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A king of the city of |
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An Egyptian town, as yet unidentified. It =
was
one of the two Crocodilopoli of the Greeks, being a place sacred to the g=
od
Sebek. (1876c1) |
|
An Egyptian town, sacred to the worship of=
the
deity Apis. It was also called Hanut. (1876c1) |
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Another form of the name of the patriarch
Adrahasis, which see. (1876c1) |
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The viceroy of the country of Isbaggi, und=
er
Urukh, king of |
|
HASTA. A short spear borne by the Rom=
an
soldiery. Its form and use may be seen in our cut, which is copied from a=
bas-relief
on the Antonine column,
|
|
Hasta. (Gr. = §(= P@= H[=3Dengchos]). A spear used as a pike for thrusting, or as a missile for hurling from the hand, or as a bolt from an engine. Homer defines the spear as "a pole heavy with bronze." The hast= a amentata, for hurling, had a leathern thong for a handle (amentum) in the middle; hasta pura was a spear without a head, and was a much‑valued decorati= on given to a Roman soldier who had saved a citizen's life; hasta celibarium was a spear which, having been thrust into t= he body of a gladiator as he lay dead in the arena, was afterwards used at marriages to part the hair of the bride. A spear was set up before a place where sales by auction were going on, and an auction‑room was hence called HASTARIUM. Different kinds of spear were the lancea of the Greeks; the pilum, peculiar to the Romans; the veru<= /i>, verutum, or "spit," of= the Roman light infantry; the gaesum<= /i>, a Celtic weapon adopted by the Romans; the sparrus, our English spar or spear, the rudest missile of the whole class; and many others mentioned under their respective headings in this work. Fig. 379. Hasta ‑ Roman ceremonial spear.(1883m1)
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In Numismatics, a headless spear or long sceptre, an attribute of all the heathen deities; a symbol of the goodness of the gods and the conduct of providence, equally mild and forcible.(1883m1) |
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R. A room in which sales were made sub hasta publica, that is, by public auction, under the publ= ic authority indicated by the spear. The term also denoted a list or catalog= ue of sale.(1883m1) |
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R. (hasta). The shaft of a spear, and thence the spear itself, a goad, &c.(1883m1) |
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A Libyan tribe who were subjugated by Rame=
ses
III. of the XIXth dynasty. (1876c1) |
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Hat. A tow=
n in |
|
Hat. (Her.) A cardin=
al's hat
is a red broad‑brimmed hat with tassels hanging from it on either s=
ide.
In heraldry it is employed as the crest to a shield as shown in the cut. =
For
archbishops and bishops the hat is green and for abbots black,
and a difference is sometimes made in the number of tassels. ILLUS. hat(1891a1)
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Hat (A.S. ha= et, a covering for the head). Froissart describes hats and plumes worn at Edward's court in 1340, when the Garter order was instituted. Hats were originally of a scarlet‑red colour, and made of "a fine kinde = of haire matted thegither." A remarkable series of changes in the fashi= on of hats is given in Planché= ;'s Encyclopaedia of Costume. Our illustration represents a young Venetian noble of the Middle Ages. (See also the illustrations to POURPOINT, BIRET= TA, BOMBARDS, CALASH, CAPUCHON, CHAPEAU, CORONETS, &c.) Fig.
