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A priest of Pthah.
His period is uncertain. (1876c1) |
|
An Egyptian officer, an "Overseer of =
the
House," whose monument is in the |
|
A musical stringed instrument arranged to be played = upon by the wind (from Eolus [or properly AEolus], the ruler of the winds).(18= 83m1) |
|
A musical instrument similar to a harmonium, invente= d in the last century by Eschenbach.(1883m1) |
|
A musical instrument similar to a harmonium.(1883m1)= |
|
An Egyptian lady, an assistant of the deit=
ies
Amen and Hathor. Period uncertain. (1876c1) |
|
A royal scribe attached to the |
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Eora Gr. (=
¦f=
D"[=3Deora]). A festival held at |
|
In Grecian mythology the goddess of the Da=
wn.
She was represented as a beautiful woman with a crown of light and rosy
finger nails. (1876c1) |
|
Epact (Gr. = ¦B= "6= J"= Â[=3Depaktai], sc. º= :X= D"= 4[=3Dhemerai]; in Med. Lat. adjectiones Lunae). The number of days required at the end of a lunar year to complete the so= lar year. (See EMBOLISMUS.)(1883m1) |
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Epagomenae (sc. days), Gen. (= ¦B= "(= `:= ,<= "4 = º:= XD= "4[=3Depagomenai hemerai], i.e. intercal= ated days). The name given to the five supplementary days of the year among th= ose nations who divided the year into twelve months of thirty days each.(1883= m1) |
|
The
five days which were added to the old Egyptian year of twelve months of
thirty days, in order to bring it to the length of the true year. The leg=
end
was that Thoth had invented them for the
convenience of Nut. For that goddess having fallen into the embraces of <=
span
class=3DSpellE>Seb,=
was cursed by her husband Ra, who swore that on no day of any year should=
she
bring forth her children; but by the invention of these days she was resc=
ued
from her predicament. (See YE=
AR.)(1902b1) |
|
In Greco-Egyptian mythology the son of Io,=
and
the first king of |
|
A prince or king of P=
atusarra
in Media. He was conquered and taken captive to |
|
Epaullière or Epaullets, Fr. Shoulder‑p= lates; also the shoulder‑knots formerly worn by gentlemen, but now restric= ted to domestic servants. (See AIGLET.)(1883m1) |
|
Epaulets. Shoulder=
8209;pieces
of metal, which were introduced about the 14th century to serve as a
protection to the upper part of the arm. With this the epaulet worn by officers has nothing to do. The latter, which=
is
a kind of shoulder knot, was first worn in the latter half of the 18th
century by men of fashion.(1891a1) |
|
(Arch.) A wall built to uphold earth.(1891a1)=
|
|
Ependytes Chr. (= ¦B= ,<= *b= J0= H[=3Dependutes], i.e. worn above). The "fisher's coat" of St. Peter. A coarse cl= oak worn by the monks of the Middle Ages over another garment; it is also cal= led, in the ancient MSS., superaria, superindum, and sagus rusticus. It is frequently described, especially in the East, as made of skins (= :0= 8T= J¬= H[=3Dmelotes], pelliceus).(1883m1) |
|
(Fr. é= ;pargne, economy). An ornamental stand, with dish and branches, for the centre of a table.(1883m1) |
|
At |
|
Epha or Ephah. Heb. A measure of capacity, about 3 p= ecks and 3 pints.(1883m1) |
|
Ephah. A Hebrew measure of capacity, equal nearly to= one English bushel. (1876c1) |
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Epheb= eum Gr. (¦= N0= $,= Ã@= <[=3Dephebeion]). The large hall of a gymnasium, situated in the centre of the building, in which the youths (ephebi) pra= ctised gymnastic exercises.(1883m1) |
|
The eleventh month of the Egyptian sacred
year. It began about the 16th May. (1876c1) |
|
Gr. (= ¦N= \BB= 4@= <[=3Dephippion], i.e. for putting on a horse). A saddle. Among the Greeks and Romans it wa= s a kind of pad, square or round in shape, and regularly stuffed. Saddle̴= 9;cloths hung from it, but it had no stirrups. The word sella, or sella eques= tris, became common in later times.(1883m1) |
|
Hebrew. A short upper garment worn by the Jewish pri= ests. The ephod, which was also worn by the Jewish judges and kings, was made of fine linen; that of the high priest consisted of a sleeved tunic, woven w= ith gold thread, purple, hyacinth, and twisted flax. Two sardonyx stones set = in gold adorned the clasps by which this tunic was fastened round the should= ers.(1883m1) |
|
Epi or Girouette, Fr. The complicated iron ornament = with which steeples and pointed roofs were surmounted in the architecture of t= he Renuissance period, replaced in modern times by the weather‑cock. A similar spiked ornament, of pottery or metal, is still common on the gabl= es of houses in Normandy.(1883m1) |
