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In Hindu mythology a shepherd who was the
reputed father of the god Vishnu when he was born under the form of the b=
aby Khrishna, which see. (1876c1) |
|
An Armenian warlike deity, adopted from the
Adar-Samdan of the Assyrians. (1876c1) |
|
A priestess of the goddess Neith,
the wife of Pef-aa-neit, which see.
(1876c1) |
|
The wife of Nemur,
an Egyptian governor and Smer in the XIIth dynasty.
(1876c1) |
|
A country rendered tributary by Samas-Rimmon III., (?) king of |
|
A Hindu idol, one of the numerous forms of
Siva. (1876c1) |
|
A
buff‑coloured cotton cloth, introduced =
from
the |
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Chinese.
A beautiful wood, resembling cedar, used for temples, palaces, and houses=
of
state.(1883m1) |
|
In Scandinavian mythology the wife of Bald=
ur
the beautiful, and the mother of Forseti. (18=
76c1) |
|
An early king, in whose reign
the Phrygians believed the Deluge to have taken place. (1876c1) |
|
Manufactories
of white faience were established here in 1588 and 1625; and that of Le R=
oy
de Montilliée and others in the 18th
century.(1883m1) |
|
The
science of temples. (See |
|
naos: (Greek) a shrine. (1894e1) |
|
|
|
|
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A class of Egyptian priests whose duty it =
was
to carry the sacred shrines of the different deities to whose worship they
were devoted, and to hold them on their knees exposed to the adoration of=
the
people (1876c1) |
|
The grandfather of the Egyptian lady Siotio, which see. (Leemans.)
(1876c1) |
|
The capital of |
|
A
general term for made‑up linen cloth.(1883m1) |
|
The governor of Kirru=
ri,
in the reign of Tiglath =
Pileser
II. He was eponym of the year B.C. 729, in which year "the king took=
the
hands of Bel," i.e., held a religious festival. (1876c1) |
|
Heb. (lit. thick w=
ater).
The name given by Nehemiah to the substance that they found in the pit wh=
ere
the sacred fire of the temple had been hidden during the Captivity. This
"thick water, which" (the legend says) "being poured over =
the
sacrifice and the wood, was kindled by the great heat of the sun and then=
burnt
with an exceedingly bright and clear flame," was the naphtha of mode=
rn
commerce.(1883m1) |
|
In Hebrew history a son of Mizraim,
who is supposed to have given his name to the people of |
|
A small kingdom in |
|
(Lat.
napus, a
turnip). Turnip‑shaped.(1883m1) |
|
(little nape<=
/i>). A
pocket‑handkerchief. "Your napkin is too little." (Othello.)(1883m1) |
|
Napkin
Pattern. A decorative ornament very common in German wood‑carving of
the 15th and 16th centuries. (See LINEN SCROLL.)(1883m1) |
|
Napkin
Pattern. (Arch.) A name given to a decorative pattern frequently carved u=
pon
panels of wood in the Gothic period. It suggests a square piece of cloth
folded sometimes double with the two ends curved inwards, sometimes in ma=
ny
close folds. The commoner name for this ornament is linen scroll (q.v.) <=
/span>ILLUS. n=
apkinpa(1891a1)
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Naples
Majolicas were already celebrated early in th=
e 16th
century. M. Jacquemart describes some vases of
colossal size, evidently constructed for "la gr=
ande
décoration,'' being painted on only one
face; handles in the form of caryatids add to the majestic appearance of
these vases; the subjects are scriptural, executed in blue camayeu picked out in black; the design is free, el=
egant
though rather straggling, and the touch is bold and spirited.(1883m1) |
|
(It.
giallolino=
i>).
A compound of the oxides of lead and antimony, having a rich, opaque, gol=
den
hue. As a pigment for oil‑painting and for porcelain and enamel, it=
is
now superseded by chromate of lead. As a water‑colour
pigment it is liable to blacken upon exposure to damp or bad air.(1883m1)=
|
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(Paint.)
