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Oscen, =
plur. |
|
Gr.
(=
ÏFP@‑N`D4"[=3Doscho‑phoria], i.e.
vine‑branch‑bearing). Athenian vintage festivals, instituted =
in honour of Bacchus and Ariadne<=
/span>
by Theseus, or according to other authorities=
, in honour of Dionysus and Athena, in which those who t=
ook
part carried vine‑boughs loaded with grapes. The festival was concl=
uded
by a race on the seashore from the |
|
R.
(dimin. of os, mouth or face). Small images or masks, generally of
Bacchus, hung up in vineyards to ensure a good crop, and practically usef=
ul
to scare off birds from the grapes.(1883m1) |
|
R.
A swing. The Roman swings are represented having legs like a chair.(1883m=
1) |
|
Oshe. Or Ushe. An Egyp=
tian
officer, whose monument is in the |
|
The name given by some Egyptologists to |
|
The soul of the deceased animal deity Apis assimilated into the nature and deity of Osiris, a very late Egyptian mythos, from whence in
Ptolemaic times the god Serapis was educed. (=
1876c1) |
|
A
term applied to the blessed dead. As Osiris d=
ied
and came to life again, so they hoped to live again; and in that faith the
epithet Osirian was applied by the Egyptians =
to
their dead. "The Osirian" M. or N. =
is the
formula invariably used in funerary inscriptions.(1902b1) |
|
Osiris. Ausar.
|
|
Osiris. Or Asi. The deit=
y Ra
in his attribute of judge of the deceased, the Rho-t-amenti. He was one o=
f the
principal as well as the oldest of the Egyptian deities, and the deceased
when justified was by some mysterious inspiration believed to partake of =
his
divine nature, and was henceforth called the Osirian. On the monuments an=
d in
the statuettes Osiris was represented as a man clothed in a very light ro=
be,
which descends to his feet, and in which his arms up to the hands are
covered. On his head was the Atef=
crown, peculiar to himself, and in his hands he held the cucufa staff, th=
e flabellum,
the pedum or crook, and the crux ansata. The head of the divinity was cov=
ered
with a closely fitting skull cap, and he wore his beard long and closely
plaited into the form of the letter J. This shape of beard was characteri=
stic
of Osiris alone, and of the statues of kings and defunct persons who were
assimilated to him. In the genealogy of the gods Osiris was the brother of
Typhon, and of Isis and Nephthys, and the father of the deity Horus by his
sister wife Isis. He was considered to have reigned as one of the divine
kings in |
|
A very rare form of the deity Osiris. It is an instance of the interfusion of
characters and attributes of the Egyptian divinities. (1876c1) |
|
A title given to Osir=
is
as the Egyptian Pluto. (Wilkinson.) (1876c1) |
$H Osirtesen. Osirtesen. An Egyptian
official, the son of Hathorse, chief of the country, etc., in the reign of
Amenemha II. of the XIIth dynasty. (1876c1) Osirtesen. A private Eg=
yptian,
the son of Tata and the lady Hathorse. He lived probably in the XIIth
dynasty. (1876c1) Osirtesen. A "Frie=
nd of
the King," "Keeper of the Treasure," and "High Office=
r of
the Court" of an unnamed monarch of the XIIth dynasty. (1876c1) Osirtesen. An Egyptian =
officer
in the XIIth dynasty. He was named after a king of that name. His wife's =
name
was Ta-hut-senu, and he had a large family, most of whose names are lost.
(1876c1) Osirtesen. An Egyptian =
officer,
the son of Antef-aker and the lady Hotep. His wife's name was Setap. His
period is unknown. (1876c1) Osirtesen. An Egyptian
official, the son of the lady Hotep, and father of two sons who were named
Khati and Hotepui respectively. His period and position are unknown, exce=
pt
that they were anterior to the XVIIIth dynasty. (1876c1) Osirtesen. An Egyptian
gentleman of importance, although not a state officer, in the reign of
Osirtesen II. of the XIIth dynasty. (1876c1) The second king of the XIIth
dynasty, and the son of Amenemha I. He conque=
red a
great part of the A king of the XIIth=
span>
dynasty, of whose reign nothing has been recorded. (1876c1) A king of the XIIth=
span>
dynasty. He carried on wars against the Negroes whom he forbad to enter <=
st1:place
w:st=3D"on"> The son of a priest named Shotephet,
who probably lived in the time of the XIIth
dynasty. (1876c1) The son of the lady Ankh-atefs.
