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The water-coast or canal boundary of an
Egyptian nome. (1876c1) |
|
Mera. A mystical divin=
ity
who is mentioned in the CXLth chapter of the =
Ritual
of the Dead. (1876c1) |
|
Mera. Or Meri-ra. The surname of the Egyptian king Pepi of the VIth dynasty, which see. (1876c1) |
|
The name of the fourth of the seven mystic=
al
cows or Hathors of Egyptian mythology, who are
mentioned in the CXLIXth chapter of the Ritua=
l of
the Dead. (1876c1) |
|
Mer-amen. "He who loves Amen Ra." The royal
surname of |
|
Mer-amen. The surname of Piankhi II., an Egyptian ki= ng of the XXIInd dynasty. See Piank= hi. (1876c1) |
|
Another name of the Egyptian king of the <=
span
class=3DSpellE>XXIst dynasty who was called S=
mendes
by the Greeks. (1876c1) |
|
The daughter of an unidentified early Egyp=
tian
king. (1876c1) |
|
The sixth king of |
<= o:p>
|
Hind. A sort of thic=
k black
varnish employed by the Khmers to coat over statues made of any soft ston=
e,
which are exposed to the changes of the weather. This is varnish was, in =
many
instances, itself covered with gold‑leaf.(1883m1) |
|
A Hebrew prince, who is said to have taken=
to
wife Bithiah, the daughter of Pharaoh, a
circumstance not yet discovered in the Egyptian inscriptions. (1876c1) |
|
An early Egyptian king, who is named on the
Tablet of Abydos. (1876c1) |
|
Mer-e=
n-Ptah, Dynasty
XIX., cir. B.C. 1300=
. |
|
Mer-e=
n-Ra |
|
An overseer of the gatekeepers of the |
|
A royal scribe, the father of the scribe <=
span
class=3DSpellE>Heti, and grandfather of Eopei=
i,
the royal scribe of the |
|
The mother of the royal scribe Sa-pthah, which see. (1876c1) |
|
A high functionary of the IVth
dynasty, the father of Nesemab, which see. (1=
876c1) |
|
The son of an early Egyptian king. (1876c1=
) |
|
The grandson of Tetet=
,
an early Egyptian king of the Ist dynasty. (1=
876c1) |
|
An Egyptian prince, the son of Pthah-neferka and his sister A=
hura.
According to the romance of Setnau he was dro=
wned
in the river |
|
Meri. A grand priest o=
f Osiris, in the reign of Ramese=
s
II. See =
Unnefer.
(1876c1) |
|
Meri. An Egyptian lady=
, the
sister of the priest and doctor Rekh-mara, of=
the XVIIIth dynasty. (1876c1) |
|
Meri. "The |
|
Meri. An Egyptian offi=
cial
of the Vth dynasty. He was chief of the write=
rs of
the Royal Register, chief of the sacred scribes, chief of the House of Wa=
r,
chief of the House of the Princess, priest of the goddess Rannu,
and priest of the god Horus. This accumulatio=
n of
offices was common at all times in Egyptian history. (1876c1) |
|
The sacerdotal title of the Egyptian king =
Rameses II., which see. (1876c1) |
|
The name of a well dug by order of Rameses II. for the use of the Egyptian miners at t=
he
gold mines of Akaitau or |
|
A royal personage of the XVIIIth
or XIXth dynasty. He was royal secretary, roy=
al
writer, and master of the Royal House, either at the same time or
successively. He had a sister a priestess, named Ana=
i.
(1876c1) |
|
The father of a high-priest of Amen Ra, in=
the
reign of Rameses IX. of the XXIst
dynasty. (1876c1) |
|
An Egyptian king of the Vth
dynasty. He was the son and successor of Pepi=
Merira. (1876c1) |
|
An Egyptian goddess, generally represented=
as
an uraeus serpent. She was more frequently ca=
lled Rannu, the goddess of harvest. (1876c1) |
|
Mer-mes. Or<=
/i>
Meri-mes. A prince of |
|
Meri-ra. "He who loves Ra." The surname of Thothmes III. of the XVIIIth dynasty. (1876c1) |
|
Meri-ra. An Egyptian captain of the XVIIIth dynasty.=
His
father's name was Atef-neb-ma, and that of his mother Hapiu. (1876c1) |
|
A queen of |
|
The trades taxes of the Greco-Egyptian Emp=
ire
under the Ptolemaic dynasties. They were collected three times a year.
