MIME-Version: 1.0 Content-Type: multipart/related; boundary="----=_NextPart_01CB0943.378B5C90" This document is a Single File Web Page, also known as a Web Archive file. If you are seeing this message, your browser or editor doesn't support Web Archive files. Please download a browser that supports Web Archive, such as Microsoft Internet Explorer. ------=_NextPart_01CB0943.378B5C90 Content-Location: file:///C:/B134408C/mal.htm Content-Transfer-Encoding: quoted-printable Content-Type: text/html; charset="us-ascii"
|
A green carbonate of=
copper
used in jeweller's work and in decorating
furniture. A green pigment is obtained from it, to which the name
"mountain green" is also given.(1891a1) |
|
A native carbonate of
copper, forming a beautiful and permanent green pigment, used for oils and
water‑colours. Incrusted upon other materials it is used for articles of
ornament. Blue malachite is p=
ure
carbonate of copper; green
malachite is green carbonate of copper; emerald
or royal malachite is dioptase of copper, a still rarer green and the bes=
t of
all, which is a mixture of copper and silica; false or pseudo=
8209;malachite
is phosphate of copper, soft and silky, and of a rich velvet green marred=
by
black spots or lines, and not so rich as the three kinds of true
malachite.(1883m1) |
|
A place in Media where Sutur-Cit,
king of Amardi, executed an inscription in |
|
Another name of the |
|
A richly-dressed Etruscan goddess, with
diadem, necklace, and jewels. She was represented as seated on a throne, =
and
served by three female divinities, one of them being Munthukh,
while Turan stands by. (1876c1) |
|
R. An old term for a
confessional having only one stool for penitents; it signified that which=
has
only one ear, from the fact that Malchus, |
|
A deity adored by the Yezedees,
in the |
|
A king of the Nabathe=
ans,
who is mentioned in the Periplus of Hanno. (1876c1) |
|
The Assyrian title used to denote a petty
chief, literally "A Kinglet." (1876c1) |
|
A son of Kahlan,
king of Sabaea, in South-western |
|
The property of exte=
nsion
under the hammer (malleus).
Gold is the most malleable of
metals. The art of rendering glas=
s
malleable was discovered by an architect in the reign of Tiberius. Buried
treasures of glass vessels have been found to be malleable when first
disinterred, but to harden quickly on exposure to the air.(1883m1) |
|
(Sculp.)
The mallet generally used by sculptors consists of a cylindrical block of
wood slightly curved so as to form the arc of a circle, and. fitted on to=
a
wooden handle that passes through it. In heraldry the mallet sometimes
appears as a common charge. ILLUS. mallet(1891a1)
|
|
R. (1) A hammer (2) =
Med. The
MAULE (Gothic Miölner),
Thor's hammer; a military weapon.(1883m1) |
|
R. A wash‑hand
basin.(1883m1) |
|
An Egyptian deity of the later period He w=
as
represented as wearing the warlike crown crested with the Atef. He was worshipped i=
n |
|
R. (malus, an
apple‑tree). (1) The mast of a vessel. (2) In theatres and
amphitheatres (Fig. 440)
|
|
Med. (Fr. malvoisin, a
disagreeable neighbour). A military engine for
projecting stones or arrows.(1883m1) |
|
A "Divine Father," or priest of =
Amen
Ra and the goddess Maut. Period unknown. (187=
6c1) |
|
A surname of Rameses<=
/span>
IV. of the XXth dy=
nasty.
(1876c1) |
|
A king of the country of the Luksai, who paid tribute to Sa=
mas
Rimmon, king of |
|
Peruv. One of the
divisions of the temple of the Sun, INTI (q.v.); so called because it was
dedicated to the moon, Mamaquilla.(1883m1) |
|
Mamillare, R. (mamilla, the breast). (1) A broad band made of soft
leather, a kind of small stays, used by the Roman ladies to support the
breasts, (2) In Mediaeval Latin, circular plates on the surcoat
with rings from which two chains depended, one of which was attached to t=
he
sword and the other to the sheath. The fashion was introduced under Edward
I., and continued until Henry V.(1883m1) |
|
Mameliere. A round plate or boss fastened to the breastp=
late,
as indicated in our cut, which is from a brass in
|
|
The Accadian w=
ord
from which the name of the Greco-Babylonian deity Mo=
umis
was derived (1876c1) |
|
"House
of giving birth." That chamber in a temple in which the goddess is
supposed to have given birth to the third person of the triad.(1902b1) |
|
An ancient Arabian divinity. He was possib=
ly a
form of the sun. (1876c1) |
|
An Assyrian measure of weight, equal to si=
xty
shekels or I=
g,
equal to 1 lb. 4 oz. 8dwt. (1876c1) |
|
(Her.) A long hangin=
g sleeve
which is used as a charge in heraldry.(1891a1) |
|
Dutch. Poppy oil, &q=
uot;a very white oil used by the painters in the |
|
A king of the Medes, the successor of Arbaces. He reigned fifty years. (Ctesias.)