380. Costume of a nobleman in
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HATS. Coverings
for the head and feet have probably undergone more diversity of shape than
any other portion of our apparel, and have more especially determined the
varying costume of different nations. In
Antiquity, hats did not belon=
g to
the ordinary costume of life in cities; they denote rural, equestrian, and
sometimes warlike occupations - as the κυνέη, wh=
ich in
Boeotia bore the form of a fir cone; in Thessalia, that of an umbrella; t=
he arcadian hat is known by its very
large flat brim; the petasus =
was
especially worn by horsemen and ephebi, with the chlamys, in the form of =
an
umbellated flower reversed (Fig. 1); the CAUSIA, which had a very low cro=
wn,
belonged to the Macedonian, AEtolian, Illyrian, and also, perhaps, Thessa=
lian
costume. We may also mention the semi-oval sailor's bonnet, to which was
given a very significant interpretation in * The felt hats lat=
ely
introduced, and, as we are gratified to perceive, likely to be generally
adopted, are identical in form and material with the CAUSIA. This kind of
head-piece has everything to recommend it - material, form, and colour - =
and,
moreover, it is classic and picturesque. It is truly melancholy to reflect
upon the singular tyranny that for two generations has inflicted upon an
intelligent people so unsightly, uncomfortable, and altogether unsuitable=
a
covering for the "seat of thought" as the modern hat. It has, in
fact, nothing to recommend it; very little rough usage renders it shabby;
rain spoils it; in crowded assemblies it is an incumbrance, always in the
way, and a source of anxiety and annoyance to the wearer, while for artis=
tic
purposes it has to be studiously avoided. What, can a painter or a sculpt=
or
make of a modern hat?(1855f1)
|
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The Egyptian name of the town called
Antaeopolis by the Greeks. (1876c1) |
|
Hat-a-su. The name of the queen of |
|
Hat-a-su. Or= Hat-scheps. An Egyptian lady, the wife of the governor Titiu of the XVIII= th dynasty. (1876c1) |
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Another name of the town of |
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Hatchet. (Her.) This=
is a
not unfrequent charge in early heraldry. Hatchets of all shapes are to be
found in different coats of arms, including both battle‑axes and ax=
es
for cutting trees. When the handle of the axe is shown, the axe is said t=
o be
helved. ILLUS. hatchet(1891a1)
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HATCHET. An axe used by the military, o=
r by
executioners. It is borne by the apostles Matthew and Matthias, as an emb=
lem
of their martyrdom. (1855f1) |
|
HATCHING. The term applied to a series of
lines placed closely side by side, to produce the effect of an uniform ti=
nt
in engraving, and laid on by the strokes of the crayon or graver, at angl=
es
more or less acute, according to the degree of shadow. It is also used to
produce some of the shadows in fresco-painting; and in MINIATURE it is ve=
ry
effective when well executed. (1855f1) |
|
Hatchings. Lines either parallel or crossed, by=
means
of which the modelling of objects is indicated in engraving. These lines
according to their size and closeness enable the engraver to suggest tone=
s,
to render the effect of vibrating lights, and to distinctly mark the form=
and
even the texture of each object. For instance, it is by means of fine and
delicate hatchings that flesh is indicated, while vigorous hatchings
represent the folds of drapery, &c. Sometimes the small spaces between
cross‑hatchings are stippled, in order to tone down the too strongly
marked whites and to give depth to the modelling. In maps and topographic=
al
plans hatchings represent the slope of mountains, and they vary in number=
and
length according to the height and declivity of the mountain. The length =
of
the hatchings is in inverse ratio to the suddenness of the declivity, and
represents the distance existing between two consecutive curves. <=
span
style=3D'font-family:Arial;mso-bidi-font-family:"Times New Roman";mso-no-=
proof:
no'>ILLUS. hatching(1891a1)
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|
Her. (for at= chievement). An achievement of arms in a lozenge‑shaped frame, placed upon the f= ront of the residence of a person lately deceased, made to distinguish his rank and position in life.(1883m1) |
|
An Egyptian scribe, whose monument is in t=
he |
|
The Hieroglyphic name of the cedar oil, wh=
ich
was much used as am unguent by the ancient Egyptians. (1876c1) |
|
A town in the Libyan nome, sacred to the
goddess Isis. (1876c1) |
|
A young nude Satyr, who was represented on=
an
Etruscan mirror as upturning an amphora, with a leopard on each side of h=
im.
(1876c1) |
|
Hat-hor. An Egyptian goddess called "=
the
Lady of Horns." She was supposed specially to preside over the birth=
of
princes, the female toilette, and the production of precious stones. She =
was
the local deity of the nome of Lower Arsinoe, in Upper Egypt, of the gold=
and
turquoise mines at Wady Magara, and of the |
|
Hathor.