(1876c1) |
|
The mother of Ameni=
span>
a great officer of state in the reigns of |
|
The wife of Antef,
an Egyptian officer of the XIIth dynasty. (18=
76c1) |
|
The seventh son of Ra=
meses
III., who is said by some authorities to have succeeded Rameses
VIII. (1876c1) |
|
A royal scribe of the XVIIIth
dynasty. His father, Uetu, was the chief of t=
he Keneb, an uncertain Egyptian priestly class. (1876c=
1) |
|
Mer-ka-neshu. Or
Ankh-hor. One of the thirteen petty kings of |
|
O.E. A name given to
ringlets of false hair, much worn by ladies temp. Charles I.(1883m1) |
|
Merlons, Arch. The COPS or raised parts of a battlemen=
t.
Figures of warriors or animals are sometimes carved on the tops. (See
BATTLEMENT.)(1883m1) |
|
Merlon. (Arch.) The part of a parapet between the interv=
als
formed by the loopholes or crenelles (q.v.). =
Merlons assume different forms according to their s=
tyle
and period. Sometimes they are terminated by small pyramids, sometimes th=
ey
are pierced with long vertical loopholes. ILLUS. merlon
|
|
Mermaid. An ancient device of the Colonna family was= the mermaid between the pillars of Hercules, with the motto Contemnit tuta procellas. Fig.
455. Mermaid and
|
|
Mermaid. (Her.) A mermaid is one of the mythical beings
whose existence is due to the fertile imagination of the ancients. This b=
eing
is half woman and half fish, and is generally represented combing her hair
while she holds a mirror in the other hand. The mermaid has always been extremely popular with heralds either=
as
a charge or as a supporter of a shield. ILLUS. mermaid(1891a1)
|
|
According to M. Brugs=
ch
the Egyptian name of the country of Marmorica=
, in |
|
Mer-mes. Or<=
/i>
Meri-mes. A prince of |
|
An unknown Egyptian king. He was the fathe=
r of
Pthah-nefer-ka and Ahura=
,
in the ancient Egyptian romance called the Story of =
Setnau.
(1876c1) |
|
An Egyptian city, the Menouthes
of the Greek writers. It was also called Pe-neter.
(1876c1) |
|
A Babylonian deity. See Marduk and Silik-mulukhi or Silik-muludug. (1876c1) |
|
The form o= f the Babylonian royal name Maruduk-bal-iddina in Hebrew history. (1876c1) |
|
Merodach-baladan. Or
Maruduk-bal-iddina. Merodach-baladan. Or
Maruduk-bal-iddina. He was son of Yagina (Ptolemy's Yugaeus), and king of=
the
Caldai (Chaldeans), a tribe settled on the shores of the |
|
The governor of the city of |
|
An early Chaldean
astronomer, some observations by whom have been preserved in the Cuneiform
inscriptions. He was the father of Nebozucipunu,
who was also an astronomer. (1876c1) |
|
An Egyptian superintendent of canals and
public works, in the reign of |
|
The chief commander of the troops in the <=
span
class=3DSpellE>nome of Kahesbu. He rev=
olted
against Piankhi Meramen<=
/span>,
together with other chiefs of |
|
A
form of the goddess Hathor. Her name signifies
"she who loves silence." She is "regent of the west."=
She
is represented with the disk and horns of Hathor, andis sometimes pictured in the "mountain of t=
he
west."(1902b1) |
|
Merte. Or Milt. An uncertain Egyptian goddess, who was generally represented as wearing a tu= ft of lotus or papyrus flowers upon her head. (1876c1) |
|
The granddaughter of =
Tetet,
an early Egyptian king of the Ist dynasty. (1=
876c1) |
|
The wife of Saf-hotep=
-heta,
the son of King Tetet. She was also called Ha=
p-tek. (1876c1) |
|
The sister of |
|
A son of Rameses II.
of the XIXth dynasty. (1876c1) |
|
An Egyptian officer of the Ancient Empire,
between the VIth and XII=
th
dynasties. His wife's name was the same as his own, which was another
instance of masculine names as applied to women in ancient |
|
The wife of the preceding officer of the s=
ame
name. (1876c1) |
|
In Hindu mythology a mountain in the
North-west of Thibet. It was supposed to be t=
he
pillar which unites the earth and heaven, and also the abode of the gods.
(1876c1) |
|
An early Egyptian astronomer, some
observations by whom have been preserved. (1876c1) |
|
(:XF‑"L8"[=3Dmes‑aula]=
). (1) The
narrow passage or corridor which, in a Greek house, connected the andron =
with the
gynaeceum.
(2) The door in this passage.(1883m1) |
|
(the middle, sc. P@D*Z[=3Dchorde]). The c=
entral
note of the seven‑stringed lyre. The Greeks had no names to disting=
uish
musical notes. They were expressed by the names of the strings of the lyr=
e.
