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Sen. An Egyptian priest in the time of the=
Vth dynasty. (1876c1) |
|
Sen. The Egyptian name of the town which w=
as
called Latopolis by the Greeks. (1876c1) |
|
R. A place in which =
the
senate used to meet. There were at |
|
Senb. An Egyptian la=
dy in
the time of Amenemha III. of
the XIIth dynasty. (1876c1) |
|
Senb. A peculiar |
|
Senb. The favourite dog of Abet, an Egyptian sculptor ofthe XIIth dynasty. Hi=
s name
is an illustration of the inappropriate use of official titles among the
ancient Egyptians. (1876c1) |
|
Senb. The son of |
|
An Egyptian gentleman, the son of Hathor. Period uncertain. His parent's name is curi=
ous as
showing that the names of the Egyptian deities were also given to private
individuals without any alteration, contrary to the usage of Semitic nati=
ons.
See also Ra and Horus, as other examples of t=
his
custom. (1876c1) |
|
The father of the Kherheb Senb,
which see. (1876c1) |
|
A private individual who lived probably ab= out the time of the XIIIth dynasty. His father's = (or perhaps mother's) name was Nofreit. (1876c1)<= o:p> |
|
The son of Uah=
and
the lady Nakht. He was a priest of Osiris, and his period is uncertain, except that it=
was
prior to the XVIIIth dynasty. (1876c1) |
|
An Arabian town near the |
|
A kind of silk from which banners and rich vestments were
made in the Middle Ages.(1891a1) |
|
The sister of an Egyptian king, but of what
king it is not known. (1876c1) |
|
The Egyptian name of the town now called <=
span
class=3DSpellE>Begbe. (1876c1) |
|
Senen. "City of |
|
An Egyptian title, the meaning of which is=
not
known. See Amen-aa.
(1876c1) |
|
(Her.) A French term applied to a left hand and arm show=
n on
a shield. In blazoning it should always be specified whether the arm is
clothed or bare, and whether the hand is open or shut. ILLUS. sene=
stro(1891a1)
|
|
A mystical abode of the body of the deceas=
ed.
It is mentioned in the supplemental, or CLIVth
chapter, of the Ritual of the Dead. (1876c1) |
|
The king of Dayani,
one of the tribes of the Nairi who submitted =
to |
|
R. The number six inscribed on the face of dic=
e, and
thence the throw when all the sixes turned up.(1883m1) |
|
Senkereh. Or=
Singura. The modern name of the Chaldean city Larsa. It was the Ellasar,
"City of |
|
Senkereh. The ancient name of a Chaldean city, whose= king or chief brought tribute of lapis lazuli to Thothmes III., together with = the head of a ram in gold, weighing fifteen Egyptian ounces, equal to 2100 gr= ains troy. (1876c1) |
|
The father of the state priest Hor of the XIIth dynast=
y, which
see. (1876c1) |
|
A scribe and treasurer of Amen Ra. He was =
the
father of the scribe Heb-i, which see. (1876c=
1) |
|
See ARCHITECTS.(1902b1) |
|
An Egyptian architect, who was the father =
of Amenhotep, an architect likewise. Period uncertain.