One of the most important goddesses of the Egyptian Pantheon. Her name
signifies "the House of Horus," and in one aspect she is a sky
goddess, Horus the sun rising and setting in her. Her best known form is =
as
the goddess of beauty, love, and joy. As such she was in later times
identified by the Greeks with their Aphrodite. Many festivals were held in
her honour, and the great temple at Dendera was devoted to her cult. In
another form she is the "Lady of the Underworld." The cow was h=
er
sacred animal, she herself being sometimes represented in the form of a c=
ow.
More often she is shown as a woman, though sometimes wearing the cow̵=
7;s head
or ears. Her characteristic headdress is the disk between two horns. Near=
ly
all goddesses were at times identified with her, and when this happens th=
ey
usually wear her attributes, the disk and horns. Very frequently Hathor is
represented suckling Horus. ILLUS. Hathor.(1902b1)
|
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The father (?) of an unimportant Egyptian
named Senbeb. His name is important as showing that the Egyptians used the
names of their deities as proper names of persons without any alteration =
or
combination. (1876c1) |
|
In Egyptian mythology seven deities, also
called the seven cows, who attended upon the birth of children, and in a
certain degree foretold their destinies. Their analogues were the Parcae =
of
the Greeks. (1876c1) |
|
An Egyptian lady, the wife of Pakhrua, and=
the
mother of Ankhkheper-ra, priest of Apis. (1876c1) |
|
An Egyptian lady, the daughter of Petemet =
and
the lady Hemsuisi. Her sarcophagus and mummy are in the |
|
An Egyptian lady, the wife of the sculptor=
and
architect Abet, of the XIIth dynasty. Her name is peculiar as containing
those of two deities Hathor and |
|
The father of Osirtesen, an Egyptian offic=
ial
in the reign of Amenemha II. of the XIIth dyna=
sty. (1876c1) |
|
The wife of Ameni, the chief of the embalm=
ers
of a king of the XVIIIth dynasty. (1876c1) |
|
An Egyptian lady, the wife of a private
individual named Ta-ta, who probably lived in the XIIth dynasty. (1876c1)=
|
|
An Egyptian lady, the sister of two private
individuals of the XIIth dynasty, named Antef and Ameni. (1876c1) |
|
An Egyptian lady, the mother of Ankh, the
keeper of the cars of the |
|
The Egyptian name of the lady Sensaos, whi=
ch
see. (1876c1) |
|
An Egyptian lady, the daughter of Neferpou=
and
the lady Ketet. Her sarcophagus and mummy are in the |
|
An Egyptian emblem or amulet in the shape = of a heart, generally wrought in red feldspar, jasper, or cornelian. (1876c1)<= o:p> |
|
In Scandinavian mythology the name of the =
wolf
which by pursuing and seizing the moon caused eclipses. He was the son of=
the
giant Hrodwitner, by the giantess Iarnwidr. See Sköll.(1876c1) |
|
Hati-nofre. "Good Heart."=
An Egyptian scri=
be,
whose monument is in the |
|
Hat-ka-nebter. "Abode of the Universal
Lord." One
of the mystical cows or Hathors of Egyptian mythology=
.