A pigment which was originally composed of the oxides of lead and antimon=
y,
but is now generally manufactured from zinc. It derives its name from the
fact that it was once prepared at |
|
An
apron used by mediaeval masons. L=
imas
was another kind of apron worn by them.(1883m1) |
|
A deity of the Susian=
s
of whom nothing is known. (1876c1) |
|
An Elamite dei=
ty of
whom nothing is known, possibly the same as the preceding. (1876c1) |
|
The sacerdotal name of the race and people=
of |
|
An Assyrian city which revolted to Assurdan, and was reconquered<=
/span>
by Samas-Rimmon or Samsi=
-Vul
IV. (1876c1) |
|
In Vedic mythology a name of the Supreme
Being. (1876c1) |
|
In Hindu mythology a deity who was investe=
d by
Brahma with the power of creation. See
Angiras. (1876c1) |
|
In Hindu mythology the divine messenger of=
Indra. (1876c1) |
|
An early monarch of |
|
(Lat.
nardus=
span>).
Ointment prepared from the spikenard shrub.(1883m1) |
|
Lat.
(the nostrils). (1) The perforations in the register‑table of an or=
gan,
which admit air to the openings of the pipes. (2) The issue of a
conduit.(1883m1) |
|
Persian.
A tobacco‑pipe with an arrangement for passing the smoke through wa=
ter.
The illustration is the bowl of a Persian pipe of this description, in
Chinese porcelain. (Fig. 477.) Fig. 477. Narghilly‑Persian.(1883m1)
|
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(Lat.
naris,
the nostril). Nose‑shaped.(1883m1) |
|
(Arch.) The interior vestibule of a Christian basilica railed off from the rest of the building, where the catechumens and penitents were admitted.(1891a1)<= o:p> |
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$H Na-sa-kabu. A mystical title of Amen Ra, which is
mentioned in the CLXVIth chapter of the Ritua=
l of
the Dead. (1876c1) O.E.
The bar of a helmet which protected the nose.(1883m1) That
portion of a helmet which protected the nose. Our cut represents the head=
of
a warrior from the The superintendent of the Great Hall, a
functionary in the court of King Aspalut of t=
he XXVth dynasty. (1876c1) In Zendic myth=
ology
the fourth of the Darvands, which see. (1876c1) An Egyptian royal scribe whose monument is=
in
the A prophet of Haroeri<=
/span>,
of Amen Ra, and a sacrificiant of their respe=
ctive
temples. He was the father of the priest Pef-nifi-ne=
ith,
which see. (1876c1) Another form of the Egyptian royal name
$H Nasal.
ILLUS. nasal(1891a1)
$H Na-sa-neb-usa-ken-en=
.
$H Nasatyas.
$H Nascht-amen. =
"Strength of Amen."
$H Nasch-ti.
$H Nasch-ti-nebef.
Nekh-ta-nebi, which see. (1876c1)$H Nascht-mes. <=
span
class=3DGramE>"Born of Strength."
|
Nascht-mes. =
Or
Nekhtmes. "Born of Strength." An Egyptian sacred chorister. Her
statue is in the |
|
Hind.
A quoin, or coin‑stone.=
(1883m1) |
|
Nasr. "Eagle."= ; A Sabaean deity; the analogue of the Chaldean eagle-headed divinity Nisroch-Samdan. (Lenormant. ) (1876c1) |
|
Nasr. "Eagle."= ; A Himyaritic deity, probably the Nisroch of the Chaldeans, said to have been the chief god of the Himyarites. (1876c1) |
|
A king of |
|
In Scandinavian mythology the name of the
dreadful hall in hell, the roof of which was formed of serpents vomiting
venom, through which the wicked had to wade. All its gates opened Northwa=
rd.
(1876c1) |
|
R.
Games in the circus in honour of an emperor's
birthday.(1883m1) |
|
A
cold swimming‑pool in the baths. That at |
|
|
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A king of Nabathea.
He remained faithful to Assurbanipal, king of=
|
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According to Herodotus a nome
in |
|
An Etruscan Fury. She was analogous to the
Greek Até, with tusk-like fangs, and a
serpent in the hand. She was represented as urging U=
rusthe
(Orestes) to slay Kluthumustha (Klytemnestra).
(1876c1) |
|
A
Persian manufacture of majolica. (See NAHINNA.)(1883m1) |
|
National
Gallery. The National Gallery, which is situated in |
|
(Paint.)
