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The Assyrian form of the Egyptian royal na=
me
Puma, which see. (1876c1) |
|
Pudil. An early king =
of |
|
Budil. Or Pudil. An early king of |
|
A prince of |
|
A royal scribe in the time of the XVIIIth dynasty. He had a son named Pthah-meri.
(1876c1) |
|
Hind. A piece of mus=
lin worn
as a turban.(1883m1) |
|
R. Writing‑tab=
lets
small enough to be held in the hand (pugillus), whence their name.(1883m1) |
|
R. (Gr. :VP"4D"[=3Dmachaira]). A s=
hort
dagger, without a sheath, worn by officers of high rank.(1883m1) |
|
In Hindu mythology any act of ceremonial
worship having various names according to the deities adored; as, Durga-puja, Linga-puja.
(1876c1) |
|
The king of Khatkhiri=
bi,
the Athribis of the Greeks. He was one of the=
first
petty kings of |
|
Pulaha. Or Palaha. A Hindu deity who was invested by Brahma with the power of
creation. See Angiras.(1876c1) |
|
A tribune with a sea=
t, raised at a considerable height above the ground, fr=
om
which sermons were delivered. In Italian churches many pulpits are to be =
seen
of marble or bronze, supported by colonnettes=
. In
mediaeval churches the pulpits were nearly always of wood and perfectly
simple in construction. In the 15th century pulpits were set against the
pillars of the church or against the wall, and were fixed. At a little la=
ter
period they were surmounted by sounding boards in the form of a canopy or
tapering pyramid. In the 16th, 17th and 18th centuries pulpits were desig=
ned
in accordance with the architectural style of each epoch and some were
marvels of allegorical and theatrical fancy. Belgian pulpits particularly
exhibit a quaintness of execution and design. The pulpits of the present =
day
are generally nothing but an ingenious pastiche on the productions of for=
mer
times. Our cut represents the pulpit of carved wood in the church at Wenden, in
|
|
R. The tribune of an=
orator,
or the chair of a professor. In a theatre the term was used to denote the=
part
of the stage next to the orchestr=
a.
(See PROSCENIUM.)(1883m1) |
|
An epithet applied by the Classical writer=
s to
the Phenicians from their consumption of pease. (1876c1) |
|
The name by which the Pelasgians
were known to the Egyptians in the time of Rameses=
span>
III. (1876c1) |
|
R. (pulvinus, a cushion). A c=
ushion
or bolster, and thence a state couch or a marriage‑bed.(1883m1) |
|
R. (1) A room in a t=
emple,
in which was set out the pulvinar or couch for the gods at the feast of the
LECTISTERNIUM. (2) See OPUS PULVINARIUM.(1883m1) |
|
R. Having a contour similar to that of a cushion or bolster, and thence the cylinder formed by the swelling of the volute at = the side of the Ionic capital. (Fig. 565.) Fig. 565. Pulvinatus.(1883= m1)
|
|
The king of Bendidi=
span>,
the Mendes of the Greeks. He was one of the first of the twenty petty kin=
gs
of |
|
A king of |
|
A kind of lava of le=
ss
specific gravity than water. The dome of the mosque of St. Sophia at |
|
(Engrav.)
A steel instrument called a punch, which generally has two large blunt po=
ints,
is used in crayon engraving to add masses of black when the work has alre=
ady
been bitten. The punch is held perpendicular to the plate and subjected t=
o a
series of sharp taps, being moved a little at each tap. A hollow of
considerable width and depth is thus obtained, which is represented in
printing by a mass of intense black. Many plates were executed by this me=
thod
in the last century and were printed in red. In die‑engraving a pun=
ch
is a steel instrument upon which a figure is engraved, and from which
imprints may be obtained by striking the punch at the end the farthest
removed from the figure. Engravers often keep a collection of punches, up=
on
which the commonest charges in heraldry are engraved. The term punch is a=
lso
applied to the imprint of an initial, device, sign, or symbol placed upon
goldsmith's work, or on gold and silver ornaments. In the present day the
application of these symbols to gold and silver plate is under the perman=
ent
control of the State and is regulated by especial laws. 3 ILLUS. punch1, punch2, punch3(1891a1)
|
|
(Arch.) A =
piece of
wood which serves as a vertical support.(1891a1) |
|
A compass, the branc=
hes of
which curve inwards, the one being armed with a blunt point, the other wi=
th a
sharp. It is used to mark exactly where a copper plate which has been pla=
ned
down is to be beaten out. ILLUS. punching(1891a1)
|
|
R. A vote or suffrag=
e,
because in early times each citizen, instead of laying down a tessera=
or
tablet with his vote, passed in front of the rogator, or voting office=
r who
had the list of candidates before him, and pricked a hole (punctum=
) in the
tablet against the name of the candidate for whom the vote was given.(188=
3m1) |
|
Swinging fans suspen=
ded from
the ceilings of houses in |
|
A prince royal of |
|
Pount. The Egyptian n=
ame
for Arabia Barbarica, which was first invaded=
and
conquered by Hatasu, the great queen of the <=
span
class=3DSpellE>XVIIIth dynasty. It was supposed to be under the sp=
ecial
care of Hathor, the goddess of beauty. (1876c=
1) |
|
Punt,
called also Ta-neter,
the " |
|
Sp. A narrow point=
8209;lace
edging.(1883m1) |
|
R. A doll; a child's
plaything. Dolls of terra‑cotta have been found in various countrie=
s.
