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Seal. A piece of metal or stone, circular, square, or ov=
al,
in which a design is hollowed out, and from which an impression in relief=
can
be taken upon melted wax. These impressions also bear the name of seal.
Sometimes seals are fixed to wooden handles, as shown in one of our cuts,=
or
they are mounted in gold and hung from a chain. 2 ILLUS. seal1, seal2(1891a1)
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Seals. Ancient porce=
lain
seals, to which the Chinese attribute an antiquity of from 1000 to 2000
years, are met with in collections; and precisely identical specimens have
been found in the bogs of |
|
According to some writers the more correct
form of reading the Egyptian name Anhur-se.
(1876c1) |
|
(Paint.) An outline. silhouette or effect, which is not
commonplace or vulgar, but is the result of accurate observation, and at =
the
same time displays a strongly marked character or style, is said to be searched.(1891a1) |
|
Pictures or drawings representing maritime scenes or vie=
ws
of the sea. Thus we speak of a seascape by Turner, Van de Velde,
or Henry Moore.(1891a1) |
|
A Saxon sword.(1883m=
1) |
|
A city and nome in |
|
The son of Hui, the "Auditor of the |
|
Seb. "Time." In Egyptian mythology the dei= ty Seb was regarded as a kind of cosmical deity, and as such the oldest of and t= he father of the gods. In other words, he represented the earth, as his cons= ort the goddess Nut did the heavens. Seb was rarely figured, but when he was referred to it was as the "Great Cackler" or goose which laid t= he cosmic egg; hence the goose was both the symbol of his person and the Hieroglyphic of his name. Sometimes Seb was represented on the papyri as a human figure, sitting or lying on the ground, with vegetation either proceding from or covering his body, while his consort Nut is bending lik= e an arch over him. Occasionally, also, Seb was called the "Lord of Aliments," and was figured ithyphallically. Like Osiris and Horus he= was said to have reigned for a mystical period upon earth, and to have been o= ne of the first of the gods that did so: hence he was also often called on t= he monuments, "The Father of the Gods." (1876c1) |
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Seb or Qeb. The earth personified as a god. He was the son of Shu, the husband=
of
Nut, the sky, and father of Osiris, Set,
|
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The Egyptian name of the single flute.
(1876c1) |
$H S=
e-bast.
|
The second wife of Aa=
hmes,
of the XXVIth dynasty. (1876c1) |
|
St. Sebastian, whose martyrdom has proved a favourite
subject with artists of all schools, was a soldier in the Roman army. He =
was
tied to a tree and shot at with arrows, and in art he is generally
represented undergoing this torture. This method of destruction, however,
seems to have failed, and he was finally put to death with clubs.(1891a1)=
|
|
One of the solar deities of the Egyptians.=
He
was represented as a man with the head of a crocodile, surmounted by the
solar disk and ram's horns of Amen Ra. He was regarded also as the son of=
Osiris, and therefore assimilated to Horus
in his character of Teti, "The Avenger.&=
quot;
The date of the cultus of Sebek
goes back to a remote period in Egyptian history, and his chief temple wa=
s at
Ombos. It would seem, from the accounts of
Herodotus, that his worship, in which the crocodile was sacred, was chief=
ly
local and led to severe conflicts with the men of Te=
ntyra,
by whom that animal was always destroyed. Statues of this divinity are ra=
rely
found, and his chief influence appears to have been under the XIIIth dynasty. (1876c1)=
|
|
A
god represented either as a crocodile, or as human with the head of a
crocodile. He seems to have played various roles, one especially as an ev=
il
deity in antagonism to the other deities, and as such at times confused w=
ith
Set. The double temple at Kom Ombo
was partly dedicated to his cult, and the Fayû=
