi‑dolmen, or an imperfect dolmen. When such
dolmens were of large dimensions they were employed for the massacre of
victims, who were marched up the sloping surface and precipitated from the
top. [Dolmen.] ILLUS. demidolm(1891a1)
|
|
A smaller kind of ha=
ckbut (arquebus).(1883m1) |
|
O.E. A fire‑ar=
m,
smaller than the arquebus; 16th century.(1883=
m1) |
|
Armour for the shins.(1883m1) |
|
(Her.) A
lion, of which the upper half only is represented on a chief or fess, the
animal thus appearing at the top of the shield. ILLUS. demilion(1=
891a1)
|
|
The lower part of a
breastplate.(1883m1) |
|
Sculpture in relief,=
in
which one‑half of the figure projects; generally called Mezzo‑relievo. (See BASSO&=
#8209;RELIEVO.)
(1883m1) |
|
Demiurgi ( |
|
(Her.) Used to descr=
ibe a single
wing of a bird with the features turned towards the sinister side of the
shield. Several shields present three demi‑vol=
s
on the same surface. ILLUS. demivol(1891a1)
|
|
The destruction of an
edifice.(1891a1) |
|
Demons in the modern sense of the wor=
d -
irredeemably evil spirits - figure largely in Graeco=
-Egyptian
magical papyri in which the greater part of the spells are addressed to
demons. Much importance was attached to the names of the demons and their
right pronunciation. (See MAAT
KHERU.)(1902b1) |
|
Slaves belonging to =
the
state, at Athens.(1883m1) |
|
demotic: a cursive script much used in the late
period.(1894e1) |
|
(writing), Egyp. (= *0= :@= J4= 6[=3Ddemotika], sc. (= DV= := :"= J"[=3Dgrammata], i.e. popular writi= ng). A mode of writing among the ancient Egyptians, differing from the hieroglyphic or sacred writing. = This writing, which was employed for civil records, was introduced under the twenty‑fifth dynasty, being derived from the hieratic writing, the first abbreviation of the hieroglyphics.(1883m1) |
|
The
name given to a cursive modification of the hieratic (q.v.) used for the vulgar dialect; it is not found until the =
XXVth Dynasty. It was introduced about B.C. 900 and=
was
in use until the fourth century A.D. Composed of the same mixture of sign=
s as
the hieratic, it is extremely difficult to decipher, owing partly to the
similarity of signs which have separate hieratic equivalents, and partly =
to
the fact that the writing is thick and careless. Like its parent the hier=
atic
it reads from right to left.
Professor
H. Brugsch has published a demotic grammar, b=
ut
very little advancement is made in the study of the characters, all the w=
ork
in it being done by a few men. Nor are the subjects of demotic documents =
as a
rule very interesting, since they consist chiefly of contracts of sale and
legal matters; some magical texts and a curious tale being the chief
exceptions. (Papyrus of Setna in the |
|
O.E. A judge.(1883m1=
) |
|
O.E. An old word for=
dimity;
a kind of fustian. Perhaps so called because first manufactured at Damietta.(1883m1) |
|
R. (deni, by tens). The silve=
r coin
principally in use among the Romans. Until the reign of Augustus the denarius was worth ten asses, and afterwards sixtee=
n. Denarius aureus<=
/i> was
a gold denarius, equal in value to twentyR=
09;five
silver denarii.(1883m1) |
|
Denderah. Or= Tentyra. A magnificent temple, on the roof of which an Arab village has b= een built. It was begun by Ptolemy XIII., but the edifice itself was only a restoration on a larger scale of the ancient Theban temple of the goddess Hathor. The sculptures are specially interesting to historical students, = and the most reliable contemporary portraits (coins excepted) of Cleopatra VI. and her son Caesarion are found upon the interior walls. (1876c1) |
|
A city of Valencia i=
n Spain,
which disputes with Alcora the production of a