In |
|
An artist who adopts=
the
traditions and produces works in the style of a painter or sculptor is sa=
id
to be a pupil of such a master. Thus we speak of a pupil of Raphael or of
Rubens.(1891a1) |
|
R. The poop or after=
‑part
of a vessel as opposed to the prora or prow. (See PRORA.)(1883m1) |
|
A people of |
|
In Phenician
mythology the son of Genus, and one of the
discoverers of the art of creating fire. (1876c1) |
|
In Hindu mythology the name of a series of
poetical histories of the principal divinities, of which the Vishnu Purana, concerning the birth and actions of the dei=
ty |
|
A rough grey sandsto=
ne from Dorsetshire, largely used for building purposes in
London.(1883m1) |
|
A subordinate Etruscan goddess, who was
represented as wearing a Phrygian cap. (1876c1=
) |
|
Purim (Festivals of)=
, Heb.
Jewish festivals called Festivals=
of
the Lots, instituted in memory of Esther, who had averted the peril w=
ith
which Haman threatened the Jews; they were so
called because the favourite of Ahasuerus
was to have decimated the Jews by casting lots to see who should be put to
death.(1883m1) |
|
A term which denotes
correctness and precision of drawing. For instance we speak of the purity=
of
outline in the figures of Raphael or in the Source of Ingres.(1891a1) |
|
(Arch.) A piece of w=
ood
placed horizontally and forming part of a roof, its purpose being to supp=
ort
the rafters.(1891a1) |
|
Purple. A secondary =
colour obtained from the mixture of the two primary=
colours red and blue.(1891a1) |
|
Purple is red gradua=
ted with
blue, the red predominating; red with black makes purple‑black. Pur=
ple
pigments are madder purple, violet mars, burnt carmine (for water‑colours=
span>).(1883m1) |
|
Purple, Gen. An insi=
gnia of
authority pertaining to certain magistrates who wore purple robes or band=
s of
purple on their attire. There were two kinds of purple, the amethyst and =
the Tyrian; the former was a deep violet, and obtained =
from a
shell‑fish (murex trunculus); the Tyrian was
more brilliant and had a redder tinge; it was obtained from the murex brandaris=
.(1883m1) |
|
|
|
A beautiful deepR=
09;coloured Brazilian wood, used for marquetry
and inlaid‑work, but principally for the ramrods of guns.(1883m1) |
|
Purpure, Her. Purple.(1883m1) |
|
Purpure. (Her.) The heraldic colour purple shown on a =
shield
by diagonal lines from sinister to dexter.(18=
91a1) |
|
Purree. (Paint.) A name given to the pigment more gen=
erally
known as Indian yellow (q.v.).(1891a1) |
|
Purree, Hind. A bright golden‑yellow pigment pr=
epared
from camel's dung. (See INDIAN YELLOW.)(1883m1) |
|
The lowest order of =
officers
in Herald's College; of whom there are four, called respectively Rouge Cr=
oix,
Rouge Dragon, Blue Mantle, and Portcullis. In the Middle Ages these offic=
ers
were attached to the households of the nobility, and bore titles generally
taken from the armorial insignia of their lords.(1883m1) |
|
A district near the Upper Euphrates which =
was
usurped by the Hittites till they were defeated by |
|
The Egyptian name of the |
$H Purusha.
|
Purusha=
span>. "The Supr=
eme
Spirit." The Vedic titl=
e of
the Supreme Being as the spirit of life. (1876c1) |
|
R. A place struck by
lightning, and thus rendered sacred; in order to keep it from the tread of
profane feet, it was surrounded by a low wall similar to that which prote=
cted
a well (pute=
us);
whence the name of puteal.(1883m1) |
|
R. (1) A well fed by a spring or an underground stre= am of water; (2) an opening or manhole of an aqueduct (Fig. 566); (3) a pit for preserving grain. Fig. 5= 66. Puteus. Manhole of an Aqueduct.(1883m1)
|
|
R. Common pits in wh=
ich the
bodies of those slaves and paupers were buried, who had not the means to =
pay
for a funeral pyre or a private tomb.(1883m1) |
|
In a painting or dra=
wing,
when a figure is set upon the canvas or paper with a few strokes so as to
vividly suggest its movement and attitude, it is said to be well put in.(1891a1) |
|
A reddish earth whic=
h is
mixed with lime to form a cement used by builders.(1891a1) |
|
The king of Aphrodisi=
a
in the |
|
Gr. (B=
L"=
<X=
R4=
"[=3Dpuanepsia]).
