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Scotch. A small copp=
er coin
formerly current in |
|
Fr. Arch. (plat‑fond). The French ter=
m for
a ceiling, often the subject of elaborate architectural, carved, or paint=
ed
decoration. The peculiar foreshortened perspective characteristic of figu=
re‑pictures
on a ceiling is hence described as "plafonn&eac=
ute;;"
and it is generally said of a painter distinguished for bold foreshorteni=
ngs,
"Il excelle à=
;
plafonner."
Plafonds of different periods=
are
found of wood, lath and plaster, or stone.(1883m1) |
|
R. A hunting‑n=
et, the
diminutive of which is plagula
(small net); the latter term also denotes the curtains hung round a couch=
or
litter, a width of cloth, a strip of paper, &c.(1883m1) |
|
Plan. (Arch.) A term=
which
includes geometrical drawings in general, and in particular drawings which
represent the projection of the walls of a building upon a horizontal pla=
ne
or the outline of the walls upon the ground.(1891a1) |
|
A name for the smoot=
h coin
prepared for stamping before it has passed under the die.(1883m1) |
|
A tablet mounted upo=
n a
tripod used surveyors. [Alidade.] ILLUS. planchet(189=
1a1)
|
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(Paint.) A term appl=
ied in
art to the different vertical surfaces parallel to the surface of a canva=
s,
which, with the aid of perspective, represents the distances existing bet=
ween
a series of objects and the eye of the spectator. If a figure, for instan=
ce,
is represented as too near or too far, it is said to be out of its proper
plane. Of an ill‑constructed picture we say that its planes are not
sufficiently indicated.(1891a1) |
|
The ground plane may=
be
defined as the floor of a dra=
wing
or picture. It extends from the lower edge of the picture to the
horizon.(1891a1) |
|
In a picture or draw=
ing a
plane is said to be horizontal when it is parallel to the lower edge of t=
he
picture.(1891a1) |
|
The vertical plane u=
pon
which a picture or drawing is made. It is parallel to the spectators, and=
is
represented by the whole paper or canvas upon which the drawing is
executed.(1891a1) |
|
In a picture or draw=
ing a
plane is said to be vertical when it is at right angles to the ground pla=
ne
of the picture.(1891a1) |
|
A robe worn by priests, resembling the DALMATIC=
(see
Fig. 236) worn by deacons. (S=
ee
CHASUBLE.)(1883m1)
|
|
See ASTRONOMY.(1902b1) |
|
A workman whose busi=
ness it
is to prepare copper plates for engravers. He also aids the engraver in
effacing, if necessary, any part of the plate after it has been engraved.=
He
lowers the tone of those portions of the plate which have been too deeply
bitten in by striking it with a wooden hammer so as to beat down the metal
and lessen the breadth of the hatchings. He may also efface parts of a co=
pper
plate, sparing the rest of the work, and then beat out the plate wherever=
the
engraver wishes to engrave it afresh. When this has to be done the plate =
is
held in a vice and beaten on the reverse side to that which has been
effaced.(1891a1) |
|
A projection of the =
sphere
and its various circles on a plane surface.(1883m1) |
|
Her. The broom‑plant badge of the Plantagenets= . Fig. 5= 46. Planta Genista.(1883m1)
|
|
Plaque, Fr. A flat p=
late of
metal or painted china. |
|
Plaque. A flat piece=
of
metal, terracotta, or china, upon which designs are executed by processes
peculiar to the material. Plaques of various kinds are and have been from
earliest times a popular form of decoration.(1891a1) |
|
A copy of a work of
sculpture, produced in plaster by mechanical processes. Thus we speak of a
plaster‑cast of the antique. [Cast.](1891a1) |
|
The cement or plaster
obtained from gypsum, originally prepared near |
|
Plastic Art. Sculpture; opposed to Graphic Art, or painting, &c.(1883m1) |
|
Plastic ar=
t is the
art of reproducing the relief or form of an object; the art of modelling figures. In plastic art such malleable
materials as terra‑cotta, clay, wax, and plaster are used, while the
creations of the plastic artist may be afterwards translated into marble =
or
bronze. The term plastic art is used in opposition to graphic or pictoria=
l‑art.
Bas‑reliefs may be said to occupy an intermediate position between
plastic and graphic art.(1891a1) |
|
Fr. A fencing‑=
pad to
cover the body. Plastron‑de=
‑fer was an iron breastplate worn under the haub=
erk,
especially when the latter was of ringed mail.(1883m1) |
|
Plat‑band. (See TAENIA.) (1883m1) |
|
The upper part of a
rectangular opening or bay constructed of ashlared=
span>
stones. ILLUS. platband(1891a1)
|
|
Plate, Her. A silver roundle.(1883m1) |
|
Plate. (Engrav.)
