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Hu=
. A mystical bei=
ng
mentioned in the CXth chapter of the Ritual o=
f the
Dead. (1876c1) |
|
Hu. "Taste." An obscure Egyptian divinity = who is named in the XVIIth chapter of the Ritual of the Dead. (1876c1) |
|
Hubert, St. A noble =
of |
|
HUBERT, ST=
. The patron saint of huntsmen. =
He was
a nobleman of |
|
In Arabian history a prophet who was sent =
to
convert the Adites from idolatry. He preached
without effect for fifty years during the reign of K=
huldjan.
At last the entire people of the Adites havin=
g been
punished by a drought, were miraculously slain=
by a
tempest, except a few who had believed in Hud.
(1876c1) |
|
A city in |
|
|
|
|
|
Hugin. "Thought.=
"
In Scandinavian mythology one of the ravens which sat upon the shoulders =
of
the great god Odin. (1876c1) |
|
Houi. Or= Hui. An Egyptian architect, whose votive statuette is in the Museum of the Louvre. (1876c1) |
|
Hui. An Eg= yptian captain of the XIXth dynasty. Nothing else is known respecting him. (1876= c1) |
|
Hui. A roy=
al
treasurer in the reign of Rameses II. of the XIXth dynasty. (1876c1) |
|
Hui. The son of Amen-em-heb, the chief of the grooms= of a king of the XVIIIth dynasty. (1876c1) |
|
Hui. An Egyptian officer, the keeper of the royal ba= rk of Meri-Ra or Thothmes III. of the XVIIIth dynasty. (1876c1) |
|
Hui. The auditor of the palace of justice in the rei= gn of a king of the XVIIIth dynasty. He was a worshipper of the Syro-Egyptian goddess Katesch. (1876c1) |
|
Hui. The governor or viceroy of |
|
A country near Media, which was rendered
tributary by Samas-Rimmon, king of |
|
Huircas or Pinchas. Peruv. Subterranean aqueducts of= the ancient Peruvians, distinct from the barecac or open conduits.(1883m1) |
|
An Egyptian officer, the scribe of the tre=
asury
at |
|
A Nabathean ci=
ty
where Abiyateh the rebel was taken captive by=
the
army of Assurbanipal. (1876c1) |
|
The chief of the Assyrian colony of Halziluha, near the head of the |
|
A Syrian nobleman whom Tiglath-Pileser
II. placed on the throne of Tabal,
instead of Varsarmi, the king, who had revolt=
ed
from him. (1876c1) |
|
Old English name for hangings for a hall, &c.(18= 83m1) |
|
The lord or chief of |
|
It
remains still a disputed point whether the pylon scenes representing the
Pharaoh about to kill his bound enemies indicates the practice of sacrifi=
cing
the captives to the god after a battle. Nor can it be positively proved t=
hat
from certain scenes in tombs we are to learn that victims were killed at =
the
death of a rich man in order that their spirits or kas (see KA) might follow him and minister to him in the other wor=
ld.
If this were so the custom did not survive the civilization of the Theban
Empire. M. Maspero has written, "On the
occasional persistence of human sacrifice, real or simulated, even into t=
he
times of the second Theban Empire."(1902b1) |
|
R. (humo= , to bury). The act of burying, and thence any mode of interment whatever.(188= 3m1) |
|
A king of |
|
An officer in the Ela=
mite
army who betrayed the plans of Ummanminan and=
his
allies to Sennacherib, thus securing an easy but sanguinary victory to the
king of |
|
Humettée, Her. Cut short at the extremities.(1883m1) |
|
Humetty. (Her.) Another term for =
couped. [Cross, Couped.](1891a1) |
|
An artist =
who
executes grotesque scenes and fanciful sketches, and who appeals to the s=
ense
of the ridiculous in those who look at his pictures.(1891a1) |
|
The name by which Omr=
i,
king of |
|
A city in |
|
The last king of the =
IIIrd
Egyptian dynasty. He reigned twenty-six years, and was the Kerpheres of the Greeks. (1876c1) |
|
A priestess of the goddess Nut in the XVIIIth dynasty. (1876c1) |
|
