MIME-Version: 1.0 Content-Type: multipart/related; boundary="----=_NextPart_01CB0A27.9C118FB0" This document is a Single File Web Page, also known as a Web Archive file. If you are seeing this message, your browser or editor doesn't support Web Archive files. Please download a browser that supports Web Archive, such as Microsoft Internet Explorer. ------=_NextPart_01CB0A27.9C118FB0 Content-Location: file:///C:/8589A209/mi.htm Content-Transfer-Encoding: quoted-printable Content-Type: text/html; charset="us-ascii"
|
A son of Rameses II.
of the XIXth dynasty. (1876c1) |
|
The surname of |
|
An Egyptian (?) lady, the wife of Ua, the scribe of the cavalry of an unnamed king of=
the XVIIIth dynasty. (1876c1) |
|
Hind. A commemorative
monument.(1883m1) |
|
A son of Rameses II.
of the XIXth dynasty. (1876c1) |
|
The son of an Egyptian king, but of what k=
ing
it is not known. (1876c1) |
|
According to some Egyptologists the seventh
king of the Ist Egyptian dynasty. (Basil H.
Cooper.) (1876c1) |
|
Mica, Micatio. R. (<=
span
class=3DSpellE>mico, t=
o move
quickly). A game called by the Italians of the present day mora; t=
wo
players simultaneously stretching out one or more fingers, and each guess=
ing
the number held up by his adversary.(1883m1) |
|
In pre-koranic
history the Arabian name for the unions of step-mothers and step-sons, an
ancient custom which was abolished by Mahomet.(1876c1) |
|
In Cabalistic astronomy the angel of the
planet Mercury. (1876c1) |
|
A term applied to works of art in which the method of
Michael Angelo is imitated. Figures, for instance, are said to be Michaelangelesque<=
/i>
when their pose is bold, their movement rapid, or their anatomy strongly
accentuated.(1891a1) |
|
The archangel Michael when represented in pictorial art =
is
young and of a smooth countenance. His face wears an expression of severi=
ty,
indicative of his perpetual contest with the powers of evil. Sometimes he=
is
robed in white, sometimes in armour with sword and shield in his hand. He=
is
always winged, and often poises his spear before killing the dragon. In
pictures of the Judgment St. Michael is clothed in armour and in winged, =
and
holds in his hand the balance in which souls are weighed.(1891a1) |
|
A term used by modem anthropologists to
describe a species of skull which is generally smaller than the proportion
ordinarily found to prevail in a race or tribe. (1876c1) |
|
An early Phrygian king, whose tomb exists =
in
the |
|
Middle Ages. The med=
iaeval
period ‑of transition between ancient and modern times ‑ betw=
een
the 10th and the 15th centuries is one of the grandest periods in art. It
begins with the decay of |
|
Middle Ages, The. All works of art are said to belong to=
the
Middle Ages which were produced between the 12th and 16th centuries. This,
however, is by no means the historical meaning of the term Middle Ages, which extend from t=
he
fall of the Roman Empire in 475 A.D. to the taking of |
|
(Paint.) That part of a picture which lies between the
background and foreground.(1891a1) |
|
Middle Distance, in a
landscape: ‑ between the foreground and the background. Great skill=
is
displayed in the expression of distance by the effects of intervening
atmospheres, and by the design of intermediate plans carrying the eye onward and suggesting space.(1883m1) |
|
Middle Pointed Period of Archit=
ecture
is a name given to that period of Gothic architecture in |
|
The KING POST in the=
truss
of a roof.(1883m1) |
|
(Paint.) A colour intermediate between the brightly ligh=
ted
part of a picture and the part placed in shadow. Middle‑tints help =
to
give harmony to a picture, and to render the transition from light to sha=
de
less abrupt.(1891a1) |
|
In Scandinavian mythology the name of the
great evil serpent inhabiting the ocean which surrounds the mundane ash t=
ree Yggdrasil. (1876c1) |
|
The Greek form of the name Merba,
which see. (1876c1) |
|
A son of Rameses II.