A piece of copper upon which an engraver works is called a plate. Hence t=
he
impression obtained from an engraved plate is itself termed a plate. Thus=
we
describe an engraving as an excellent plate, or we speak of a book
illustrated with plates. The term is only applicable to impressions struck
from steel or copper, and should never be used of wood‑cuts. A plat=
e is
said to be worn when so many
impressions have been taken from it that it prints pale and indistinct. W=
hen
a wood block is worn out a precisely opposite effect is produced, for it
prints black. The pieces of glass upon which photographic proofs are obta=
ined
are also called plates.(1891a1) |
|
Gr. and R. (<=
span
style=3D'font-family:"WP Greek Courier";mso-ascii-font-family:"Times New =
Roman";
mso-hansi-font-family:"Times New Roman";mso-char-type:symbol;mso-symbol-f=
ont-family:
"WP Greek Courier";mso-no-proof:no'>B8"J,Ã"[=3Dplateia], i.e. =
broad). A
wide fine street in a city, in contradistinction to a small street called=
angiportus,
which means literally a narrow street.(1883m1) |
|
Plate‑armour, consisting entirely of metal plates, became general during the 15th century.(1883m1) |
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Plate Armour.
Plate armour, which consisted of solid plates=
of
metal, came into use in the 14th century. It was extremely heavy and
unwieldy, but in some form or other it continued in fashion until its
uselessness was generally recognised, and it =
was
finally abandoned in the 17th century.(1891a1) |
|
A superior kind of t=
hick glass,
used chiefly for mirrors and for large windows.(1883m1) |
|
Of a printing‑=
press,
the flat part by which the impression is made.(1883m1) |
|
Plate̴=
9;paper
is a thick soft paper expressly prepared for printing engravings
upon.(1883m1) |
|
Sp. A name given to
goldsmiths' work of the 14th and 15th centuries, which reflected the
complicated and delicate forms of ornament applied in the pointed
architecture of the period.(1883m1) |
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Plates are properly
illustrations taken from copper or steel engravings; cuts are impressions from wood‑blocks.(1883m1) |
|
Two pigments, one of=
a pale
yellow colour, the other resembling cadmium yellow, are sold under t=
his
name.(1883m1) |
|
Plating is=
the art
of covering metals with a thin surface of silver or gold for
ornament.(1883m1) |
|
(Phot.)
A process of printing photographic proofs by means of the salts of platin=
um.
The proofs thus obtained are generally of a cold black or sepia tone. Pri=
nts
obtained by this process have many advantages. They have not the glossy
surface of the ordinary photograph, and they are quite permanent.(1891a1)=
|
|
(Sp. plata, silver). A white m=
etal
exceedingly ductile, malleable, and difficult of fusion. It is found in t=
he
Ural Mountains and in |
|
R. (plaudo, to rumble). A two=
‑wheeled
cart drawn by two oxen, and used for conveying agricultural produce; plaustrum majus was a much larger cart mounted on four wh=
eels.
It had a long pole projecting behind, on which blocks of stone or other c=
argo
could be balanced on planks attached. The wheels (tympana) were of solid wood nearly a foot in thickness, and t=
heir
creaking was heard to a great distance (hence the name).(1883m1) |
|
Gr. and R. (from B8ZFF,4<[=3Dplessein], to s=
trike). A
short stem of ivory or metal pointed at both ends, used to strike the cho=
rds
of the lyre, the barbiton,
the cithara, and some other
stringed instruments.(1883m1) |
|
(Paint.) The plein air school is a school of modern
French painters, whose creed it is to paint their pictures in the open ai=
r.
In a studio lighted by a single light, which falls at a given angle, stro=
ngly‑marked
arrangements of light and shade are always obtained; when, however, the m=
odel
poses in the open air, the modelling of the p=
lanes
is less positive on amount of the wealth of light, reflections, and lumin=
ous
rays which envelop it on all sides. Under these conditions, the modelling is only obtained by accurately observing =
the
value of the tones, and a projection, which, in the studio, would throw a
decided shadow, is only indicated in a plein‑air picture, by a tone‑value helping to detach i=
t.