She was called "the Universal Lord" (sic). (1876c1) |
|
An Egyptian goddess, worshipped in the city
and name of Chev, in |
|
A city in |
|
The mother of |
|
Another name of the city of |
|
The Egyptian name for the royal quarries at
Ombos, in |
|
A town in |
|
An Egyptian town, sacred to the goddess Re=
shpu
or Reseph. Site unknown. (1876c1) |
|
Hat-scheps. = Or Hat-a-su. An Egyptian lady, the wife of the governor Titiu of the XVIIIth dynasty. (1876c1) |
|
An Egyptian lady, the daughter of Nunnu, an
officer in the XVIIIth dynasty. (1876c1) |
|
A daughter of Anhurmes, the priest of the
deity Anhur, in the XVIIIth dynasty. (1876c1) |
|
Hatshepsut, Queen |
|
Hat-a-su. Or=
Hatsheps. "The First of Noble Ones." A queen of |
|
A king of the XVIIth dynasty. (1876c1) |
|
The Egyptian name of the capital city of t=
he
Hykshos, which the Greeks corrupted into Avaris. (1876c1) |
|
Haubas. "The Shining." |
|
HAUBERGEON= . (Fr.) In Armour, a garment worn over the quilted gambeson or haquet= on, and under the jupon. (1855f1) |
|
Haube= rk. (Germ. Hals‑berg, a thr= oat‑guard). A military tunic of ringed mail, of German origin, introduced in the 12th century.(1883m1) |
|
Haube=
rk. A kind of cuirass or coat of mail in use in the
Middle Ages. It had wide sleeves and reached to a little below the knee as
shown in our cut. It is said to have been introduced about the 12th centu=
ry. ILLUS. hauberk(1891a1)
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|
HAUBERK, HALBERCUM (Lat.). In Armour,=
a
tunic of ringed mail, descending below the knees, with wide sleeves reach=
ing
a little below the elbow; being cut up before and behind, a little way, f=
or
convenience in riding, thus it had the appearance of terminating in short
trousers. It was introduced in the twelfth century, and is supposed to ha=
ve
been invented in * See Meyrick's Critical Inquiry into Ancient Arms a=
nd
Armour; Fairholt's Costume in=
|
|
O.E. A purse.(1883m1) |
|
(1.) An anatomical term denoting that part of t=
he os iliacum
which is articulated in the thigh bone, and generally in popular lang=
uage
the exterior projection of this bone. (2.) (Arch.) The haunch of an arch is the part =
which
lies between the vertex of the arch and its springing.(1891a1) |
|
Her. Said of fishes upright, "sucking the air.&=
quot;
(Fig. 381.) Fig.
381. Hauriant.(1883m1)
|
|
(Her.) This term is =
used to
describe a fish depicted upright on a shield, or, in heraldic language, a
fish in pale with the head in=
chief. The word is derived from =
the
supposition that the fish assumes this attitude when rising to the surfac=
e to
draw in air. ILLUS. hauriant(1891a1)
|
|
Haurvatat. "The Universe." In Zendic mythol=
ogy
the fifth of the heavenly Amshaspands, which see.(1876c1) |
|
A wind instrument of the reed kind.(1883m1) |
|
(Fr. havre= 8209;sac). A soldier's knapsack.(1883m1) |
|
HAVERSACK.= A soldier's knapsack, containi= ng personal necessaries for a campaign. It is a corrupt form of the French term havre-sac. (1855f1) |
|
In Hebrew tradition a country abounding wi=
th
gold, believed by Aryan scholars to be the district of Darada near Cashme=
re,
and thought by some Assyriologists to have been Ava in |
|
|
|
Egyp. This bird symbolizes the successive new births= of the rising sun. The hawk is the bird of Horus. It stood, at certain perio= ds, for the word God, and, with a= human head, for the word soul. The = sun (Ra) is likewise represented with= a hawk's head, ornamented with the disk.(1883m1) |
|
(Her.) In costs of a=
rms the
hawk is represented perched on both feet upon a horizontal beam. It may be
with or without a hood, but like the falcon it has as a rule jesses or ti=
es
attached to its feet. ILLUS. hawk(1891a1)
|
|
(Her.) This is a lit=
tle bell
of spherical form that used to be attached to the legs of hawks. In heral=
dry
these bells are sometimes borne as separate charges on a shield, but more
often appear in connection with the hawk, which is then blazoned a hawk belled. ILLUS. hawkbell(1891a1)
|
|
A king of Hindana in |
|
A king of |
|
A king of the Hedjaz in |
|
The Assyrian form of the Hebrew royal name
Hezekiah, which see. (1876c1) |
|
A Syrian settlement at the head of the |
|
A district in |
|
The Egyptian name of the town of |