m
was also a great centre of his worship. That he was one of the oldest god=
s of
the Egyptian Pantheon is evidenced by the fact that his name has been
incorporated into many royal names of the XIIIth
Dynasty. The sacred lake of the temple to Sebek in
the Fayûm contained numbers of the sacr=
ed
crocodiles, which, according to Strabo, were
decorated with jewels and fed by the priests. Sukhos=
is the Greek name of the god. ILLUS. Se=
bek.(1902b1)
|
|
The nephew of the cou=
ncillor
Sebek-hotep, and the son of the lady Sennu. Period uncertain. (1876c1) |
|
A king of the XIIIth<=
/span>
dynasty, the successor of Sebekhotep V. He was
succeeded by Ra-hotep. (1876c1) |
|
The daughter of the lady Sotemheit,
which see. (1876c1) |
|
An uncertain king, possibly ofthe XXVth dynasty. (<=
span
class=3DSpellE>Leemans.) (1876c1) |
|
Sebek-em-saf. A king of the XIIIth dynasty. (1876c1)= |
|
|
|
|
|
|
|
|
|
Sebek-hotep II. Another
king of the XIIIth dynasty, who is also unrecorded in history. (Brugsch.)=
(1876c1) |
|
Sebek-hetep II.=
|
|
Sebek-hotep III. A king of the XIIIth dynasty, of wh= om also nothing is known. (Brugsch.) (1876c1) |
|
Sebek-hetep III. |
|
|
|
|
|
A son of King Nefer-h=
otep,
of the XIIIth dynasty. (1876c1) |
|
A grandson of |
|
The first Heb
of an unnamed divinity, in the time of the XIIth or
XIIIth dynasty. (1876c1) |
|
An Egyptian officer. He was a member of the
royal council of thirty, which was a kind of Egyptian parliament, as the
members were elected by certain villages who possessed that privilege. His
period is uncertain, possibly of the XIIIth
dynasty. (1876c1) |
|
|
|
Sebek-nekht.
"Strength of Sebek." An Egyptian offi=
cial,
of the family of Senbu, priest of Osiris, which see. (1876c1) |
|
A "Chief of the Sacred Scribes,"=
in
the reign, probably, of one of the Sebek-hoteps.
(1876c1) |
|
An Egyptian goddess who was worshipped at =
Syene and Eilethya. She
represented the upper country, and was sometimes called Nishem.
(1876c1) |
|
Greek name for Theb-netert,
capital of the twelfth nome of |
|
Sebennytus. A nome in the Delta of Lower Egypt, which according to
Herodotus was held by the Calasirian class of
warriors. (1876c1) |
|
Sebennytus. A town in the =
Delta,
now called Semenood, the seat of empire of th=
e XXXth, the last but one of the Egyptian dynasties.
(1876c1) |
|
According to the Greek lists the successor=
of Bicheres, king of |
|
Another fonn o=
f the
name of King Shabatuk, of the XXVth
dynasty. (1876c1) |
|
An uncertain Egyptian goddess. (1876c1) |
|
A city and nome in |
|
Sebt-ihut. "City of |
|
It. Fresco‑pai=
nting in secco=
is
that kind which absorbs the colours into the
plaster, and gives them a dry sunken appearance. (Fairholt.)(1883m1) |
|
A city and nome in |
|
(Engrav.) A barbarous word
employed by some French art critics to designate engravers who execute pl=
ates
entirely with the dry point (la <=
span
class=3DSpellE>pointe séche), <=
/i>without
using any of the materials employed by etchers.(1891a1) |
|
Secondary Colours. [See Colours, Secondary.] (1891a1) |
|
The three primary colours=
(containing nothing of any other colour) R=
09;
blue, red, and yellow ‑ when mixed in equal proportions produce three secondary colours: ‑ blue a=
nd
yellow produce green; blue an=
d red,
violet; and yellow and red, orange. Mixed in unequal proportions they produce what are called TONES
(q.v.).(1883m1) |
|
In a picture, the pa=
rt of the
middle distance next the
foreground.(1883m1) |
|
Egyp. (F06`H[=3Dsekos]). The na=
me for the
NAOS in an Egyptian temple.(1883m1) |
|
A piece of furniture, in which deeds and papers are kept,
and a panel of which draws out horizontally, so as to form a table to wri=
te
upon.(1891a1) |
|
Chr. (secretum, secret). A sacristy
(not a tabernacle, as maintai=
ned by
some authors) in the apse, at the side of the altar. In the ancient basil=
icas
there were two such recesses, one on each side of the altar.(1883m1) |
|