remarkable kind of pottery, of which Jacquemart
mentions a vase with two handles of Arab form, resembling the alcarazas, upon a smooth white enamel decorated with
birds and flowers coarsely painted.(1883m1) |
|
St. Denis of |
|
An ancient Egyptian official title which w=
as
applied to persons holding very different offices, and which is therefore=
now
generally rendered "chief," or "director." "Grea=
t Dennu of Egypt" was a title given to Rameses VII. in a papyru=
s which
is now in the |
|
R. Literally, a tooth; hence the prongs of a for=
k, the
flukes of an anchor, the barbs of a lance, the teeth of a saw or
rake.(1883m1) |
|
R. (dens, a tooth). The piece of wood in a p=
lough
on which the plough‑share (vomer) is fastened.(1883m1) |
|
R. Armed with teeth.=
(1883m1) |
|
Of French pottery, a=
light
lace pattern, more delicate than the "lambrequin."(1883m1) |
|
Dentile, Dentils, (L= atin, denticuli), Arch. Ornaments in the form of small cubes or teeth, used in the moulding of cornices, in the IONIC, CORINTHIAN, and COMPOSITE orders. (See TOOTH‑ORNAMENT, DOG'S‑TOOTH.)(1883m1)<= o:p> |
|
(Arch.) A system of
ornament, which breaks the horizontal moulding of
an entablature, and throws shadows below the projection caused by the cor=
nice
in the Ionic and Corinthian orders. Dentels a=
re
formed by punching out rectangular pieces from a large fillet (q.v.). The=
ir
height is generally double their breadth, and they are separated from one
another by a space half as broad as the dentel
itself. ILLUS. dentels(1891a1)
|
|
R. A bowl with two h=
andles,
the foot of which is made of a low flat moulding
like the Doric fillet.(1883m1) |
|
Her. Surmounted, pla=
ced over
another.(1883m1) |
|
(Paint.) The distance
measured from the bottom of a picture to the horizon. We sometimes say of=
a
landscape that it wants depth.(1891a1) |
|
The factory of porce=
lain at |
|
Manufactory establis=
hed in
1750. Jacquemart says, " |
|
O.E. Noble, honourable. "Syr Cadore with his dere knyghttes."(1883m1) |
|
A city in Babylonia, which was attacked by=
Samsi-Vul III., king of Assyria, during a great rel=
igious
processional festival in honour of the great =
god of
Deri. (1876c1) |
|
O.E. Deeds of arms.(=
1883m1) |
|
R. Smoothed and poli=
shed
with the run=
cina
or carpenter's plane.(1883m1) |
|
The fifth of the ten great Persian tribes.
They were an agricultural caste. (1876c1) |
|
Lat. A stall or desk=
in a
church.(1883m1) |
|
A picture representi=
ng
Joseph of Arimathea and the disciples of Chri=
st
lowering the body from the cross.(1891a1) |
|
R. Rasped with the S=
COBINA
or carpenter's rasp.(1883m1) |
|
(Paint.) The prelimi=
nary
sketch of a picture. A collection of lines, which serves as the base of a
composition and marks the more important points in it. The plans prepared=
by
an architect for a building, or by an engineer for a machine, or by an ar=
tist
for a paper or stuff, are called the design
for the building, machine, &c. The art of design is the adaptatio=
n of
forms to spaces, objects, and materials. The business of the designer is =
to
fill space, or panels with designs which at once fit the space in which t=
hey
are placed and are harmonious in themselves.(1891a1) |
|
An artist who execut=
es
decorative designs for industrial purposes ‑wall‑papers, carp=
ets,
&c., &c.‑ is called a designer.(1891a1) |
|
Desks sloped at vari=
ous
angles are used for various purposes: (1) for painting min=
iatures
upon ivory; (2) for painting on
porcelain; (3) for retouching
photographs; (4) for executing
tracings.(1891a1) |
|
Anglo‑Norman. A war̴=
9;horse.(1883m1) |
|
Desultorius (sc. |
|
Pas de Calais, France. An
interesting manufactory of faience established in the 17th century, of a
style originating in |
|