Lastly, it must be added that the expression of plein‑air is not always used in a good sense. Some
impressionists wishing to simplify things as far as possible, abuse the
effects of p=
lein‑air: they dispense altoge=
ther
with modelling, which, in this case ‑ a=
s many
contemporary works show ‑ demands a skilful rendering, and an exten=
sive
knowledge of the value of tones.(1891a1) |
|
Gr. and R. (<=
span
style=3D'font-family:"WP Greek Courier";mso-ascii-font-family:"Times New =
Roman";
mso-hansi-font-family:"Times New Roman";mso-char-type:symbol;mso-symbol-f=
ont-family:
"WP Greek Courier";mso-no-proof:no'>B80:@‑P@¬[=3Dplemo‑choe], i.e.
that pours a flood). A vessel in the shape of a top; it resembled the |
|
A large nail for fas=
tening
the planks of floors to the joists.(1883m1) |
|
Gr. The basis of land
measurement, being 100 feet square, or 10,000 square feet. As a lineal
measure, 100 feet, or about 101 of English measurement.(1883m1) |
|
Plinth, Arch. (B8\<2@H[=3Dplinthos]). Lit=
. a tile o=
r brick, and thence the lower proj=
ecting
base of a column, pedestal, or wall, which resembles a strong square tile
placed beneath the last torus at the base of a
column. (See ABACUS.)(1883m1) |
|
Plinth. In architect=
ure a
plinth is a square block at the base of a column, the purpose of which is=
to
set off the circular mouldings above it. In a=
ll the
ancient orders except the Doric the bases of columns are provided with a
plinth. In sculpture the plinth is the rectangular or circular base upon
which a statue is placed. The titles of statues or other inscriptions are
frequently placed upon plinths. Their chief purpose is to set the statue =
at a
proper elevation, so that the lower limbs of the figure are not concealed,
and that the foreshortening does not alter its proportions. ILLUS. plinth(1891a1)
|
|
A Libyan city, situated on the West of the=
|
|
R. (B84<2\@<[=3Dplinthion]). A =
sun‑dial,
so called because its divisions were marked on a flat surface ( |
|
Plough Monday was th=
e name
given by our ancestors to the first Monday after the Epiphany, the return=
to labour after the Christmas holiday.(1883m1) |
|
Ploughs are mentione=
d in
Deuteronomy (1451 B.C.), and represented on Egyptian sculptures of still
earlier date. The Roman plough of the date of our era is described by
Virgil.(1883m1) |
|
R. (lit. feathers). =
The
scales of armour, arranged to imitate feather=
s.
(See PENNA.)(1883m1) |
|
The direction of the=
plumb‑line
is found by letting a weight attached to a string fall freely to the grou=
nd.
A figure is said to be out of plumb when the vertical line indicating the
centre of gravity falls outside the middle of the base of this figure. Ma=
ny
ancient statues are out of plumb ‑ the Venus of Milo, for instance.=
A
building is said to be out of plumb when its vertical lines do not coinci=
de
with the direction given by the plumb‑line. The most celebrated
instance of such a building is the |
|
A substance also kno=
wn as
black lead, which is in reality a sulphuret
of iron. It is used in the manufacture of lead pencils.(1891a1) |
|
A carburet of iron c=
ommonly
known as black lead, also called GRAPHITE, used for making crucibles and
black‑lead pencils.(1883m1) |
|
Lead‑glazed, b=
y the
addition of an oxide of lead in the preparation of the glaze. (See
POTTERY.)(1883m1) |
|
R. (lit. lead). A ge=
neral
term denoting anything that is made of lead, such a =
a
lead pipe, a slinger's bullet, &c.(1883m1) |
|
R. A general term including anything made of boards adapted to afford a support, cover, passage, &c.; and thus sometimes = used as a synonym for musculus or protective shed. Fig. 547, a plut= eus upon three wheels, was used for protecting soldiers conducting an approac= h at the foot of a rampart. These plut= ei were covered with the skins of animals, which were wetted to protect the machines from fire; and helped to deaden the shock of missiles. Fig. 547. Pluteus.(1883m1)
|
|
Gr. (B8L<JZD4"[=3Dplunteria], was=
hing).
Festivals held at |
|
An Egyptian officer, the flabellum-bearer =
to |
|
An uncertain Egyptian deity, perhaps a for=
m of
Harpakrut, which his statues much resembled.
(Wilkinson.) (1876c1) |
|
An Egyptian priest, the father of the prie=
st
He-hor-rei, which see.
(1876c1) |
|
R. (B<4(,×H[=3Dpnigeus], lit. =
a choker).
A kind of funnel employed to stop or repress the air in a hydraulic
organ.(1883m1) |
|
A son of Her-hor-si-a=
mun,
of the XXIst dynasty. (1876c1) |
|
Gr. The site in |