Counter‑seal or Secretum. A seal on the reverse or back of another seal. Early seals were gener=
ally
impressed on both sides.(1883m1) |
|
A drawing representing the interior of a building, which=
is
supposed to be cut through in a vertical plane, so as to show its length =
and
breadth. The thickness of the walls, the roof and the interior arrangemen=
ts
may thus be seen. The term sectio=
n is also applied to a line so drawn=
as to
show the outline of a moulding. ILLUS. section(1891a1)
|
|
A portion of a circle, included between two radii and an=
arc
of the circle. The term spherical sector is given to the solid figure
produced by the rotation of a sector round a diameter as its axis. The
different portions of a fortified enclosure are known as sectors. =
ILLUS. sector(1891a1)
|
|
(diminutive of securis=
). In
Architecture, a dove‑tail mortise.(1883m1) |
|
R. (seco, to cut). An axe or
hatchet of any kind; but esp. that borne by the lict=
ors
in the FASCES. (See DOLABRA, BIPENNIS, FASCIS, &c.)(1883m1) |
|
R. Gladiators appoin=
ted to
fight with the Retiarii
(whom they were constantly pursui=
ng
round the circus); or those who replaced others killed were so
called.(1883m1) |
|
The present name of the ruins of the dyke =
of Marib, which was constructed by Lokman,
the Adite. See
Lokman. (1876c1) |
|
Sedilia. (1) R. The rows of seats in the amphitheatre.=
(2) Chr. In a Catholic church, the stone seats on the s=
outh
side of the altar, for the use of the clergy in the intervals of the
services.(1883m1) |
|
Sedilia. (Arch.) A term applie=
d to
the stone seats, set like niches in the south wall of the choir of church=
es.
They were used in Catholic times by the officiating clergy. They are
generally surmounted by arches, which vary in form according to the style=
and
epoch to which they belong. ILLUS. sedilia(1891a1)
|
|
Sedir. "Dark (Month) of Sowing." The Accad= ian name of the intercalary month Arakh-makru, which see. (1876c1) |
|
The king of Ararat or |
|
A priest of |
|
Sefkh. "Capturer." A mystical divinity, wh= o is mentioned in the LXIVth chapter of the Ritual of the Dead. (1876c1) |
|
Sefkhabu. "Seven Rayed." A mystical goddes= s, who is mentioned in the LVIIth chapter of the Ritual of the Dead. (1876c1) |
|
A city and nome in |
|
The Egyptian name for the Syrian city Zoar, of Hebrew history. (1876c1) |
|
R. (lit. of straw). =
A coarse
wrapper made of skins or straw‑matting.(1883m1) |
|
(Pot.) A kind of sheath or box of terra‑cotta, in
which pieces of porcelain are placed, to be submitted to the action of the
fire. ILLUS. seggar(1891a1)
|
|
A portion of a circle included between an arc and chord =
of a
circle. A spherical segment is a portion of a sphere included between a
curved surface and a plane cutting it. ILLUS. segment(1891a1)
|
|
R. (seco, to cut off). Strips=
of
rich cloth or tissues of gold or silver worn as a border to the dresses of
wealthy Roman ladies.(1883m1) |
|
In Music, a directio=
n to
repeat: ‑ al segno,
as far as the sign; dal segno=
i>, from
the sign.(1883m1) |
|
Her. A griffin or wy=
vern
rampant. (See Fig. 369.)(1883m1)
|
$H S=
e-isi.
|
A royal scribe and superintendent of the
granaries of a king of the XIXth dynasty. (18=
76c1) |
|
Her. Sitting: ‑=
; of a
lion, at rest with his fore‑legs stretched on the ground, but awake,
and his head and tail elevated. Fig. 606. Sejant. Fig. 607. Sejant
Rampant.(1883m1)
|
|
Seated like a cat, w=
ith his
fore‑legs erect.(1883m1) |
|
R. (sex, six, and jungo, to join). A chariot drawn by six horses
abreast.(1883m1) |
|
An Egyptian official title, applied to
functionaries of the royal court. Its meaning is not known. (1876c1) |
$H <=
span
class=3DSpellE>Seken-en-ra. <=
/span>
|
Seken-en-ra. Or
Rasekenen. The sacerdotal na=
me of
Tiakken, king of |
|
See PTAH-SEKER-OSIRIS.(1902b1) |
|
Eighth
king of Dynasty II. According to tradition this king was a giant, being 5
cubits 3 palms in height, or just over 8 ft.(1902b1) |
$H <=
span
class=3DSpellE>Seker-nefer-ke.
|
Another form of the name Neb-ka, which see.