He was a Top=
arch
or governor of a town under one of the kings of the =
XIIth
dynasty. (1876c1) A Persian officer,
and the father of Ardomanes, an officer and f=
riend
of Darius Hystaspes. (1876c1) According to the Greek lists a king of Another son of the Egyptian Pneihor. (1876c1) Osorkon. Three kings of the XXIInd Dynasty bore =
this
name. Monuments bearing their names are to be found not infrequently, but=
of
their definite history but little is at present known.(1902b1) Osorkon. Or Osorchen. The Greek form of the Egyptian royal name Uaserk=
en,
which see. (1876c1) Osorkon. The son of Prince Sheshonk, son of Osorkon. The son of Takelot II. of the XXIInd
dynasty. (1876c1) A king of the XXIInd<=
/span>
dynasty, of whom little is known. (1876c1) A king of the XXIInd<=
/span>
dynasty, of whom little is known. (1876c1) The second king of the XXIIIrd
dynasty. He succeeded Pettubast, and was hims=
elf
succeeded by King Psimut. (1876c1) An early unarranged Egyptian king. (Leemans.) (1876c1) Ossarium and Ossuarium.=
R. (os, a bone). A sarcophagus of earthenware, stone, or
marble, in which the vessel containing the cremated ashes of the dead was
placed.(1883m1) Arch.
(from the Italian ossatura,
skeleton). The skeleton or framework of a Gothic roof or a window. In the
roof, the ossature comprises the nerves, the
transverse or longitudinal arches, the diagonal rib, &c.; in a window,
the iron framing.(1883m1) $H Ostara.=
Among the Germans the goddess of the dawn.=
Her
analogue was the Ushas of Vedic mythology. (1=
876c1) Arch.
An old term used to denote the rose placed in the upper part of a mullion=
ed
window; it was also applied to a rosace and a
medallion.(1883m1)
$H Osirtesen I. Egypt
$H Osirtesen II. Egypt
$H Osirtesen III. Egypt
$H Osirtesen-ankh. "=
;The
Living Osirtesen." &=
nbsp;
Egypt
$H =
Osirtesen-pepa.
$H Osoces.
$H Osochor.
$H Osorchen. [See Osorkon - Editor]
$H Osorhe. Egypt
$H Osorkon.
$H Osorkon I. Egypt
$H Osorkon II. Egypt
$H Osorkon III. Egypt
$H Osorsen. Egypt
$H Ossarium.
$H Ossature.
$H Osteau.
$H Ostensoir.
|
A
transparent vase or pyx (q.v.), in which the =
host
is placed, and so exposed to the sight of the worshippers. Many of the
|
|
The import= ant branch of anatomy which includes the study of bones, the osseous system, = and the skeleton. It is a study of the utmost importance to artists.(1891a1)<= o:p> |
|
An
Italian literary academy, whose device was a pyramid blown from all quart=
ers
by the winds, with the obstinate<=
/i>
motto, "Frustra"
(in vain).(1883m1) |
|
R.
A lobby inside the entrance door of a Roman house, deep enough to contain=
a
small porter's lodge on one side, and leading to an inner door which open=
ed
on the ATRIUM. The street door was called JANUA. (See DOMUS.)(1883m1) |
|
Ostraca or Ostraka (pl.=
). The name given to the nume=
rous
fragments of pottery having Egyptian, Coptic, or Greek texts traced on th=
em.
Even fragments of stone have been used in this way, an evidence of the
scarceness or costliness of papyrus. The writing usually consists of rough
drafts made by scribes.(1902b1) |
|
ostrakon: potsherd or flak=
e of
stone used as a vehicle for writing or drawing.(1894e1) |
|
An Egyptian city on the Arabian frontier, =
near
to |
|
The
bird was well known in ancient times, and highly prized for its plumes and
its eggs. The former were used in some of the royal head-dresses and as
decorations for the royal chariot horses. The eggs sometimes form part of
royal tribute. The ostrich is represented on tomb walls at |
|
"In some churches two eggs of ostriches, a=
nd
other things which cause admiration, and which are rarely seen, are
accustomed to be suspended: that by their means the people may be drawn to
church, and have their minds the more affected." (Durandus on Symbolism.)(1883m1) |
|
R.
A purple colour used by the ancients, produce=
d from
the juice of the murex
fish.(1883m1) |
|
Ossarium and Ossuarium.=
R. (os, a bone). A sarcophagus of earthenware, stone, or
marble, in which the vessel containing the cremated ashes of the dead was
placed.(1883m1) |
|
According to the Greek historians the name=
of
an Egyptian king of the XIXth dynasty, of who=
m many
wonderful things are related. He has been identified with |
|
The Greek form of the r= oyal name Teta, or Ati, which see. (1876c1) |
|
According to the Greek =
lists,
the successor of Thampsis, king of |
|
A district of |
|
Possibly a Greek form of the Chaldean name Ubaru-tut=
u, which
see. (1876c1) |
|
According to Berosus<=
/span>
the ninth antediluvian king of |
|
Otoug. Or Outoug. In Accadian mythology a class of wicked spirits wh= ich afflict mankind. (1876c1) |
|
It.