of the XIXth dynasty. (1876c1) |
|
The father of Khirtsi=
na,
king of the Nahri. See Khirtsina. (1876c1) |
|
migdol<=
/span>: (Hebrew, 'tower') a fortress or fortified |
|
The father of an Elam=
ite
or Armenian king named Sarzina, which see. (1=
876c1) |
|
Fig. 459. Jardinière ̴=
9;
Milan Faience.(1883=
m1)
|
|
The engraving shows a specimen of Old Milan Point or
Reticella from the convent of
|
|
A mountain district in Mesopotamia which w=
as
conquered by |
|
The controller of the palace of the kings =
of |
|
R. (1) A tall narrow=
copper
vessel employed in baths for heating the water. (2) The column of an=
olive‑press
(trapetum),
which rose from the centre of the mortar (mortarium).(1883m1) |
|
A kingdom near |
|
The minister of state in the palace of the
kings of |
|
An early Babylonian name rendered also |
|
An early Babylonian king, the successor of= Nazirudas, of whom nothing else is known. (1876c1)<= o:p> |
|
The science of build=
ing
fortresses and fortifying town walls, &c. [See Viollet le Duc, "Essai sur l'Architect=
ure
militaire au Moyen Age."](1883m1) |
|
A king of Gebal. He
was a tributary of Esarhaddon. (1876c1) |
|
A term applied in painting to slightly opaque tones of
white. Precious stones are said to be milky when they are sprinkled with
spots or covered with a light tint of white(1891a1) |
|
Milled Money, with grooved edge= s, was first coined in this country in 1561.(1883m1) |
|
Millefiori. Mosaic glass. (See GLASS.) (1883m1) |
|
Millefiori. (Pot.) A kind of mosa=
ic
glass, consisting of several rods of glass, of various tints. melted
together. It was made in |
|
R. (mille, a
thousand, sc. paces). A column placed at intervals of a mile (1618 English
yards) along a Roman road to indicate the distance. (Fig. 461.) It was al=
so
called lapis. Milliarium aureum was the name given to the golden mile‑=
;stone
erected by Augustus in the Forum, where the principal roads of the Empire
terminated. A stone, called the "London Stone," in
|
|
A district to the North-west of Assyria,
conquered by Shalmaneser II. (1876c1) |
|
A term applied to the regular notches incised on the edg=
e of
a coin.(1891a1) |
|
Mill‑rind, Fer‑de‑Moline, Her. The iron fixed to the centre of a
millstone.(1883m1) |
|
Mill‑rine. (Her.) The =
mill‑rine or mill‑rind is the iron clamp fixed to =
the
centre of a millstone. It appears in heraldry as an armorial bearing, eit=
her
alone or shown on the millstone, but more often alone. The same instrument
gives also the idea for a special kind of cross, the cross
|
|
The name of a good b=
uilding
stone, plentiful in the north of |
|
The Accadian n=
ame of
the |
|
An ancient Hindu treatise on divine wisdom=
and
on religious ceremonies. It is one of the greater Sh=
astras.
(1876c1) |
|
Arabic. A pulpit in a
mosque. A finely‑carved mimbar is in the
South Kensington Museum.(1883m1) |
|
In Scandinavian mythology the name of the
great giant, the keeper of the fountain of wisdom beneath the mundane ash
tree Yggdrasil, which see. (1876c1) |
|
Hind. A tower or pillar. The <=
span
class=3DSpellE>Surkh Minar=
i> and Minar Chakri<=
/i>,
among the topes at Cabul, are almost the only=
pillars existing in |
|
Minaret (Arabic menarah=
, a
lantern). A feature peculiar to Mohammedan architecture. A tall, slender
shaft or turret, rising high above all surrounding buildings of the mosque to which it is attached; =
in
several stories, with or without external galleries, but usually having
three. From these galleries the m=
uezzin
summon the faithful to prayer. Blind men are generally selected for this
duty, because the minaret commands a view of the house‑tops used as
sleeping‑chambers in the East.(1883m1) |
|
Minaret. (Arch.) A lofty tower set by the side of a mosq=
ue,
with a projecting balcony at its summit and a roof in the shape of a bulb.