M. Jacquemart thinks that that represented in Fig. 3= 89 may be reasonably attributed to Palissy. It is glazed in green, and diapered = with little flames of a deeper shade. Upon the body, in relief, is the escutch= eon of the celebrated Anne de Montmorency, round it the collar of St. Michael, and on each side the Constable's sword supported by a mailed arm and the motto of his house, "A Planos" (unwavering). A mask of Italian style and rayonnated suns complete the decoration of this curious sealed earthenware. Fig. 389. Hunting Flask of Jaspered Ware, 1554‑556. Louvre Museum= .(1883m1)
|
|
Hunting‑horn or Bugle. (Her.) This is a very well‑known armorial bearing. The horn it=
self
takes the form shown in the cut, but it is generally represented with str=
ings
attached and with a band round the middle, and is then blazoned stringed and garnished. <=
span
style=3D'font-family:Arial;mso-bidi-font-family:"Times New Roman";mso-no-=
proof:
no'>ILLUS. huntingh(1891a1)
|
|
Bugle‑horn. (Her.) A =
figure
in blazonry in the shape of a small hunting horn. Thus we say a "
|
|
The capital city of the district of Nairi, North of Assyria, which submitted to Assurnazirpal. See
Nairi. (1876c1) |
|
Heuk or Huque. O.E. (1) Originally a cloak or mantle= worn in the Middle Ages; then (2) a tight‑fitting dress worn by both sex= es. (Fairholt; see also Planché, Encyclopaedia.) = There appears to be great uncertainty as to the character of this garment.(1883= m1) |
|
An Assyrian city which revolted to Assurdan, and was reconquered<=
/span>
by Samas-Rimmon, or Sams=
i-Vul
IV. (1876c1) |
|
A town and fortress of the Rotennu,
in |
|
A desert town in Naba=
thea,
which was conquered by Assurbanipal in his second Arabian war. (1876c1) |
|
A city of |
|
An Egyptian chief who unsuccessfully revol=
ted
against Piankhi-Mer-amen of the XXVIth
dynasty. (1876c1) |
|
Her. A clump of trees.(1883m1) |
|
Her. A blue roundle.(1883m1) |
|
Husia. The Assyrian f=
orm of
the Hebrew royal name Hoshea, which see. (187=
6c1) |
|
A small Syrian state which paid tribute to=
Tiglath Pileser II. (18=
76c1) |
|
The white crown of |
|
The Egyptian name of the onion, a favourite article of diet in |
|
The funereal tablets, called huta, w=
ere used
for the same purpose as tombstones and sepulchral monuments are at the
present day, but they were distinguished by having been placed inside the
tombs, and not outside and in the open air. They were of different materi=
als,
as granite, sandstone, alabaster, and limestone; and of different sizes a=
nd
shapes, square, rectangular, and either pointed or rounded at the top; th=
ose
of square shape often representing the entrance or cornice of a tomb. At a
later period (about the XXIInd dynasty, or in=
the
ninth and eighth centuries B.C.) wooden tablets, made of sycamore, were
substituted. These tablets were generally rounded above, and surmounted b=
y a
wooden figure of the bai,
or soul, and stand on a pedestal of two small flights of steps, into which
they are inserted. They have been covered with linen, coated with plaster=
, on
which have been painted in tempera the vignettes, or pictures, and
inscriptions. The principal subjects represented are the deceased attende=
d by
his mother, wife, sister, or brethren, standing in adoration to the boat =
of
the Sun, or to the solar deities Ra, Sekar or=
Socharis Tum, Atum or Tomos, and Osir=
is,
either alone or accompanied by his wife Isis, Nephth=
ys,
Anubis, Amset, Hapi, Tuautmutf, and Kabhsenuf, and
other sepulchral deities. The texts accompanying these scenes are the nam=
es
and titles of the deities, and of the deceased, usually placed in the sce=
ne
along with them, and a larger inscription, in horizontal lines of
Hieroglyphics, placed under the scene, being a prosc=
ynema,
or act of adoration, to the principal deities, praying them to confer the
usual benefit of food, permission to pass from Hades, or off the earth, a=
nd
for the soul to go to heaven, or the empyreal regions. Some inscriptions =
are
also adorations, or hymns to the sun. The name of the deceased on these
tablets was preceded by the title of Osiris,
into whose condition he was supposed to pass after death; but about 100 B=
.C.,
females began to have the title of Athor, or the goddess of beauty, prefixed to their nam=
es.