(1876c1) |
|
Sennacherib. Sin-akhi-erba, "Sin has multiplied=
her
Brothers." A younger so=
n of
Sargon. He succeeded his father, B.C. 705, and defeated an insurrection in
Babylonia, headed by Merodach-Baladan, shortly after; upon which Bel-ibni=
was
made king of |
|
Sennofre. The father of Bek-en-amen, a royal scribe = of the XVIIIth dynasty. (1876c1) |
|
Sennofre. Or= Sen-nefer, "Making Good." A title of Osiris as the creator of good desires. (1876c1) |
|
Sen-nu. An Egyptian la=
dy,
the mother of Sebek-ari, and the sister of |
|
Sen-nu. An Egyptian of=
ficer,
of the XVIIIth dynasty. He was "Lieutena=
nt or
the King," "Scribe of the Young Soldiers," and "Royal
Scribe." He had a son named Amen-se. (1876c1) |
|
According to the Greek lists the successor=
of Suphis, king of |
|
A Greco-Egyptian lady, whose name was also=
Hathor-set-dsjatho. She was the daughter of Cleopat=
ra
surnamed Candace and Soter the grandson of
Cornelius. She died in the twelfth year of Trajan,
aged sixteen. Her sarcophagus and mummy are in the |
|
Sent. An Egyptian gentleman, who was the father of H= or, which see. (1876c1) |
|
Sent. An Egyptian lady, the sister of Antef and Amen= i, and the daughter of Antefaker, all private personages. She lived probably in = the XIIth dynasty. (1876c1) |
|
Sent. Or
Sethenes. The fifth king of the IInd or Thinite dynasty of |
|
Sent. Among the ancient Egyptians the name of a kind= of game of draughts. It was played by two persons, each having five conical = men called Abu, which were arrang= ed on a board, having thirty squares in three rows of ten each. The game dated = from the Vth dynasty, and is mentioned in the ancient romance of Setnau. It was the game which according to the Greek writers Rhampsinitus played with Persephone in Hades. See Rame= ses III. (1876c1) |
|
Fifth
king of Dynasty II. Reigned forty-one (?) years. This king is mentioned in
the Berlin Medical Papyrus; and on the tomb of Shery=
,
a priest.(1902b1) |
|
The father of En-ante=
f,
and grandfather of En-antef, an "Oversee=
r of
the Altar," in the reign of Amen-em-ha I=
I.
(1876c1) |
|
The sentiment of a work of art is the general effect by
which the artist has expressed his own feeling and sought to inspire the =
same
feeling in the spectator. Sentiment is a subtle quality, and may depend u=
pon
colour, drawing, or any of the means upon which an artist relies to expre=
ss
himself.(1891a1) |
|
A high sacerdotal title which was peculiar=
to
the Theban priests of Amen. (1876c1) |
|
An Egyptian functionary of the IInd dynasty. (1876c1) |
|
A prince and Sutenrekh of the IIIrd or IVth dynasty. =
See Sutenre=
kh.
(1876c1) |
|
A king of the Khitae<=
/span>,
or Hittites, who was conquered by |
|
Sepheres.
Or Sephr=
es.
The
Grecian form of the royal name Sahura, which =
see.
(1876c1) |
|
The Grecian form of the Egyptian royal nam=
e Snefru, which see. (1876c1) |
|
Sepi. "Dismembered." A title of the deity Osiris, under which he was venerated during his dismemberment by the evil deity Set. (1876c1) |
|
Sepia. A warm, brown=
, water‑colour pigment obtained from the ink‑bag of t=
he
cuttlefish. (See ROMAN SEPIA.)(1883m1) |
|
Sepia. (Paint.) The sepia used by water‑colour
draughtsmen is obtained from the bladder of a small mollusc. Its tone var=
ies
in warmth according as it is natural or coloured. Natural sepia yields a
reddish‑brown tint; artificially coloured sepia gives the same tint=
, of
a somewhat vinous shade. Many sepia drawings ‑ as the monochrome
sketches, in which sepia is used, are called ‑ were produced about =
the
year 1830. These sketches, however, which were always somewhat cold in
aspect, have had their day. The majority of them, indeed, are of a most
distressing dryness; yet many celebrated artists, such as the Frenchmen <=
span
class=3DSpellE>Charlet and Delacroix, have produced admirable sepi=
as.
Some painters of the present day use sepia or bistro, which is of nearly =
the
same tone, in the execution of washed drawings, rapidly thrown off, in wh=
ich,
by laying on the sepia in broad masses, effects of light may be easily
obtained. Then, again, the warm tone of bistro or sepia is used in taking
proofs of engravings, which, if printed in black, would have too violent =
an
effect. Such, for instance, are the proofs of Turner's celebrated Liber Studiorum.
In a similar colour are printed the facsimiles of ancient works and the
reproduction of pen‑and‑ink drawings, or of old texts, which =
have
become mellow with age, and the yellowish tone of which is rendered exact=
ly
with sepia or bistre.(1891a1) |
|
Another form of the Hittite royal name |
|
An Egyptian deity, who was chiefly worship=
ped
in the city and nome of Sept-hor,
which was named after him. (1876c1) |
|
Chr. A figure of seven
foils, typical of the seven sacraments of the Church, and other mysteries=
of
religion linked to the number seven.(1883m1) |
|
A priest of Apis, in
the thirty-fourth year of Darius Hystaspes. H=
e was
the son of Har-em-khu, and the grandson of |
|
A city and nome in |
|
Having seven sides.(=
1883m1) |
|
R. A festival of the=
seven
hills, celebrated at |
|
Septizonium, Septemzonium. R.