Thence the term is applied to a tower or bell‑turret which is at on=
ce
lofty and of slender proportions. The towers of St. Mark's at
|
|
The Assyrian form of the Hebrew royal name
Manasseh. (1876c1) |
|
A native oxide of
carbon.(1883m1) |
|
Mineral Blue. A nati=
ve
carbonate of copper which is liable to change its tint to green, if mixed
with oil. (F=
airholt.)(1883m1) |
|
Mineral Blue. (Paint.) This pigment is described as a |
|
(Paint.) A neutral tint obtained from lapis lazuli, of g=
reat
service in oil‑painting, as it admirably represents effects of cloud
and mist.(1891a1) |
|
|
|
(Paint.) A pigment obtained from proto‑chloride of
lead. Like all lead pigments it is destroyed by time and exposure.(1891a1=
) |
|
A pigment of chlorid=
e of
lead, which becomes paler by time. The name has also been applied to YELL=
OW
OCHRE and YELLOW ARSENIC (q.v.).(1883m1) |
|
R. A present or fee =
which
Roman scholars took to their masters every year, on the fourteenth of the
calends of April (19th of March), that is, on occasion of the festivals of
Minerva.(1883m1) |
|
O.E. (1) Either the =
pure
white fur with which the robes of peers and judges are trimmed - " |
|
Literally, a painting
executed in =
minium
(vermilion). Now used for any small picture, and especially for a small
portrait.(1883m1) |
|
(Paint.) The term miniature,
derived from minium (q.v.), was first applied=
to
the small water‑colour drawings which adorn manuscripts. It was
afterwards extended to all works of art, whether paintings, drawings, or
engravings, of small dimensions and delicate workmanship. Small portraits=
on
ivory or vellum, executed with such care and minuteness that the smallest
detail will bear inspection, are more particularly known as miniatures. T=
he
art of miniature‑painting in this sense was brought to great perfec=
tion
in |
|
The modern name of the city and nome in |
|
Menehis or Minihis. =
Fr. This
term, derived from the Celtic menech‑ti (house of a monk), or manach‑li (free spo=
t of
earth), was formerly used in |
|
Chr. All the sacred ornaments,=
and
utensils of a church taken collectively.(1883m1) |
|
A kind of red lead obtained by exposing le=
ad or
its protoxide to heat, till it is converted t=
o a
red oxide. It is a fine orange pigment, but fugitive and liable to
decomposition when mixed with other pigments. The ancient minium was cinnabar, or vermilion. (See ILLUMINATING.)(1883m1) |
|
(Paint.) Minium, which is al=
so
known as red lead, is a peroxide of lead. It is a brilliant red pigment, =
with
just a suspicion of yellow in it. It was used extensively by the illumina=
tors
of manuscripts and in earlier times by painters in oil. However, as it
contains lead, it proves destructive to other pigments, and its use canno=
t be
recommended. In architecture it is of considerable service, being employe=
d to
cover iron rails and planks of wood, the former of which it preserves from
rust, the latter from damp.(1891a1) |
|
Heb. Stringed musical instrume=
nts of
the lute or guitar kind.(1883m1) |
|
R. A monster, half man, half bull, confined in the
labyrinth constructed by Daedalus in Fig. 462. Minotaur. Device of Gonzalvo Perez.(1883m1)
|
|
Minster, Abbey‑church,
O. E. (Germ. Münster). A church to
which a monastery was attached; a cathedral. The name survives in "<=
st1:place
w:st=3D"on"> |
|
Minster. (Arch.) A church which belongs to a monastery or
religious house. Several of the English cathedrals are termed minsters, but this is to be accounted for by the fa=
ct,
that they were originally the houses of prayer attached to a monastery, a=
nd
became cathedral churches after they were built.(1891a1) |
|
O.E. The LOFT in a c=
hurch
was so called.(1883m1) |
|
The son of Ispuni,
king of Ararat or |
|
It. A subdivision of=
the module in the measurement of
architectural proportion. It is the twelfth, the eighteenth, or the thirt=
ieth
part of the MODULE,(1883m1) |
|
A son of Rameses II.