Ancient "Beanfeasts." Athenian fest=
ivals
in honour of Apollo, instituted by Theseus after his victory over the Minotaur; they w=
ere so
called because beans were cooked for the banquet in =
honour
of the god (=
Bb=
"<=
@H[=3Dpuanos], a bean, and ª=
R,=
4<[=3Dhepsein], to cook).(1883m1) |
|
(Arch.) An ancient t=
emple
was said to be pycnostyle when its
intercolumniation measures one and a half times the diameter of the shaft=
of
the column at the base.(1891a1) |
|
The Greek form of the Tyrian
royal name Pümeliun, which see. (1876c1)=
|
|
O.E. A kind of fishing‑boats.(1883m1) |
|
pylon: tall sloping walls flanking a temple gateway. (1894e1) |
|
Pylon, Egyp. (BL8f<[=3Dpulon]). A monu=
mental
gate composed of two lofty and massive pyramidal towers, forming the entr=
ance
to the enclosure of the great Egyptian temples. The interior of a pylon
contained staircases and chambers. A splendid example in full preservatio=
n is
that of the temple at Esneh on the Nile.(1883=
m1) |
|
Pylon. In Egyptian a=
rchitecture
a pylon is a mass of masonry =
in the
form of a truncated pyramid with a door in the middle, terminated in a
platform as is shown in the cut. Sometimes poles with waving banneroles were set were against the pylon. The pyl=
ons at
|
|
The
colossal gateway forming the façade of a temple. It consisted of a
large, ordinary entrance, with enormous masses of masonry on either side,
having sloping faces and an overhanging cornice. Sometimes these two mass=
ive
towers contained small chambers, sometimes only a staircase. On the face =
of
each were four vertical grooves, in which were held great wooden masts,
bearing floating streamers of different colours. Inscriptions and sculptu=
red
pictures covered the sloping fronts (see
PENTAUR), and statues or obelisks were placed before them. The statues, of
which there were four or six, were sometimes of enormous dimensions. They
represented the royal founder of the temple.(1902b1) |
|
Gr. and R. (<=
span
style=3D'font-family:"WP Greek Courier";mso-ascii-font-family:"Times New =
Roman";
mso-hansi-font-family:"Times New Roman";mso-char-type:symbol;mso-symbol-f=
ont-family:
"WP Greek Courier";mso-no-proof:no'>BLD[=3Dpura], lit. the=
burning‑place).
A funeral pile before it was set on fire, in contradistinction to rogus, a
funeral pile which has been lighted. It was built in the form of an altar
with four equal sides, which were frequently covered with foliage of dark
leaves; and cypress‑trees were placed in front of the pile. The cor=
pse
was placed on the top, in the bier (lectica) on which it had been borne to the place. (See
FUNERAL CEREMONIES.)(1883m1) |
|
Pers. (BLD,Ã@<[=3Dpureion]). A pl=
ace in
which the Persians kept the sacred fire (puros, fire). At |
|
pyramid: tomb with stepped or sloping sides on a square base. (1894e1) |
|
Pyramid. A solid fig=
ure with
a triangular or polygonal base, the lateral faces of which meet in a poin=
t at
the summit. Under this name are generally designated the three Egyptian
monuments of the IVth dynasty, the loftiest of
which, the pyramid of Cheops, is 146 metres high, and is built upon a square base. It co=
nsists
of a solid block of calcareous stone faced with solid flags, accurately s=
et
in their places. 2 ILLUS. pyramid1, pyramid2(1891a1)
|
|
Pyramid (Egyptian, Pi‑rama,
a mountain). In the hieroglyphics called Abumer,
"a great tomb," which it essentially is, or rather a great cairn
over the cave tomb excavated in the live rock immediately under its apex.