Some of these tablets were surmounted on the rounded top by the figure of=
a
human-headed hawk, emblem of the bai, or soul, which was fixed by a plug into the upper=
rim
of the tablet. (Birch.) (1876c1) |
|
O.E. = (Fr. huche). A locker, which generally stood at the foot of the bed, to contain clothes and objects of value. It was commonly used for a seat.(1883m1) |
|
Fr. A close steel skull‑cap.(1883m1) |
|
An Assyrian city which supported Assurdainpal in his revolt against his father Shalmaneser II. (1876c1) |
|
HYACINTH. A precious stone of a violet c= olour. (1855f1) |
|
(1) A precious stone of a violet colour. (2) The colour formed of red with blue, blue predominating. (3) The flower hyacinth among the ancient Greeks was= the emblem of death.(1883m1) |
|
Gr. A national festival, celebrated annually at Amyc= lae by the Amyclaeans and Spartans, in honour of the hero Hyacinthus, who was accidentally killed by Apollo with a quoit.(1883m1) |
|
Transparent and diap=
hanous
like glass. Rock crystal, for instance, is hyaline.(1891a1) |
|
An instrument by mea=
ns of
which perspective can be mechanically drawn.(1891a1) |
|
The art of engraving=
upon
glass either with a diamond, emery, or hydrofluoric acid. The term is also
applied to a mechanical process of drawing by means of which objects are
reproduced as they are seen in perspective.(1891a1) |
|
Hyalotype. (= à"= 8@= H[=3Dhualos], glass, and JL= B,= Ã<[=3Dtupein], to print). An inventio= n for printing photographs from the negative on to glass, instead of paper.(188= 3m1) |
|
HYALOTYPE.=
A compound from the Greek _=
7;αλος[=3Dnalos],
glass, and τυπειν, to print, indicating a
peculiar photographic picture, in which the negatives and positives are b=
oth
taken on glass, by which any fault of texture in paper is avoided and a m=
ore
perfect picture obtained. The invention and term belongs to Langenheim, o=
f |
|
The Greek form of the name of the Satrap of
Darius, who was named Vivana, which see. (187=
6c1) |
|
HYBRID.
Partaking of different natures or characteristics. * * = See ANIMALS (HYBRID) in this Dictionary, CHIMERA and HIPPOCAMPUS. (1855f1) |
|
HYDRA. A fabulous monster of antiquity
reported to invest |
|
Hydra. Gr. (a water‑serpent). A hundred‑= headed monster of Greek mythology, sprung, like the Chimaera, from Typhon and Echidna; he was killed by Hercules. In Heraldry the hydra is represented = with only nine heads. The illustration (Fig. 390) is of the device adopted by Curtio Gonzaga, an Italian poet, to symbolize the constancy of his love, = with the motto, "If I kill it, more strong it revives." Fig. 3= 90. Hydra with seven heads.(1= 883m1) |
|
Hydra. (Her.) This i=
s a
fabulous animal represented as a dragon with seven heads. A celebrated
classical myth tells of the manner in which Hercules slew the hydra near =
|
|
Gr. (1) A mill for grinding corn, driven by water. (= 2) A waterfall or current of water.(1883m1) |
|
Gr. <=
/span>(à=
*D‑=
"L=
84=
H[=3Dhudr‑aulis]).
A water‑organ. The hydraulic organ, invented about B.C. 200, was re=
ally
a pneumatic organ; the water was only used to force the air through the
pipes. It is represented on a coin of Nero in the |
|
Hydria. Gr. A large, heavy vessel, used principally = for holding a store of water. It is represented urn‑shaped, with a broad base and a narrow mouth, sometimes with one and sometimes with two handle= s at the top, and smaller ones on the belly. The name is applied to other pail= s of bronze or silver, &c. (Fig. 391) Fig. 391. Hydria, or Water‑jug, in black glaze.(1883m1)
|
|
Hydria. (Pot.) An an=
cient
vase of variable form used to contain water. The hydria when made of terr=
a‑cotta
was often of elegant form and covered with ornament. It was generally
provided with three handles, two large and one small one. Sometimes a sma=
ll
handle was placed immediately underneath a larger one, in order to add to=
its
strength, as is shown in our third cut. The term hydria was sometimes app=
lied
to a water‑can of bronze or silver, resembling in shape the modern
water‑pail, and provided with a semicircular handle reaching from o=
ne
side of it to the other. A hydria of this kind is represented in our four=
th
cut. 3 ILLUS. hydria1, hydria2, hydria3(1891a1)
|
|
HYDRIA. (Gr.)