of the XIXth dynasty. (1876c1) |
|
Another son, so named, of Rameses
II. (1876c1) |
|
Sp. A belvedere, or
overhanging bow‑window.(1883m1) |
|
Mirror, Arch. A smal=
l oval
ornament cut into the deep mouldings, and sep=
arated
by wreaths of flowers.(1883m1) |
|
Mirror. An ornament consisting of a looking‑glass =
placed
in a frame, generally gilded and sometimes enriched with carvings. The mo=
st
esteemed mirrors at the present day are those which have a convex surface=
and
present a diminished image of whatever they reflect. The mirrors of the
ancients consisted of a circular piece of metal with a highly polished
surface. The metal employed was either a mixture of copper and tin or sil=
ver.
The back of the mirror was often decorated with designs of great beauty a=
nd
interest, incised upon the metal, which fact places Greek and Roman mirro=
rs
among the most valuable relics of ancient art.(1891a1) |
|
Mirror. In the Middl=
e Ages
mirrors were often enclosed in cases of metal or carved ivory. The example
(Fig. 463) gives a representation of the Siege of the
|
|
An early Chaldean
king and priest. His capital city was Ridu. No
particulars of his reign are known. (1876c1) |
|
According to the Greek lists the name of an
Egyptian king of the XVIIIth dynasty. He is n=
ot
certainly identified. (1876c1) |
|
A projecting bracket=
, on the
sellette=
of a church stall, on which, when the seat was turned up, there was a lea=
ning‑space,
available to the infirm during the parts of the service required to be
performed standing. (See SELLETTE.)(1883m1) |
|
Misericorde. The nar=
row‑bladed
dagger used to put the victory with sword or lance to the test, by obligi=
ng a
fallen antagonist to cry for merc=
y,
or by despatching him.(1883m1) |
|
Misere‑corde. A small dagger, which=
was
used by the warriors of the Middle Ages for giving the death stroke to a
wounded antagonist. It was generally damascened, engraved, or otherwise
richly decorated. The three specimens in
our cut belong respectively to the reigns of Henry VI., Edward IV., and H=
enry
VIII. ILLUS. misereco(1891a1)
|
|
(Arch.) A small seat=
placed
within the stalls in Gothic churches. In that part of the service during
which the occupants of the stalls were supposed to stand, these seats were
turned back and afforded a considerable amount of support to the person w=
ho
to all appearance was standing upright in his stall. Misereres generally assum=
ed the
form of brackets, and were ornamented with bas‑reliefs and symbolic=
or
grotesque figures. ILLUS. miserere=
span>(1891a1)
|
|
An Arabic town mentioned by Hebrew writers=
. See Medjmaa=
.
(1876c1) |
|
A district of Minni=
span>
which unsuccessfully revolted against Sargon II. (1876c1) |
|
In Phenician
mythology a descendant of the mythical semi-deities =
Amynus
and Magus, which see. (1876c1) |
|
As recorded by the Greek writers, the name=
of
one of the XVIIIth dynasty kings. He is not
certainly identified with any known king of |
|
Hind. Hindoo
temples built with two kinds of materials; whence their name of mixed ( |
|
A term applied to the
manuscripts or printed volumes of large dimensions which are used in the
services of the Catholic Church and contain the prayers of the mass. They=
are
generally enriched with colour, and their
ornamental letters are designed in imitation of those found in mediaeval
manuscripts.(1891a1) |
|
R. (i.e. things thro=
wn).