This sepulchral chamber having been connected with the upper world by a p=
assage
sloping downwards from the north, the graduated structure was regularly b=
uilt
over it, the proportions of the base to the sides being constantly preser=
ved,
and the whole forming always a perfect pyramid; so that the building coul=
d be
continued during the whole lifetime of its destined tenant, and covered a=
nd
closed in immediately upon his death. It is on record that from Seneferoo,
the first king whose name has been found upon monuments, to the last of t=
he
Sixth Dynasty, i.e. during the whole period of the Ancient Empire, every =
king
of |
|
There
are remains of at least seventy more or less ruined pyramids on the long
plateau, extending from Abu Roash in the nort=
h to Medûm in the south. These divide themselves i=
nto
groups, viz., Abu Roash, Gîzeh,
Abusîr, Sakkâ=
;ra,
Dahshur, Lisht, a=
nd the Fayûm group, that of Med=
ûm
standing alone. But of all these less than twenty have been identified as
tombs of different kings. Many theories have been advanced as to their ag=
e,
purpose, method of construction, etc., and much excavation and measuring =
have
proved that they were built between the period of the Ist
and XIIth Dynasties, solely as tombs for the
preservation of royal mummies. The method of construction has been a puzz=
le
to the engineering mind since classic times. Herodotus and Diodorus both record what had been told to them on =
the
point, but neither theory is conclusive. It has been recently proved that=
it
would be quite possible with the unlimited manual labour at the command of
the Pharaohs to construct a pyramid without any complex or elaborate
machinery.* The finer examples are built of nummulit=
ic
limestone from the quarries of Turah and Masarah on the other side of the river. Others, as =
some at
Dahshur, were built of mud brick, only the pa=
ssages
and chambers inside being of limestone. In some cases only the accidental
discovery of such chambers has led to the knowledge that the mound of
detritus above was once a pyramid. The great pyramid at Gîzeh
in its original state presented four smooth surfaces to the beholder, as =
it
was entirely faced with granite and limestone blocks most beautifully joi=
ned.
But the whole of this outer casing has disappeared, the place having for
centuries served as a quarry. The passages inside were arranged with an
intricacy designed to foil the efforts of plunderers. In spite of the gre=
at
care thus taken to conceal the mummy, the pyramid was opened many times, =
by
Persians, Romans, and Arabs, and when investigated in more modern times
nothing remained in the chambers but a lidless sarcophagus without
inscription. In some of the chambers above the name of Khufu
was discovered, conclusively proving that this was the tomb of the second
king of the IVth Dynasty. Of the two other py=
ramids
that form the Gîzeh groups, the larger =
is
that of Khafra or Khephr=
en,
the other, that of Men-kau-Ra or Mycerinus. The pyramids at Abu=
sîr
are the tombs of Sahu-Ra, Ra-en-user and othe=
r Vth Dynasty kings. At Sakk&aci=
rc;ra
are the tombs of Unas, T=
eta,
*See
"Mechanical Triumphs of the Ancient Egyptians." Commander Barbe=
r,
U.S.N.(1902b1) |
|
Pyramid, The Great. In Egyptian, Mer, or Ab-mer. The name applied to the huge sepulchral |
|
pyramidion: pyramid-shaped top of an obelisk, symbol of <=
span
class=3DSpellE>Rê; the sloping surfaces reflected the sun's =
rays.
(1894e1) |
|
(Arch.) A term appli=
ed to
pyramids the height of which is very small in proportion to their base. T=
he
summit of an obelisk is often in the form of a pyram=
idion.
Many sepulchral monuments designed in the Neo‑Greek style are thus
terminated. ILLUS. pyramidi(1891a1)
|
|
This
phrase refers to the inscriptions in the pyramid tombs of Unas,
Teta, |
|
(BØD[=3Dpur], fire, and=
JXP<0[=3Dtechne], art). =
The art of
making fireworks. The Chinese had great skill in this art long before its
introduction into |
|
An Egyptian lady, the daughter of Philinos. She was an athlophor=
os
of the goddess Berenice =
Euergetes
under Ptolemy V. (1876c1) |
|
Gr. (BLDD\P0[=3Dpurriche]). A w=
ar‑dance
in great favour with the early Greeks, and
frequently represented in sculptures, in which warriors brandished their
weapons and went through a mock combat.(1883m1) |
|
The king of Kidrusi=
span>
in the |
|
A king or chief magistrate either of Kition or Idalion, in t=
he |
|
Gr. (Bb24"[=3Dputhia]). (1) A=
priestess
of Apollo at |
|
Synonym of PYTHIA (q=
.v.).
The term was also used to denote certain sorceresses, such as the pythoness of Endor.(188=
3m1) |
|
Pyx, or Pix, Cloths. (See CORPORALS.) (1883m1) |
|
The word in its earliest meaning included any small =
box or
case, and often in the Middle Ages it contained relics. Thus in the
|
|
Gr. and R. (<=
span
style=3D'font-family:"WP Greek Courier";mso-ascii-font-family:"Times New =
Roman";
mso-hansi-font-family:"Times New Roman";mso-char-type:symbol;mso-symbol-f=
ont-family:
"WP Greek Courier";mso-no-proof:no'>BL>ÂH[=3Dpuxis], lit. a =
box‑wood
box). A casket, trinket‑box, or jewel‑case.(1883m1) |