Brass.(1883m1) |
$H Ouahabra. Ouahabra. Or=
Hophra. The surname of $H Ouaphres. Ouaphres<=
/span>. Or Oubhara, or Hophra. An early unarranged mo=
narch
of the Ancient Empire. (1876c1) Ouaphres<=
/span>. A devotee of <=
span
class=3DSpellE>Apis, in the XXVth dyna=
sty. He
was the son of Hap-mu. (1876c1) $H Oubhara. Fr.
Subterranean dungeons, into which prisoners were thrown to be oubliés=
(forgotten). The side walls were in some cases armed with strong sharp
blades, which cut the victims to pieces as they fell. It should be mentio=
ned
that in many cases cesspools have been mistaken for oubliettes.(1883m1) Ouch or Nouche. O.E. An ornament of the brooch kind; a jewel. (=
Mod.)
The setting of a precious stone.(1883m1) Tapestry
landscapes first made at that place; called also "tapisseries
de verdure."(1883m1) oudjat<=
/span>: the Eye of Horus, a powerful amulet.
(1894e1) In Hindu mythology a district near
$H Oubliettes.
$H Ouch. Old English
$H Oudenardes.
$H Oudjat.
$H Oudyana. "The Garden." Hindu
$H Ouei.
|
An Egyptian lady, the sister of the scribe=
Thoth who was an overseer of the bulls of Amen Ra.
(1876c1) |
|
In Hindu mythology the name of the |
|
The modern name of the Phenician
town Caicna, which see. (1876c1) |
|
The fourth king of |
$H Ounnefer. Ounnefer. The chancello=
r of
King Ouaphres, an early Egyptian monarch. (1876c1) Ounnefer. Or Unnefer. "The=
Good Being." In Egyptian mythology a title applied to Osiris, and by=
incarnation
to the soul of the deceased as an Osirian. (1876c1) $H Ouonsou. A priest of Anubis
and scribe of the South country. His monument is in the Gr.
(=
@ÛD"<4"[=3Dourania], i.e. =
in the
air). A game at catch‑ball.(1883m1) A Phenician ci=
ty
near the town of oushebti or shaw=
abti:
lit. 'answerer'; a figurine placed In the tomb as a substitute labourer.
(1894e1) The Egyptian name of an uncertain Syrian
mountain. (1876c1) Otoug. Or Outoug. In Accadian mythology a class of wicked spirits wh=
ich
afflict mankind. (1876c1) An Egyptian gentleman, the father of the
functionary Hor-irem and the husband of the l=
ady Tahart. (1876c1)
$H Ourania.
$H Ous.
$H Oushebti.
$H Ousor.
$H Outoug.
$H Outhor.
$H Outline. <=
span
style=3D'mso-spacerun:yes'>
Painting
|
Outline,
which has no real existence in nature, is defined by Aristotle as =
BXD"H FJ,D,@Ø[=3Dperas stereou],
"the boundary of solid form." The only light at shade used in
outlines is the greater lightness or darkness of the lines.(1883m1) |
|
Outline.
(Paint.) The imaginary line which surrounds an object, when represented in
drawing or painting, is termed an outline.
How much can be achieved by a single outline is proved by the exquisite
drawings of Holbein. In painting, an emphatic
definition of outline should be avoided, as it is not essential to good <=
span
class=3DSpellE>draughtmanship, and it produces an effect of harshn=
ess,
which is not seen in nature.(1891a1) |
|
Fr.
Exaggerated, fantastic, absurd.(1883m1) |
|
Ouza. Or Uza. The Egy= ptian name of the symbolical eye of Horus. It is supposed originally to have ha= d an astronomical import. (1876c1) |
|
Ouzahor. A priest of Apis, of the XXVIth dynasty. (1=
876c1) |
|
Ouzahor. T= he father of Doun-se-pa-nefer, which see. (1876c1) |
|
Ouzahor. "Eye of Horus." A priest of Apis,= in the XXIVth dynasty. (1876c1) |
|
Oval
(Lat. ovum, an egg). The oval,
formed of a continuous curve, differs from the ELLIPSE, which is equally
broad at both ends, in having one end narrower than the other, and is
sometimes called a false ellipse. Ovals
in windows, arches, and other parts of architecture exist, but are
rare.(1883m1) |
|
Oval.