A building of great magnificence, which had seven stories of columns one
above the other; each set supported an entablature and cornice running ri=
ght
round the building (zona),
whence the name Septizonium.(1883m1) |
|
R. and Chr.
(sepio=
span>,
to fence in). In general, any enclosure shut in by walls, palisades,
barriers, hedges, &c. In Christian archaeology, septum was the name given to a barrier, which, in the ancient
Roman basilicas, separated the nave from the absides=
.(1883m1) |
|
R. (septem and uncia). Seven‑twelf=
ths of
any quantity, whatever its nature.(1883m1) |
|
Chr. The Holy Sepulchre
is a favourite subject of architectural sculp=
ture,
in cathedrals and continental churches. It is generally found on the north
side of the chancel near the altar.(1883m1) |
|
R. (sepelio, to bury). A sepulchre, the general term for any kind of tomb in=
which
the dead were buried, or in which their ashes were deposited in urns.
|
|
A daughter of Pankhi<=
/span>,
an obscure king of the XXIVth dynasty. (1876c=
1) |
|
A royal pallacist in
the reign of |
|
|
|
|
|
(It. zecchino). A gold coin in=
|
|
Sera. R. (sero, to
fasten). A padlock or movable lock to a door.(1883m1) |
|
Sera. An Egyp=
tian
lady, who was the sister of the priest Nofre-renpe, which see. (1876c1) |
|
A Phenician ci=
ty, to
the South of Tyre. It was perhaps the Sana of Classic writers. (1876c1) |
|
Another form of the Ethiopian royal name <=
span
class=3DSpellE>Zerah, by which title King Aze=
ch-Amen
is supposed to be mentioned in Hebrew history. (1876c1) |
|
The Accadian n=
ame of
the Assyrian deity Nirba, the god of harvests.
(1876c1) |
|
An obscure king of the XVIIIth
dynasty. He was perhaps the Rathothis of the
Greeks. (1876c1) |
|
Serapeum, Egyp. (F"D"B,Ã@<[=3Dsarapeion]). A =
general
term for sepulchral monuments in |
|
Serapeum. (Arch.) A name given =
by the
ancient Romans to temples of Serapis as well =
as to
the Egyptian monuments in |
|
Serapeum. The great temp=
le at |
|
Serapeum. This name is incorrectly given to the A=
pis
mausoleum at Sakkâra. The Serapeum proper was the temple built over=
the
site of the excavated tombs, of which the very few remains are covered wi=
th
sand. The ruins were discovered by Mariette in 1860. The word is a
combination of the two Egyptian words - Osiris-Apis, a combination of whi=
ch
the Greeks made their god Serapis (q.v.).
The huge vaults opened by Mariette consist of three parts, one which
originally contained the bulls of the period from Amen-hetep III. to the =
XXth
Dynasty, another those of XXIInd to XXVth Dynasties, and the third part t=
hose
from the reign of Only the third part is open to the publ=
ic,
the two first being covered with sand. This part consists of one long gal=
lery
excavated in the rock, and some shorter ones. On either side of the long
gallery are deep pits in which are the enormous sarcophagi. These are
monoliths of red or black granite, or limestone, the average measurements
being - length, 13 ft., width, 8 ft., height, 11 ft. Mariette found the
covers of most of the sarcophagi pushed aside and the contents gone. Of t=
he
twenty-four that are there, only three bore any inscription. The Serapeum
or Serapeion at |
|
Heb. (See ANGELS, CHERUBIM.)