A term in painting a=
pplied
to figures which stand out well.(1883m1) |
|
(Arch.) Isolated, st=
anding
by itself. A column is said to be detached when it stands apart from the
building to which it belongs. It may be connected with the rest of the
building either by a plinth or an entablature. A house is said to be deta=
ched
when it does not join another house on either side, but has a free space =
all
round it. In a painting figures are said to be detached, when they stand =
out
naturally from the background. ILLUS. detached
|
|
This word is used to
describe the secondary or accessory parts in a picture or a group. In cer=
tain
kinds of work, as in easel‑pictures for example, the detail should =
be
carefully executed, because the work will be subject to close inspection.=
But
in wall pictures on the other hand an over‑scrupulous execution of =
the
details would spoil the general effect. In architecture the detail is the
smaller ornamental work. It is executed from the architect's designs, and
from it the building gets much of its character.(1891a1) |
|
R. (de and uncia,
a twelfth part off). A nominal value not represented by any coin. The term
means literally eleven unciae,
or eleven‑twelfths of anything [i.e. ounces or twelfths of a
pound].(1883m1) |
|
The Vedic name of Deity in an abstract sen=
se.
(1876c1) |
|
In Zendic myth=
ology
a species of evil manes, created by Ahrimanes=
in
opposition to the Yazatas of Ahuramazda.
They were the representatives of the Devas of=
the
Veda, but endowed with opposite qualities. (1876c1) |
|
(Photo.) After the s=
ensitive
plate has been exposed in the camera to receive the image it is removed i=
nto
a partially darkened room, where it is subject to the action of certain
chemical reagents. By this means the image on the plate is developed.(1891a1) |
|
Her. Displayed,
unfurled.(1883m1) |
|
An emblem or motto, =
which
was borne by mediaeval Knights upon their shields and banners, and served=
to
distinguish them in battle or at tournaments. It was from devices that
armorial bearings (q.v.) were in all probability derived. Our cut represe=
nts
the device on the shield of the Prince of Cond&eacut=
e;.
ILLUS. device(1891a1)
|
|
Chr. Mediaeval representations of the devil (espec=
ially
in painting) were taken from those of the satyrs of the ancients. They we=
re,
however, subject to no canon of symbolism at all, and varied from the
likeness of a beautiful woman to every imaginable variety of the grotesque
and repulsive.(1883m1) |
|
This lace is said to have been first introduced into=
|
|
Pers. Evil genii, servants of =
Ahriman,
in the religion of Zoroaster; they were twenty‑eight in number, and
were opposed to the ministers of the amchaspands or
IZEDS (q.v.).(1883m1) |
|
In Hindu mythology certain good spirits who
worked for the weal of the human race. They were also called Ghandharvas. (1876c1) |
|
R. (de and sextans,
i.e. a sixth part off). A nominal value not represented by any coin. The
literal meaning of the term is ten unciae, or ten‑twelfths of anything
[ounces].(1883m1) |
|
Her. The right side,=
i.e. to
the spectator's or reader's left.(1883m1) |
|
(Her.) The dexter side of a shield is the right‑hand sid=
e of
the shield itself, and it is thus opposite to the left hand of a person
facing the shield. ILLUS. dexter(1891a1)
|
|
R. (dexter= i>, right). A bracelet worn by Greek and Roman women on the right arm, and differing from the dextrocherium<= /i> (Fig. 245), which was worn on the wrist. The latter ornament was often of gold. (See ARMILLA.) Fig. 245. Dextrochere or bracelet.(1883m1)
|
|
(Her.) A French hera=
ldic
term used to describe a charge representing a right arm, either draped or
bare. ILLUS. dextroch=
span>(1891a1)
|