|
Épi. (Arch.) An ornament of glazed earth or lead s=
urmounting
pointed roofs. Epis
of earthenware were employed from the 13th to the 14th century, at which =
time
they were replaced by épis
of enamelled faïence. The finest specime=
ns of
this class consist of a small square pedestal, sometimes decorated with h=
uman
masks. Above this pedestal is placed a fir cone, a basket of flowers, fol=
iage
of varied hue, or a bird poised on a small globe. Leaden épis are either ca=
st or
beaten with a hammer. Towards the end of the 15th century excellent resul=
ts
were obtained by combining these two kinds of epis. The Renaissance pro=
duced
some admirable specimens, consisting of capitals decorated with foliage a=
nd
surmounted by vases of graceful form. In the 17th century they assumed the
form of colonnettes, vases, or chimaeras. Som=
e are made
to‑day in lead and after the best designs, but for the sake of econ=
omy
zinc is too often used instead of lead, and this material robs them of all
chance of durability. ILLUS. epi(1891a1)
|
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In Art, the graphic representation of an "epos,= " or event, cardinal in history.(1883m1) |
|
Epichysis Gr. and R. (= ¦B= \P= LF= 4H[=3Depichusis], i.e. that which pours = in). A Greek pitcher with a long neck and a handle; it was used for pouring wine into cups.(1883m1) |
|
(Pot.) A jug from wh=
ich wine
was poured into a cup. It was a form of the Greek oe=
nochoe
(q.v.), and had a lip, through which the liquid ran, and a light delicate=
ly‑shaped
handle. In our cut an epichysis is represente=
d with
a drinking‑cup placed over its mouth. ILLUS. epichysi(1891a1)
|
|
Gr. and R. (= ¦B= \6= TB= @H[=3Depikopos], i.e. furnished with oar= s). A vessel with oars. (See NAVIS.)(1883m1) |
|
Gr. and R. A woman's garment, of a saffron yellow (c= rocus), whence its name.(1883m1) |
|
"A curve described by the movement of the circumference of one circle on the convex or concave part of the circumference of another." (= Stormonth.)(1883m1) |
|
Epideipnis Gr. (i.e. following the dinner). The last course of a dinner or any kind of banquet.(1883m1) |
|
Epidemia Gr. (lit. among the people). Festivals held=
at |
|
A mineral of a green or greyish colour; of the garnet family.(1883m1) |
|
Gr. (1) The mizen, or sail on the mast nearest to the stern, in vessels with several masts. (2) A part of the oil‑press. (3) A running rope passing through the rings of a la= rge net for catching birds, by means of which the huntsman, who was on the wa= tch, closed the net when the game had found their way into it.(1883m1) |
|
Gr., Chr. An ornament peculiar to the Eastern Church= ; a lozenge‑shaped piece of some stiff material, hanging from the girdl= e on the right side as low as the knee= (whence its name).(1883m1) |
|
An inscription place=
d upon a
building to preserve the memory of its construction.(1891a1) |
|
Chr. This festival is known by various names in the different European languages; and the names are either (1) mere productio= ns of the Latin name, or renderings of it; or (2) refer to the manifestation to the Magi as the th= ree Kings, as the Dutch Drie‑Koningendag, &c.; or (3) indicate it as the final day of the Christmas festivity, Twelfth Day, &= c. (See Smith and Cheetham's Diction= ary of Christian Antiquities.)(1883m1) |
|
Egyp. The third month of summer, called the season of harvests.(1883m1) |
|
Epirhedium. R. (= ¦B= Â Gr., and rheda Gallic). A kin= d of chariot. The word was formed by the Romans as above, and is explained as = Ornamentum rhedarum, aut plaustrum. (See RHEDA, PLAUS= TRUM.)(1883m1) |
|
Episcenium. Gr. and R. (= ¦B= 4‑F= 6Z= <4= @<[=3Depi‑skenion], i.e. above = the stage). A room situated above the stage, in ancient theatres, for the machinery.(1883m1) |
|
Chr. The ring and the pastoral staff, the distinctiv= e marks of the authority of a bishop.(1883m1) |
|
A scene or group of =
figures
represented in some part of a picture, bearing little relation to the
principal subject. The term is also applied to which represent one partic=
ular
incident in along chain of events. Thus we speak of a picture representin=
g an
"Episode in the Crimean
War."(1891a1) |
|
Epistle Side (of a church). The south side.(1883m1)<= /p> |
|
Epistomium. R. (= FJ= `:= "[=3Dstoma], a mouth). The cock of a vessel or water‑pipe, which let out only a little water at a time.(1883m1) |