A water jar, used by the nations of antiquity to contain pure fluid for
culinary purposes or drinking; hence it was generally of much capacity and
seldom moved, being filled from more portable vessels, which were carried=
to
the spring. The form of this ancient vessel, as seen on bas-reliefs, &=
;c.,
is urn-shaped, with a large base tapering to a narrow mouth, with two han=
dles
at the top, and sometimes with two additional ones, but smaller in the mi=
ddle
of the belly. The smaller handles were occasionally placed immediately
beneath the larger ones, to give additional security in holding, as seen =
in
our cut, from a fine specimen in the Museo * See Rich's Companion to the Latin Dictionary. (1855f1)
|
|
Gr. (water‑bearing). (1) Funereal ceremonies
performed at |
|
Hydroceramic (vessels), Gr. Vessels made of a porous= clay, in which liquids were put for the purpose of cooling them; they were a ki= nd of alcarazas.(1883m1) |
|
Hydroceramic<=
/span> (Pot.) A term applied to vases of porous earth, which allow drops =
of
liquid to form beads on their surface and keep water cool by
evaporation.(1891a1) |
|
HYDROGRAPH=
ICAL
CHART. A map exclusively dev=
oted
to the proper delineation of seas and rivers. (1855f1) |
|
A term applied to al=
l those
processes of gilding, silvering, and coppering which consist in immersing
objects in a bath until they are covered with a metallic deposit produced=
by
chemical affinity.(1891a1) |
|
HYDROMETER=
. (Gr.) An instrument for testing t=
he specific
gravity of different fluids, and testing the strength of spirituous
distillation. (1855f1) |
|
HYDROSCOPE. (Gr.) The water-clock of the ancients, also termed CLEPSYDRA † See HOUR-GLASS.(1855f1) |
|
Hycsos, Egyp. (lit. impure). A people of unknown origin, nomad tribe=
s,
but not savages, as has hitherto been believed, who came from Sinai, Arab=
ia,
and |
|
Hyksos.=
A word probably derived fr=
om haq, a prince, and Shasu, the tribes inhabiting the
eastern desert. Of the Hyksos - erroneously called Shepherd Kings - very
little is known that is absolutely certain. They appear to have been a
barbaric people from the east, who, taking advantage of a period of weakn=
ess,
poured down into Up to the pre=
sent
time there have only been found the remains of three Hyksos kings, Khian =
and |
|
Hykshos=
. (Hyk,
"Ruler;" Shasu, "Shepherds.") The name given by the
Egyptians to the terrible Syrian invaders, probably nomadic Arabs, who
entered the country at the termination of the XIIth dynasty. They were a
combination of the adjacent Semitic tribes, and they overran and governed=
|
|
The modern name of the ancient Babylonian =
city
of |
|
Of
the number of hymns that have been preserved the greater number are in praise of Ra, the sun-god. But there are also=
hymns
to Ptah, Osiris, the |
|
(Arch.) An uncovered
roofless building is said to be hypaethral, w=
hich,
literally translated, merely means under the sky. Ancient temples were
frequently hypaethral, for by adopting this f=
orm of
building the difficulty of roofing over a large structure was
avoided.(1891a1) |
|
Gr. and R. (lit. under the sky, or in the open air).= The term was applied to any building, especially a temple, the cella of which had no roof. On t= he roofs of Egyptian temples, hypaethral temples are arranged with regard to astronomical observations, by which the calendar was regulated.(1883m1)= p> |
|
(Arch.) A term given=
to the
latticed window which surmounted the grand entrance of some ancient templ=
es.
The hypaethrum not only admitted air and ligh=
t into
the temple but added considerable dignity to the exterior effect of the d=
oor.
ILLUS. hypaethr(1891a1)
|
|
Gr. and R. A grating or claustra placed over the principal door of a temple for the
purpose of admitting light into a part of the cella. Fig. 392 shows one of the bronze doors of the Pantheon=
at
|
|
Gr. and R. (over the door). A frieze and cornice arr= anged and decorated in various ways for the decoration of the lintel of a door.(1883m1) |
|
The Persian form of the royal name which w=
as
written by the Assyrians as Eparna, which see.