(1876c1) |
$H <=
span
class=3DSpellE>Sekett.
|
The name of the sacred ark of the Egyptian
gods. It was generally made of wood, richly inlaid and painted, and
constructed in the form of an Egyptian doorway, with an uraeus
cornice above. These arks held the sacred figures of the gods, and they w=
ere
covered over with a fine gauze curtain or canopy. The Seketts
were placed in the centre of the sacred boats, called Ua, and they were general=
ly
carried with great pomp on the shoulders of the priests. Sometimes kneeli=
ng
statuettes of Isis and Nephthys were placed b=
eside
the ark as protecting it, with other sacred symbols also. A smaller speci=
es
of shrine was made in the shape of a rectangular box with a flat lid, upon
which were placed either a statue of the deity or models of sacred trees.
These were borne in procession by means of two long staves which passed
through rings, affixed to the side, in a manner precisely similar to the =
ark
of the covenant of Hebrew writers. (1876c1) |
|
The
most sacred place in an Egyptian temple, in which was placed the shrine
containing the emblem of the titular deity.(1902b1) |
|
Another form of the Egyptian royal name |
|
A high Egyptian officer, a "Functiona=
ry
of the Interior," in the reign of an unnamed king of the XIIth dynasty. His wife's name was Ankhes.
His own name can also be read Kher-ta-se. (18=
76c1) |
|
Sekhet. An Egyptian prie=
stess
of Amen Ra, the sister of the great officer Rere,
of the XIXth dynasty. (1876c1) |
|
Sekhet. A goddess, second
person of the triad at
|
|
Sekhet. This goddess, =
whose
name was formerly written Pasht, was the daug=
hter
of Ra, and the consort of the god Pthah, when=
ce one
of her chief titles was derived, "The First Friend of Pthah." She was represented as a lion-headed w=
oman,
having upon her head the lunar horns and solar disk, and holding in her h=
ands
either the crux ansata, and the papyrus staff=
of
the goddesses, or else a kind of shield or aegis, and a basket. She was a
destroying deity, and seemed to symbolise the
deathly power of the sun's rays. She had also as an infernal deity the ca=
re
of the Egyptian hell, and the direction of the torture of the souls immur=
ed
therein. Sekhet had a variety of offices and
attributes, and bore different names in them all. As the goddess of North=
ern Egypt
she was Ouati; as the consort of the god Shu, and his associate in the destruction of mankin=
d at
the command of Ra, she was named Tefnut; as t=
he creatress of the Asiatic or yellow race, a race des=
pised
by the Egyptians and regarded as impure, she was called Pasht
(?) and in her more favourable aspect, as the=
protectress of mankind, she was called Beset, from =
whence
was derived the Bubastis of the Greek writers=
. In
this last characteristic she was figured as holding a sistrum
or a vase for libation, and the cat was especially sacred to her. The Gre=
eks
equated her with Diana, and possibly Latona. =
|
|
An Egyptian lady, the mother of Iusenb, which see. (1876c1) |
|
The queen of Nastosen=
en,
a king of the XXVth dynasty. (1876c1) |
|
The Accadian n=
ame of
the twelfth month Addaru, which see. (1876c1)=
|
|
The boat of the sun in the
morning. (See SACRED
BARKS.)(1902b1) |
|
Selah. "Stone" or "Stony." The capital city of the Nabatheans. It = was often attacked, and was completely destroyed by Nebuchadnezzar, but was a= fterwards restored under the reigns of the Persian kings Cyrus and Darius. (1876c1)= |
|
A chief town of the P=
anopolite
nome of the Thebaid in |
|
Chr. A seat of highly archaic character met with on
certain monuments of Christian art.(1883m1) |
|
Selk or Serqet. A goddess of like nature with Isis, also a protectress of the cano=
pic
jars. She is figured with a scorpion on the top of her head, or sometimes=
as
a scorpion with a human head. She was a daughter of Ra, is at times
identified with Safekh, and perhaps symbolized the scorching heat of the =
sun.
ILLUS.