"They are usually represented with wings and a flaming heart, to typ=
ify
spiritual emotion and divine affection; or covered all over with eyes, to
denote their knowledge of all human events as counse=
llors
of the Most High. The Seraph's head in Heraldry, is
usually delineated with six wings, two above and two below, which cross e=
ach
other, and one on each side of the head." (Fairholt.)(1883m1) |
|
Serapis, i.e. Osiris-Apis=
span>, or Ausar Hapi. This god is a combination =
of the
Apis with Osiris,=
and was
introduced into |
|
Serapis=
span>. An Egypto-Grecian deity who was made out of the deifie=
d dead
Apis when assimilated to Osiris
as Osir-Api. This worship suddenly arose into
importance in the time of the Ptolemies and h=
as no
analogue in Archaic mythology. (1876c1) |
|
Serbes. Or Tseshortsa. The second king of=
the IIIrd dynasty of |
|
A
hidden chamber or cell in the tomb; from an Arabic word for a
"hidden" chamber. In the Serdab were
deposited Ka statues (q.v.) of the deceased. Usually i=
t was
completely sealed up, but sometimes a small aperture was left communicati=
ng
with the tomb chapel, through which incense or perfume might reach the
statues. The walls of Serdabs were not
decorated.(1902b1) |
|
Chr. Fr. The large wax candles used in churches. T=
hey
are often covered with texts and devices.(1883m1) |
|
An Egyptian lady. She was the sister of the
royal scribe User-hat, which see. (1876c1) |
|
R. An earthenware ve=
ssel
used chiefly for holding wine and oil; it was larger than the amphora, and
smaller than the dolium.(1883m1) |
|
A city on the river |
|
Another form of the name of the scorpion
goddess Selk, the Selcis=
of the Greek writers. (1876c1) |
|
Serpent. A musical w=
ind‑instrument,
of a powerful bass; invented by a French priest at A=
uxerre
in 1590.(1883m1) |
|
Serpent. (1) In Chri=
stian
archaeology an emblem of the principle of evil; the Virgin Mary is freque=
ntly
represented trampling on the head of the serpent. It is especially a symb=
ol
of cunning, lying, and envy. (2) Generally. The s=
erpent
with its tail in its mouth describes a circle which is the symbol of
eternity. In Classic Art it is an attribute of AEscu=
lapius,
and of Apollo; and a symbol of the Genius
Loci (esp. of temples, &c.).(1883m1) |
|
Serpent. (Her.) The serpent
not unfrequently appears as a charge on shiel=
ds,
and is represented erect, as =
in the
accompanying cut, or nowed,
that is, tied into a knot, or else curved into a circle, when it is said =
to
be involved. ILLUS. serpent=
(1891a1)
|
|
As
with all early civilizations the cult of serpents enters largely into
Egyptian religion. Large numbers of them appear on tomb walls, some of ev=
il
portent, but perhaps as many of good. They were enemies of the sun-god,
opposing his progress during his journey through the underworld through t=
he
twelve hours of night, and as such Bes and Ta=
-urt are their foes, and are often seen strangling t=
hem.
In the tomb of |
|
Serpentine Verses be=
gin and
end with the same word: "Ambo florentes =
aetatibus, |
|
Having an edge like =
the
teeth of a saw (serra).(1883m1) |
|
An Assyrian goddess. She was the wife of t=
he
deity Assur. (1876c1) |
|
The sister of Assurba=
nipal
and Saulmugina the rebel vice-king of |
|
There
is a word in the inscriptions which has been translated "slave,"
but it is not impossible that it means servant more in our modern sense.
Slaves in the real sense of the word were importations, having either been
bought from some foreign merchant, or been captured in war. They were the
actual property of their masters, serfs attached to the soil; but there i=
s no
good evidence that they were cruelly treated. There must have been great
numbers in |
|
The Egyptian name of the town which was ca=
lled
by the Greeks Hermopolis, which see. (1876c1)=
|
$H Se-shesh.
A city and nome in The
goddess of learning; her name is often, but incorrectly, written Safekh (q.v=
.).(1902b1)
$H Seshta.
$H Sesochris.
|
The Greek form of the name Nefer-ka-sokar,
which see. (1876c1) |
|
According to the Greek lists the name of an
Egyptian king of the XIIth dynasty. He has no=
t yet
been certainly identified (1876c1) |
|
Sesostris.
(See RAMSES II.)(1902b1) |
|
Sesostris. A mythical Egyptian prince, whose history=
was
compiled by the Greek historians out of the lives and actions of |
|
In Scandinavian mythology the name of the
palace of the goddess Freyia, in the sacred c=
ity of
|
|
Sestsu-em-paif-n=
akht-u-user-ma-ra. "Rameses II. in his
Victories." The name of=
a
great fortress which was erected in |
|
A Mesopotamian people who were conquered b=
y |
|
An Egyptian functionary, who was called an
"Officer of the Interior," in the reign of |
|
A wife of |
|
The prince royal of |