(1876c1) |
|
HYPOCASTAN= UM, or CHESTNUT-BROWN, is a brown lake prepared from the horse-chestnut; it is t= ransparent and rich in colour, warmer than brown pink, and very durable both in water and oil; in the latter it dries moderately well. (1855f1) |
|
Hypocaustum. A subterranean furnace with flues, which heat=
ed the
caldarium or hot bath of the Romans.(1891a1) |
|
HYPOCAUST.= (Lat.) A subterranean stove-room = for heating baths or dwelling rooms, used by the Romans, and which was usually warmed by means of flues beneath the door and up the sides. Such apartmen= ts are constantly discovered in the = débris of Roman villas and towns, particularly in our own country, where they mu= st have suffered from the damp and inclemency of the atmosphere. It was till lately a constant mistake made by topographical and antiquarian writers t= o term all such rooms "Roman baths." (1855f1) |
|
Hypocaust, Gr. and R. (=
ßB=
`‑6=
"L=
F4=
H[=3Dhupo‑kausis]
and ß=
B`‑=
6"=
LF=
J@=
<[=3Dhupo‑kauston]).
A furnace with flues running underneath the floor of an apartment or bath,
for heating the air. Fig. 393 represents the sectional elevation of a bat=
h‑room
discovered in a Roman villa at Fig.
393. Hypocausis of a Roman villa at Fig. 394. Hypocausis discovered at Paris.(1883m1)
|
|
Under the heads of some mummies were placed
flat circular disks of linen covered with plaster, representing the pupil=
s of
the eyes of the sun, and inscribed with vignettes, and an inscription, or
else bronze disks, on which the same was engraved. These amulets were pla=
ced
under the heads of the mummies to produce, or renew, the vital warmth, |
|
A
disk of painted linen or of bronze, found under the heads of Graeco-Roman mummies. It is really a form of amulet=
, and
is inscribed with magical formulae and figures of gods - the Hathor cow being invariably among them - and is des=
igned
to obtain warmth for the body. An inscription runs round the border of the
disk, the other representations being drawn across the field. A scene
frequently depicted is one consisting of cynocephalus apes adoring the so=
lar
disk in his bark. Part of the border inscription runs as follows:
“Chief of the gods, come thou to the Osiris Ho=
r
[name of the owner of the hypocephalus] maat kheru=
i>.
Grant that there be warmth under his head, for he was one of thy
followers.” (Weidemann.) Another prayer=
runs
thus: “May the god, who himself is hidde=
n, and
whose face is concealed, who shineth upon the=
world
in his forms of existence, and in the underworld, grant that my soul may =
live
for ever. May the great god in his disk give his rays in the underworld o=
f |
|
HYPOGEA, S=
YRINGES.
(Gr.) Subterranean structures=
hewn
out of the rocks. They abound along the |
|
(Arch.) A part of a building l=
ying
below the level of the ground. It is particularly applied to the subterra=
nean
chambers in which the ancients placed their dead.(1891a1) |
|
Arch. A building under‑ground; a sepulchral va= ult. They form a principal part of Egyptian architecture of every period. The Greek term is a synonym of the Latin CONDITORIUM (q.v.)(1883m1) |
|
Gr. <= /span>A lively dance, accompanied by a mimic performance, at the festivals of Apo= llo among the Dorians. A chorus of singers danced round the altars, and others acted comic or playful scenes.(1883m1) |
|
(Arch.) The orchestr=
a in
ancient theatres.(1891a1) |
|
The
name given to any hall the roof of which is supported by columns, such as=
the
great hypostyle hall at |
|
The side of a right&=
#8209;angled
triangle opposite the right angle.(1891a1) |
|
The
Greek name for Shas-hetep,
capital of the eleventh nome of |
|
A Western nome=
of
the Thebaid of Upper Egypt. Its chief town is=
now
called Shob. (1876c1) |
|
The Greek name for the city and nome in |
|
In Phenician
mythology an early deity, who was otherwise called E=
liun.
(1876c1) |
|
In Phenician
mythology a giant and the son of Capius. He
inhabited the city of |
|
The Greek form of the Persian name Kustaspi, which see. (1876c1) |
|
Gr. (from = âH[=3Dhus], a pig). Greek festivals, in = which swine were sacrificed in honour of Venus.(1883m1) |