Selk.(1902b1)
|
|
Selk. An Egyptian go=
ddess,
an unidentified form of the goddess Isis. She was also one of the protect=
ing
goddesses of the human body, and as such her name was placed on the vase =
of Kabhsenuf. Selk was gen=
erally
represented as a woman with a scorpion upon her head, that insect being h=
er
emblem. (1876c1) |
|
R. (sedeo, to sit). A low seat
without back, a stool; sella curulis=
, a curule chair; its feet were of ivory, and took the =
form
of an X, and it folded like a camp‑stool; sella castrensis, a real camp‑st=
ool; sella balnearis,
a bath‑seat, we possess a specimen in ancient red marble of the
greatest beauty, another name for it was sella pertusa; sella tonsoria, a barber's chair. Agai=
n, the
term sella=
i>
was applied to a sedan‑chair (sella portatoria, gestatoria, fertoria), and a pack‑saddle for beasts of burde=
n (sella bajulatoria),
and to a riding‑saddle (sella equestris).(1883m1) |
|
R. A large reception=
‑room,
so called because it was furnished with a number of =
sellae.(1883m1) |
|
(sc. equus), R. A saddle‑=
;horse.(1883m1) |
|
R. (dimin.
Of SELLA). A small sedan‑chair.(1883m1) |
|
The son of Toti, a
flabellum-bearer of the XVIIIth dynasty. (187=
6c1) |
|
A noble priest in the reign of Thothmes III. See
Maut-nefer. (1876c1) |
|
R. A nominal subdivi=
sion of
the denarius=
,
of which it was worth a twentieth part, or about fiv=
epence.(1883m1) |
|
Sémé. (Her.) In heraldry a shield is said to be= sémé when it is covered with small ob= jects, such as hearts, fleurs‑de‑lis, &c.(1891a1) |
|
Semée or Aspersed, Her. Sown broadcast, or scattered,
without any fixed number, over the field. (Fig. 608.) Fig. 608. Fleu=
r‑de‑lis
(semée). Ancient France.(1883m1)
|
|
According to the Greek lists the seventh k=
ing
of |
|
R. (sementis, a sowing). A fe=
stival
which took place at seed‑time in honour=
of
Ceres and Tellus.(1883m1) |
|
An Egyptian hierarchical title, of which t=
he
precise significance is unknown. =
See
Smer. (1876c1) |
|
The wife of King Her-=
hor-si-amen
of the XXIst dynasty. (1876c1) |
|
(º:4‑[=3Dhemi‑), as an adjunct, is the =
Greek
form of demi=
=3D half.(1883m1) |
|
In Music, half a |
|
R. (semi, half, and cingo, to gird). A short kilt worn by men when going
through violent exercises or severe bodily labour;
it reached from the waist to the knees.(1883m1) |
|
In Music, an octave =
lessened
by a semitone.(1883m1) |
|
A sixteenth of a sem=
ibreve -
|
|
The Greek form of the Assyrian royal name =
Sammuramat, which see. (1876c1) |
|
The half of an As, o=
r six
ounces; hence Semisses
=3D six per cent. interest.(1883m1) |
$H <=
span
class=3DSpellE>Semit.
|
An Egyptian prefix signifying West. It was
sometimes represented as a goddess. (1876c1) |
|
R. (se and meo,
i.e. going aside). A pathway in a field; a narrow lane in a town.(1883m1)=
|
|
Med. Fr. A scimitar.=
(See
TARGE.)(1883m1) |
|
In Music; the smalle=
st
interval in modern music; the ancients had quarter‑tones (q.v.).(1883m1) |
|
A term used to describe the incomplete transparency of
certain precious stones and fine pottery.(1891a1) |
|
During the 6th and 7=
th
centuries, a transition style of illuminating prevailed, the letters of w=
hich
have been termed semi‑uncia=
ls.
This, in a further transition, became more like the old Roman cursive, wh=
ich
was called then minuscule; it=
began
to prevail over uncials about=
the
8th century, and in the 10th its use was established. (See UNCIAL
LETTERS.)(1883m1) |
|
Semneh. A
crude brick fort still standing on the west bank of the |
|
Samneh. Or=
i>
Semneh. A town and fortress which was erected by the Egyptian kings of the
XIIth dynasty to repress the Cushites of Ethiopia. It was for some time t=
he
Southern boundary of the |
|
The rebel commander of the troops in Pi- |
|
Another form of the name of Muts-netem, a queen of |
|
A daughter of Rameses=
II. of the XIXth dynasty. (1876c1) |
|
Half an ounce.(1883m=
1) |
|
The father of Amen-ua=
hsu,
an Egyptian sacerdotal officer of the XVIIIth
dynasty. (1876c1) |