A pigment artificially prepared from oxide of chromium or chrome ochre. I=
t is
a deep opaque sage green, and is very useful, as it is quite
permanent.(1891a1) |
|
The
"nativity" or birth of Christ was one of the favourite
subjects of the old masters. It is represented as taking place in a stabl=
e.
The child, wrapped in swaddling clothes, lies in the manger, its mother a=
nd
Joseph keeping watch over it. The ox and the ass are never omitted from t=
he
scene. This may be called the realistic representation of the scene.
Sometimes, however, it is treated symbolically, the infant lying on the
ground and the mother kneeling over it, while attendant angels keep
guard.(1891a1) |
|
While
the Adoration of the Magi is one of the commonest subjects of early Chris=
tian
art, the Nativity is one of the rarest. It is not found in any catacomb
frescoes, or the mosaics of any basilicas or churches. The only examples =
are
sculptural, and this on ivories, gems, &c. On these generally the Chi=
ld
is seen wrapped in swaddling clothes as the central object, the star appe=
ars
above, the Virgin on a rude couch, and sometimes St. Joseph rapt in thoug=
ht,
his head resting on his hand; the ox and the ass appear behind, and sheph=
erds
with curved staves stand by adoring.(1883m1) |
|
One of the twenty petty kingdoms of |
|
Natron, i.e. neutral
carbonate of sodium, obtained from the natron=
lakes
which are in a valley in the desert west of the Delta, not very far from =
the
river. This substance, used in the preparation of the body for entombment=
(see EMBALMING) was probably obta=
ined
by evaporation of the water of the lakes; or by washing the efflorescence
from the earth on which it appeared.(1902b1) |
|
Natural.
In Music, a character marked |
|
It.
Artists who work on the principle of a close adherence to the forms and <=
span
class=3DSpellE>colours actually combined in natural objects. The e=
pithet
was particularly applied as a term of reproach to the founders of the mod=
ern
Dutch school of painting. (See IDEAL.)(1883m1) |
|
An
artist is said to execute his work from nature when he paints, draws, or
models from the living model, or places his easel before the landscape be
wishes to represent and paints in the open air.(1891a1) |
|
An
aesthetic tendency displayed by a certain school of artists to keep as cl=
ose
as possible to nature in the representation of her various phases. The
naturalism of the present age too often lacks loftiness of aim, and is
sometimes little better than brutality. However, such artists as Albert <=
span
class=3DSpellE>Dürer and Lucas Cranach=
span>
have shown that it is possible to be a naturalist without losing nobility=
of
sentiment.(1891a1) |
|
The Egyptian goddess of the hour impersonified. She was represented as a woman with =
a star
upon her head. (1876c1) |
|
Naukratis=
. In the Ptolema=
ic period
a chief city in the Saitic nome
of LowerEgypt, West of the |
|
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(1)
A spectacle representing a sea‑fight, a subject frequently represen=
ted
on coins and sculptures. (2)
A building erected for such shows. Fig. 478. Naumachia, from a coin of Domi=
tian.(1883m1)
|
|
A
shell‑fish that sails on the surface of the sea in its shell. Its
spiral univalve shell is a common motive in ornamental design. The illustration is the device of the Affidati, an Italian literary Academy, with the mot=
to
"Safe above and below." Fig. 479. Nautilu=
s.
Device of the Affidati Academy.(1883m1)
|

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(Arch.)
That part of a Gothic church which extends from the choir to the western
door. The word nave means a ship, and it was applied to the body of the chur=
ch,
in accordance with the simile which compared the church to a ship.(1891a1=
) |
|
Arch.
(so called from its vaulted roof resembling in shape an inverted ship ( |
|
Navette, Navicula. Chr. The vessel, in the shape of a boat, in which
incense is placed for the supply of the thurible.(1883m1) |
|
|
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The Egyptian name of an unidentified Syrian
city. (1876c1) |
|
A Babylonian priest, by whom, according to=
the
Greek authors, Pythagoras was instructed into divine =
mysteries.
(1876c1) |
|
A city or district of which Taggil-ana-bil was prefect, under |
|
An obscure man whom a revolt of the Kassi against their lord Karah=
ardas
raised to the Babylonian throne about B.C. 1400. He was attacked and defe=
ated
by the king of |
|
A tribe in |
|
An early king of |