(1876c1) |
|
The Greek form of the royal name Mentuhotep, which see. (1876c1) |
|
A petty prince under the Persian rule in <=
st1:country-region
w:st=3D"on">Egypt who revolted against Darius, and m=
ade
himself king of |
|
Chr. (lit. a fold).
A favourite appellation for monastic establis=
hments
in the East.(1883m1) |
|
Manducus, R. (mando, to chew), A comic masked character, distinguish=
ed
by his ugliness and voracity
(whence his name). (See PERSONA.)(1883m1) |
|
Manduchus. A grotesquely ugly mask with open gaping mouth
which was worn by the actors in Roman rustic plays. Our cut is taken from=
an
engraved gem, and beside the manduchus =
there
is another attribute of the pastoral player, the pedum or shepherd's crook. ILLUS. manduchu(189=
1a1)
|
|
Chr. In the Greek Church, an outer garment worn by
monks. It is a long cloak, reaching almost to the feet, and fastened at t=
he
throat. It is originally a Persian dress, and is frequently mentioned as =
worn
by emperors and kings.(1883m1) |
|
(Her.) When the mane=
s of
horses, unicorns, &c., are of a different tincture from their bodies =
they
are said to be maned.(1891a1) |
|
O.E. A covering of <=
span
class=3DSpellE>armour for a horse's mane.(1883m1) |
|
The son of Se-khem-ka,
an Egyptian officer of the Vth dynasty. (1876=
c1) |
|
An Egyptian functionary in the court of Ki=
ng Assa-Tatkera, the last king but one of the Vth dynasty. (1876c1) |
|
An Assyrian measure of weight, composed of=
two
Managineh,
equal to 2lbs. 8oz. 16dwt. (1876c1) |
|
The wife of Harbenen<=
/span>,
and mother of Ra-kherpa, a priest of Osiris in the XIIth dyn=
asty.
(1876c1) |
|
A
historian of the Alexandrian school, who, under Ptolemy Philadelphus
(third century B.C.) wrote a history of Egypt with a list of its thirty
dynasties, which he professed to have drawn from genuine archives in the
keeping of the priests. He himself was an Egyptian priest, living at Sebennytus, in |
|
An Egyptian high-priest of Heliopolis
in the reign of Ptolemy Philadelphus, about B=
.C.
290, by whose desire he compiled a History of Egypt, the materials for wh=
ich
he asserted he had obtained from inscriptions preserved in the temple of =
Thoth, or Hermes Trismegistus<=
/span>.
His chronology, which has been handed down in a condensed condition by |
|
The modern name for the city and nome in |
|
Manganese Brown. A r=
ich semi‑opaque
brown pigment, permanent and drying well. (See CAPPAGH.)(1883m1) |
|
Manganese, Brown. (P=
aint.) A
native brown pigment of considerable value in painting. Its advantages are
that it dries very rapidly and is permanent.(1891a1) |
|
Chr. The boards of the manger =
in
which the Infant Saviour was laid, are said t=
o be
preserved in the crypt of the |
|
Med. A military machine for hu=
rling
stones; the spelling is frequently varied: ‑ "=
;Vous
peussez bugles, mangoniaux Veoir pardessus les carniaux." (Roman de la Rose.)(1883m1) |
|
In Scandinavian mythology the name of the =
moon
deity. (1876c1) |
|
R. (manus, a hand). (1) An armlet, or piece o=
f armour which protected the arm of the gladiator.