Presents of cheques or tickets thrown by the
emperor and wealthy persons among the people. The ch=
eques
were payable to the bearer at the magazine of the donor. (See
CONGIARIUM.)(1883m1) |
|
In Scandinavian mythology one of the two <=
span
class=3DSpellE>Walkiires of Odin. See
Nista and
Walküres. (1876c1) |
|
Mistarius, Mixtarius. R. Any
vessel of large size used for mixing water with wine.(1883m1) |
|
The publicans to whom the Ptolemaic kings =
of |
|
The king of Muska, a
kingdom on the |
|
A daughter of Rameses=
II. of the XIXth dynasty. (1876c1) |
|
A daughter of Amenhot=
ep
IV. of the XVIIIth dynasty. (1876c1) |
|
The wife Ra-saa-ka-kh=
eper-u,
a king of the XVIIIth dynasty. (1876c1) |
|
The king of Zikarti=
span>
in Annenia. He urged the people of Minni to rebel against |
|
Gr. (dimi=
n.
of mitra=
).
(1) A head‑band or coif of peaked form worn by Greek women. (2) A scarf used as a
bandage or support for a broken arm.(1883m1) |
|
In Zendic myth=
ology
a son of Ahuramazda, and consubstantial with =
him.
He was the great mediator between the gods and men. He was also the guard=
ian
of men during life, and their judge after death. (Le=
normant.)
See Mith=
ra-Daradj.
(1876c1) |
|
In Zendic myth=
ology
a powerful and wicked spirit created by Ahrimanes,
in antagonism to the Mithra, son of Ahuramazda, and being in all respects his counterpa=
rt in
an evil sense. (Lenormant.) (1876c1) |
|
(Festivals), Pers. and R. Festivals held in honour
of Mithras, the Persian sun‑god.(1883m1=
) |
|
Gr. and R. (:\JD"[=3Dmitra]). (1) A mitre or head=
‑dress
of the Galli or priests of Cybelê;
it was a Phrygian cap of felt, which was tied under the chin by lappets; =
it
was also called a Phrygian tiara<=
/i>.
(2) A cable fastened round the hull of a vessel to strengthen the
timbers.(1883m1) |
|
Mitre, Chr. Her. The ensign of archiepiscopal and
episcopal rank, placed above the arms of prelates of the Church of Englan=
d,
sometimes borne as a charge, and adopted by the
|
|
Mitre. (1.) A term applied to the joining of planks =
or mouldings at an angle, generally at an angle of for=
ty‑five
degrees. Frames and panels are formed by mouldings=
span>
cut in mitre and joined by means of a mortise=
or tenon or simple nailed. 2 ILLUS.
mitre1a, mitre1b
(2.) The head‑=
covering
worn by bishops. In the 11th and 12th centuries it was a simple round bon=
net
with two strings at the side, as in our second cut. It assumed the pointed
shape, which it still retains, in the 15th century. In coats of arms of
ecclesiastical dignitaries the mitre takes the
place of coat and helmet and rests upon the top of the shield. 2 ILLUS. <=
/span>mitre2a, mitre2b(1891a1)
|
|
(Arch.) A term appli=
ed to
towers and bell‑turrets, the crowning of which has the form of a |
|
Mitte=
n, Mitaine.
Ang=
lo‑Norman.
A glove; not restricted to gloves
without fingers. "Gloves made of linnen =
or woollen, whether knit or stytc=
hed:
sometimes also they call so gloves made of leather without fingers."=
(Ray.) (See MUFFETEE.)(1883m1) |
|
A city near |
|
The governor of Isana=
in the reign of Sennacherib. He was the eponym of the year B.C. 700, the
chief event in which was an expedition to |
|
Mistarius, Mixtarius. R. Any
vessel of large size used for mixing water with wine.(1883m1) |
|
A term applied to the
mordant which is used in fixing gold leaf upon wood in the operation of
gilding.(1891a1) |
|
The
Hebrew name of |
|
An Etruscan love-goddess, who was represen=
ted
as violated by Herakles. (1876c1) |
|
A species of jewelled=
or embroidered collar among the Egyptians; it differed from the Uskh in=
being
concentric, and not like the other, a half hoop only. (1876c1) |
|
The wife of Evagreton=
,
the Cretan, which see. (1876c1) |
|
Mnevis. Name
of the sacred black bull venerated at |
|
Mnevis. The sacred bull of |