Thus, NETE, d; PARANETE, c; PARAMESE, b flat; and MESE, a=
i>, in
the treble or upper tetrachord; and LICHANOS,=
g; PARHYPATE, f; and HYPATE, e,=
in
the base or lower tetrachord.(1883m1) |
|
A king of |
|
A district in |
|
In Zendic myth=
ology
the name of the first man created by Ahuramazda.
Contrary to the express direction of Ahuramazda, he
was seduced by Ahriman into believing creatio=
n to
have been the work of that demon; and when his heart was thus inclined
towards him, he was persuaded to eat some evil fruit, and thus became one=
of
the Darvands, and lost |
|
In Zendic myth=
ology the
name of the first woman, who shared in all the advantages, and fell into =
all
the sins, of her husband. (1876c1) |
|
A rebel king of |
|
Arab. A small mosque=
. These
exist in great numbers. The Sultan Mohamet II.
alone consecrated 170 mesjids
in Constantinople.(1883m1) |
|
A region of the Ker-n=
eter
which is mentioned in the XCIXth chapter of t=
he
Ritual of the Dead. (1876c1) |
|
According to the Egyptian Ritual of the De=
ad a
place of new birth, situated in one of the islands of the celestial |
|
The
goddess of birth seen on her throne presiding over the birth scene on the
walls at Dêr el Ba=
hri.
She also figures in the scene of the weighing of the heart in the Judgment
Hall of Osiris. The symbol on her head is a
straight stem split at the end and curling over on either side, like the =
sign
on the head of Anit (q.v.).(1902b1) |
|
According to the Greek lists a king of the=
IIIrd Egyptian dynasty. He reigned seventeen years.
(1876c1) |
|
The twelfth month of the Egyptian year. It
began about 15th June. (1876c1) |
|
A.S. The |
|
A granddaughter of Te=
tet,
an early Egyptian king of the Ist dynasty. (1=
876c1) |
|
O.E. (from the obsol=
ete word
measle=
span>, a
leper). A hospital or lazar‑house.(1883m1) |
|
A feminine divinity or spirit who is menti=
oned
in the CXXXVIth chapter of the Ritual of the =
Dead.
(1876c1) |
|
The Egyptian name of kohl or stibium, a preparation of antimony which was used f=
or
darkening the eyelashes both of men and women. (1876c1) |
|
A name given to the god Amset (=
q.v.).(1902b1) |
|
A common Egyptian name in the XIXth and XXth dynastie=
s.
(1876c1) |
|
See STIBIUM and KOHL.(1902b1) |
|
R. (metior=
i>, to
measure). Any object with a circular base and of conical shape; in a circ=
us
the term meta, or rather metae (for there were two sets of
goals), was applied to a set of three cones placed together upon a pedest=
al,
as shown in Fig. 456, to mark the turning‑points of the race‑=
course.
In a mill for grinding corn the name of meta
was applied to the lower part of the mill, which was hewn into the form o=
f a
cone. (See CIRCUS, OVUM, SPINA, &c.) Fig. 456.
|
|
Metal. (Her.) There are two metals employed in heraldry, gold and silver, wh=
ich
are always described by their French names, or and argent. Se=
e Tincture.(1891a1) |
|
Metal, Tech. (1) A m=
ass of
glass in the state of paste, adherent to the pipe and already blown; it m=
ay
be regarded as the first stage in the production of a piece. (2) Broken
glass. (3) Broken stones for repairing roads. Metal,
Her. The tinctures or and argent. (1883m1) |
|
A combination of met=
al and
canvas; waterproof for various uses.(1883m1) |
|
A composition of gra=
vel,
pounded chalk, tar, and wax, forming an artificial stone to be cast into
ornamental shapes in moulds. The vestibule of the Euston Station is paved
with this preparation. (Builder=
i>,
vi. 502.)(1883m1) |
|
Metallurgy. It was a=
t a
comparatively late period of human civilization that the art of working in
iron was brought to perfection. The ancient Egyptians, probably aware of =
its
resources, had a superstitious objection to its use; but they hardened br=
onze
to a degree unknown to later ages, and their bronze statuary of the most
ancient period is worthy of any age. The bronze‑work of |
|
Metal‑work. The arts of beating and casting not on=
ly
iron and bronze, but also the more precious metals, have been practised f=
rom
the earliest ages and among all nations. Among the specimens of the most
ancient Greek art found by Dr. Schliemann at
|
|
The
chief city of the Metelite nome.