(2) A leather glove worn by barbarous nations. In the plural, manicae=
denotes
(1) manacles; (2) a grappling‑iron called HARPAGA (q.v.).(1883m1) |
|
The term manica is used in several
senses. First of all, it denotes the long sleeve reaching to the wrist wo=
rn
by Eastern nations, and regarded with contempt by the Romans of the
republican ages (cut 1); secondly, it denotes a protection for the arm wo=
rn
by gladiators (cut 2); and thirdly, a covering reaching from the elbow to=
the
wrist worn by Roman archers (cut 3). ILLUS. manica(1891a=
1)
|
|
Chr. In Christian iconography, the manicora is a hyb=
rid
animal with a human head, and a globular body ending in a serpent. It is =
a symbol
of the World, the Flesh, and the Devil. (Fig. 441.) Fig. 441. Manicore.(1883m1)
|
|
Maniple, Chr.
A short stole held in the left hand, originally used as a napkin by the
officiating priest. Afterwards it was worn pendent from the wrist, and ri=
chly
decorated. (See FANON.) The word is derived from ‑ Manipulus, R. (lit. a
handful). (1) A maniple, the earliest ensign of the Roman legion; it
consisted of a handful of hay attached to the end of a pole. (2) A body of
infantry in a legion, consisting of about 180 to 200 men.(1883m1) |
|
Maniple. A piece of =
linen,
frequently richly embroidered, which was worn by priests across their left
hand or arm. In its origin it was no doubt a handkerchief, but it soon be=
came
a mere ornament. One of our cuts represents the maniple held in the hand =
of Stigand, Archbishop of Canterbury, in the
|
|
The king of the Dahe<=
/span>,
one of the Persian tribes. He attempted to resist Sennacherib in his stro=
ng
city Ukku, but was compelled to abandon the <=
span
class=3DSpellE>defence upon the approach of the Assyrians. The |
|
The method of compos=
ition
and the process of execution adopted by a particular artist. For instance,
when we say that a picture is painted in the manner of Corot,
we mean that, at the first glance, it reminds us of the work of that arti=
st.
We may say too that an artist has several "manners," meaning th=
at
his style or technique have undergone distinct changes. In fact few paint=
ers
have lived whose pictures do not display several "manners,"
corresponding to the growth, development, and decadence of their
talent.(1891a1) |
|
The style (or work) =
of an
artist is said to be mannered when
instead of being fresh and suggestive of nature, it exhibits certain
stereotyped tricks or dodges of execution. The term is applied indifferen=
tly
whether these tricks are caught by the artist from his own previous work =
or
copied by a pupil from his master.(1891a1) |
|
Mannerism may be def=
ined as manner
in a bad sense. Qualities of treatment which when moderately
displayed mark individuality of style, when carried to excess and too oft=
en
repeated degenerate into mannerism.(1891a1) |
|
Governor of Gozan,
in the reign of Vulnirari III. He was eponym =
of the
year B.C. 794, the chief event in which was an expedition to Media. (1876=
c1) |
|
The governor of Bile in the reign of Sargo=
n I.
He was eponym of the year B.C. 709, the chief event in which was an
expedition to |
|
The governor of Dakku=
ri.
He joined the revolt of Saulmugina, but was
defeated and severely punished by Assurbanipal
(1876c1) |
|
The governor of Salla=
t
in the reign of Shalmaneser III. He was epony=
m of
the year B.C. 773, the chief event in which was an expedition to |
|
In Teutonic mythology the son of the giant=
Tuisco, and the father of Isti=
o,
Ingnio, and Hermino, from
whom the German races were descended. (1876c1) |
|
A king of Magalani
in |
|
A king of Marabanu
in |
|
Mansard Roof, Arch. =
(so
called from Mansard, the Fren=
ch
architect, who introduced it), or Curb
Roof (from the French courber, to bend). A roof with two sets of rafters, of
which the upper part is, as it were, broken off, and not so
steep as the lower. According to Mesanges, Mansard took the idea of his roof from a fra=
me
composed by Segallo, and Michael Angelo emplo=
yed it
in the construction of the dome of St. Peter's. The houses in |
|
Mansard. (Arch.) A w=
indow
placed in the slope of a roof. Mansard brought this kind of window (to wh=
ich
he gave his name) into fashion in 1650. Pierre Lesco=
t,
however, had used it much earlier in the Louvre.