An oblong curve. In principle the oval is a curve which in form approaches as nearly as possible to half an egg cut
lengthwise. But the term has a wider application. Thus an ellipse is call=
ed
an oval. Oblong curves are often formed by several arcs of circles meeting
one another, and having their several centres
placed symmetrically. The human face seen in front may be inscribed in an
oblong curve of this kind. The ov=
al of
a face is a common expression. ILLUS. oval1, ova=
l2(1891a1)
|
|
A
lesser triumph distinguished from TRIUMPHUS. The general entered the city=
on foot, and dressed in the toga=
praetexta of a magistrate, attended only by musicia=
ns,
and knights and plebeians; and the sacrifice by which the ceremony conclu=
ded
was a sheep (ovis)
instead of a bull; hence the word ovation.(1883m1) |
|
(Her.)
When a figure is borne over another figure, so as to hide part of it, it =
is
said to be over‑all. ILLUS. overall(1891a1)
|
|
(Fr.
ouverture,
an opening; It. sinfonia).
Instrumental music preceding an opera, &c.(1883m1) |
|
R.
Literally, a sheep‑fold=
, and
thence an enclosure in the Campus Martius in =
which
each century assembled before proceeding to place its votes (tabellae) in
the urn (cis=
ta).
It was divided into compartments approached through narrow passages calle=
d pontes or ponticuli. On entering, t=
he
citizens received their voting‑tablets (tabellae), and when they =
had
consulted within the enclosure, they passed out by another pons, a=
t which
they threw their votes into the chest (cista).(1883m1) |
|
|
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(1)
A convex moulding showing the quarter of a ci=
rcle,
and thence called quarter‑round. (2)
The echinus of the Doric capital. (3)
An ornament composed of eggs, separated either by tongues (Fig. 277) or by
darts (Fig. 514). (See ECHINUS.) Fig. 513. Ovolo or Quarter‑round. Fig. 514. Egg and dar=
t moulding.(18=
83m1)
|
|
R.
Conical egg‑shaped balls which were placed upon the spina of a circus, on a s=
tone
table supported by four columns. (Fig. 515.) There was a second table at =
the
other end of the spina,
on which were placed small marble dolphins. Ovum Orphicum, or Orphic egg, was=
the
mysterious symbol employed by Orpheus to denote the procreative principle
with which the whole earth is pervaded. Ovum
anguinum was an oval ball of glass worn b=
y the
Druids round their neck; so named because, as was asserted, it was produc=
ed
from the mingled saliva of two serpents (angues). Fig. 515. Ovum. Egg‑shaped balls.(1883m1)
|
|
With
the Athenians the owl was the emblem of prudence and wisdom; the bird of =
Athenê. In Christian art it symbolizes darkne=
ss and
solitude, and hence unbelief.(1883m1) |
|
In
ancient times the owl was the bird sacred to Athene<=
/span>,
and Athenian coins bore an owl as their type. From this circumstance arose
the famous proverb, "Owls of Athens," of which the modern form =
is
"Coals to |
|
Owl-Headed Minerva. The idea of this goddess is du=
e to
the imaginative enthusiasm of Dr. Schliemann, who believed that he saw an
Owl-headed Athena in the rude attempts at the imitation of the human face=
on
vases and other objects discovered by him at Hissarlik. The faces of cert=
ain
images of Apollo found on the coasts of Asia Minor, and now in the |
|
In
Christian art the attribute of St. Luke; the emblem of the priesthood and=
of
sacrifice. In representations of the Nativity an ox and an ass are common=
ly
introduced.(1883m1) |
|
Oxgall. [See Gall.](1891a1) |
|
Ox‑gall. The bile or bitter fluid secreted by the liver =
of the
ox; when refined it is used in oil and water‑c=
olour
painting to fix and thicken the colours. (See=
GALL.)(1883m1) |
|
An
oxide of iron used as a pigment of a brownish yellow in oil and water |
|
A
white pigment which is more
permanent in resisting gases than the white lead.(1883m1) |
|
The
pigments derived from these were well known to the ancients. Modern pigme=
nts
are Blue Ver=
diter,
Brunswick Green, |
|
Gr.
Small cymbals in the shape of vinegar‑saucers.(1883m1) |
|
|
|
|
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The
Greek name for Pa-mazet,
the capital of the nineteenth nome of |
|
The Greek name for the city and nome in |
|
|
|
The Arabic form which sometimes represents=
the
Hebrew name Ezra. (1876c1) |