|
(Arch.) An architrav=
e or
horizontal beam placed on the capitals of columns, so as to hold them
together and to act as a support to the upper part of a building.(1891a1)=
|
|
Epistylium. Gr. and R. (= ¦B= 4‑F= Jb= 84= @<[=3Depi‑stulion]). An epistyl= e; literally, on the column (= ¦B= Â[=3Depi], on, and FJ= Ø8= @H[=3Dstulos], a column); that is, the architrave or lower beam of an entablature laid horizontally upon columns= . By analogy the term is used to denote the entire ENTABLATURE (q.v.).(1883m1)= |
|
Epitaph (= ¦B= 4J= VN= 4@= H[=3Depitaphios]). (1) A eulogy pronounced at a funeral. (2) Memorials of art in churches, in remembrance of = the dead. (3) Inscriptions on tombs.(1883m1) |
|
(Arch.) A tablet of =
marble,
stone, or metal upon which a funeral inscription is engraved. The term is
also applied to the inscription itself.(1891a1) |
|
The receivers of the Egyptian inland taxes
under the Ptolemies. They replaced the Merismoi or
publicans, whose conduct was nationally unsatisfactory. (1876c1) |
|
Gr. <= /span>A nuptial song. A fragment of verses from one of these songs, written by Hesiod, has come down to us.(1883m1) |
|
Arch. The upper member of the cornice of an entablat= ure.(1883m1) |
|
R. A cloak worn over the toga.(1883m1) |
|
Gr. and R. That part of the catapult in which the mi= ssile was laid.(1883m1) |
|
Chr. (i.e. on the neck). The Greek name for the stol= e. (See STOLE.)(1883m1) |
|
Epiurus R. (= ¦B= \@= LD= @H[=3Depiouros]). A wooden peg used as a= nail.(1883m1) |
|
Certain mountains near to Media, where the
people fled for shelter from the invasion of Samsi-V=
ul
or Samas-Rimmon III., king of |
|
A fixed and important period of novelty or change, w= hich gave a new and distinctive character to Art. (Fairholt.)(1883m1) |
|
Gr., Chr. The cord or ribbon by which relics, or cro= sses (ENCOLPIA), were suspended from the neck.(1883m1) |
|
An Assyrian officer analogous to that of
Consul among the Romans. Each year the king nominated a magistrate, whose
sole duty it was to give his name to the year in the chronological record=
s.
The highest officers of the crown had this right during the early yean of=
a
reign, the king himself being the eponym of the year of his accession. The
next years were named after the Commander-in-chief, or Tartan, the Chief
Eunuch, the Minister of State, and lastly the Governor of the Country, af=
ter
which the king selected the eponym from the other great officers of state=
at
his pleasure. (1876c1) |
|
(Her.) French herald=
s use
this term to describe a small square piece cut out of the corner of a shi=
eld
by means of an elbow of a different tincture. This device is common in Ge=
rman
coats of arms. The term escarre is also sometimes used. ILLUS. equerre(18=
91a1)
|
|
R. Generally, any one on horseback, a rider, and by analogy a knight, that is, a patrician or man of distinguished family. Eques alarius was the name given= to the cavalry of the allies; eques cataphractus was a knight whose horse, as well as himself, was clad in complete armour; eques extraordin= arius were the picked cavalry in the service of the consuls; eques legionarius, eq= ues praetorianus, the praetorian cavalry; eques sagittarius, the mounted archers(1883m1) |
|
A term applied to st=
atues
which represent a personage mounted upon a horse. There were many celebra=
ted
equestrian statues executed by Greek and Roman sculptors. Lysippus,
for instance, was the author of equestrian statues of Alexander and his
generals. In modern times too the equestrian statue has been a favourite form of portraiture.(1891a1) |
|
A term applied to a =
figure
in its natural and stable position and also to the arrangement of a
composition, in which the groups, masses, and blacks and whites are well
distributed and balanced.(1891a1) |
|
(Her.) A French hera=
ldic
term used to describe a shield divided into nine small squares so as to f=
orm
a chequer board. The usual arrangement is to =
have
the four corner squares and the centre one of the same tincture, and the
remaining four of some other tincture. ILLUS. equipoll(1891a1)
|
|
Her. Fully armed, caparisoned, or provided.(1883m1)<= /p> |
|
R. (equus).
Games instituted by |
|
Equuleus or Eculeus R. (lit. a colt, a young horse).= This was an instrument of torture on which slaves were placed astride. The law prescribed that all slaves called as witnesses should be examined under torture.(1883m1) |
|
R. A horse; properly a stallion, as opposed to cauterius, a gelding and equa, a mare.(1883m1) |