Rooms with mansards are often low ‑ pitched, and have as a rule
insufficient light, but from a decorative point of view the external effe=
ct
of a mansard is admirable, and helps to soften the hard outline of a roof=
. 2 ILLUS. mansard1, mansard2(1891a1)
|
|
O.E. The parsonage=
8209;house.(1883m1) |
|
R. (maneo, to remain). Statio=
ns
placed at intervals along the high roads, to serve as halting‑places
for the troops on a march. (See MUTATIO.)(1883m1) |
|
Hind. A porch to a temple.(1883m1) |
|
The mystical name of one of the planks of =
the
boat of souls in the XCIXth chapter of the Ri=
tual
of the Dead.(1876c1) |
|
Mantel‑piece, =
Arch.
(formerly ma=
ntil).
A cloak or covering; hence the slab which covers a part of the fireplace;=
the
canopy over a shrine (Latin mandualis).(1883m1) |
|
Mantelpiece. (Arch.)=
A slab
of marble placed horizontally, rather higher than breast‑high, upon=
the
two vertical uprights of a modern chimney.(1891a1) |
|
Mantelet or Mantlet. A shed
used for protecting soldiers from missile weapons. (See PLUTEUS.)(1883m1)=
|
|
R. (manus, the hand). A double wallet serving as a portmanteau for
riders or pedestrians.(1883m1) |
|
Mantle. A flowing ro=
be worn
over the armour, as shown in the costume of t=
he
knights in the ivory mirror‑case. (Fig. 463.)(1883m1)
|
|
Mantle. (Her.) The m=
antle is
a long flowing cloak worn in former times by knights over their armour, and still worn peers when in their robes of
state. The decoration and fulness of the mant=
le
varies with the dignity of the wearer, and each order of knighthood has i=
ts
own appropriate mantle. In blazonry it is often shown as covering a shiel=
d. ILLUS. mantle(1891a1)
|
|
Lambrequin. A coveri=
ng for
the helmet. (See MANTLING.)(1883m1) |
|
Lambrequin. A French term which is primari=
ly
applied to the point of a label or the mantling of a helmet. In architect=
ure,
however, and decorative art it bears several other meanings. For instance=
, it
denotes the broad borders of stuff trimmed with fringes and tassels, which
are employed either to hide the joining of draperies or as a mere ornamen=
t.
In the 17th and 18th centuries lambrequins, cut in the solid stone, are
frequently found on the bases of pilasters. The name is also given to poi=
nts
of lead‑work placed on each side of the ridge of a roof. For the
heraldic sense of the word, see Mantling. 3 ILLUS. lambreq1, lambreq2, lambreq3(1=
891a1)
|
|
Mantling or Lambrequ=
in. A
small mantle, of some rich materials, attached to the helmet, and worn
hanging down, and ending in tassels. (See Fig. 177.) It is usually
represented, in Heraldry, with jagged ends, to represent the cuts it woul=
d be
exposed to in actual battle.(1883m1)
|
|
Mantling. (Her.) The
mantling of a helmet is an accessory formed of cloth or other material
hanging in ornamental folds. It was probably intended originally to prote=
ct
the helmet from the effects of the weather. The mantling of a peer's arms
ought to be of crimson velvet, in other cases =
its colour should follow the tincture of the field of t=
he
escutcheon. ILLUS. mantling(1=
891a1)
|
|
The Assyrian form of the Egyptian royal na=
me Mentu-em-ankh, which see. (1876c1) |
|
The Egyptian name of the West, which was
represented as a basin or deep valley in which the setting sun rested.
(1876c1) |
|
A name of the Supreme Being in the Vedic
literature of |
|
A mythical personage in Vedic mythology to
whom the Deluge was foretold by a fish, who further directed him to build=
an
ark, and thus escape the flood. He did so, and on performing a sacrifice =
to
the deity he had a daughter named Ida or Ila,=
by
whom he became the father of mankind. (1876c1) |
|
R. i.e. what is born=
e in the
hand). A general term for a handle of any kind. (See Fig. 377.)(1883m1)
|
|
Books written by han=
d and
sometimes enriched by miniatures. Some manuscripts of the 12th and 13th
centuries were decorated on each page by painted illustrations, or with
initial letters in gold. The manuscripts of the 14th and 15th centuries a=
re
adorned with equal richness. And even as late as the 17th and 18th centur=
ies
we find splendid examples of the art, both as regards colouring
and design.(1891a1) |
|
R. Literally, a hand of iron; an iron hook which
served as a grappling‑iron, differing from the harpaga, as it was launch=
ed at
the end of a chain, while the harpaga was fixed on a long beam (asser).(1883m1) |