(1876c1) |
|
The Greek name for Sent-nefert,
the capital of the seventh nome of |
|
A nome of Lower
Egypt, West of the Phatnitic branch of the |
|
The mother of Namurot=
or Nimrod, a prince of the blood royal of the XXIInd=
dynasty. (1876c1) |
|
A king of |
|
The chief of the |
|
According to the Greek lists the successor=
of Phiops, king of |
|
A king of Ascalon
who was defeated by |
|
An Egyptian lady attached to the worship of
Amen Ra. Her statue is in the |
|
(Arch.) In Greek architecture a metoche is the space exis=
ting
between two dentels.(1891a1) |
|
Metope. (Arch.) The space between the triglyphs
in the frieze of the Doric order (q.v.). Metopes
were decorated either with paintings or bas‑reliefs. The term is al=
so
applied to the bas‑reliefs found on metopes.
For instance, when we speak of the metopes of=
the
Parthenon, we mean the series of reliefs
representing the combat between the Lapiths a=
nd
Centaurs, some of which are now among the
|
|
Metope, Arch. (=
:,=
J‑=
`B=
0[=3Dmet‑ope], i.e. the spa=
ce between
the ÏB=
"\[=3Dopai]).
A kind of panel between the triglyphs in the =
Doric
frieze (Fig. 458); in some Greek examples quite plain, in others ornament=
ed
with sculpture. The metopes of the Parthenon =
in the
Fig. 457. One of the carved Metop= es of the Parthenon, representing the War of the Centaurs and the Lapithae. Fig. 458. Metopes and Triglyp= hs (Doric).(1883m1)
|
|
Gr. (:,JD0JH[=3Dmetretes], i.e.
measurer). The unit in the Greek measures of capacity; it held two cotylae=
, or
about eight gallons.(1883m1) |
|
An Egyptian gentleman, whose statue is in =
the |
|
A town in |
|
O.E. "A black k=
not,
that unties and ties the curles of the hair.&=
quot;
(Ladies' Dic=
t.,
1694.)(1883m1) |
|
O.E. Originally a co=
urtyard
for "mewing" (i.e. moulting)
hawks.(1883m1) |
|
The principal monuments of the
|
|
Mezza‑majolica. (Pot.) A kind of glazed pottery m=
ade
in |
|
Mezza‑majolica was the coarser majolica ware f=
ormed
of potter's earth, covered with a white "slip," upon which the
subject was painted, then glazed with the common lead glaze, over which t=
he lustre pigments were applied; the majolica, on the other hand, being the tin‑enamelled ware similarly lustr=
ed.
(See MAJOLICA.)(1883m1) |
|
Mezzanine, Entresole, Half‑story, Arch. A small story intermediate between two ot=
hers
of larger size. A mezzanine or Flemish window was a window either square =
or
broader than it was long, made in an attic, or in a lower story lying bet=
ween
two higher stories.(1883m1) |
|
Mezzanine. (Arch.) A small story placed midway between t=
wo
larger stories. A mezzanine floor is generally found between the first and
second story of a building. The term is also applied to the small windows,
generally of greater length than height, which light an entresol or
intermediate story. 2 ILLUS. mezzani1, mezzani2(1891a1)
|
|
It. Sculpture in rel=
ief, in
which one half of the figure projects; sometimes called DEMI‑RELIEV=
O.(1883m1) |
|
A term applied to sculptured works in relief, which proj=
ect
half their proper proportion from the ground on which they are
carved.(1891a1) |
|
A process of engraving which may be described as the rev=
erse
of line engraving and etching. In these two processes the engraver sets to
work on a polished plate, whereas in mezzotint he has first of all to give
his plate a roughened surface, which if inked would print a deep uniform
black. Technically speaking, the process is as follows. The preliminary
operation of laying the ground is performed with an instrument called the
rocker (q.v.) or cradle. This somewhat resembles a cheese‑cutter in
shape, its edge being deeply notched or serrated. It is rocked to and fro=
and
so driven across the plate, leaving behind it an indented path or way. A
close series of parallel ways is thus made across the plate. Other ways a=
re
then made at a certain angle over the previous ones, until a sufficiently
close velvety texture is obtained. The ground being laid, the whole plate
would, as we have said, print bla=
ck.
The lights of the picture which is being engraved in mezzotint are obtain=
ed
by scraping away the ground,=
the
high lights being got by the use of the burnisher.
The advantages of mezzotint are manifold. It does not involve the labour
entailed by line engraving, in which the lines have to be ploughed into t=
he
copper. and it is therefore capable of greater freedom than some methods.
Then again by its range of tone it is admirably adapted for the
representation of the various textures in a portrait or the planes of a
landscape. Its invention has generally been ascribed to |