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Set. Or
Sutekh. An
ass-headed deity, the national god of the Semitic Hy=
kshos,
who on their invasion of |
|
Set.
The god whom the Greeks identified with their Typhon=
.
He was the son of Nut and Seb, born of Nut on=
the
third of the epagomenal days (q.v.), hence brother to Osiris. H=
is
wife is Nephthys. Mention of him is made in t=
he
oldest texts, and in these early times his offices were beneficent, and h=
e is
spoken of with as much reverence as the other gods. He was not originally=
a
god of evil, but as personifying natural darkness he gradually came to be=
so
regarded. His victory (as representing night) over his brother Osiris, who, as the sun, sank in the west at the en=
d of
his day's journey, was looked on in later times as an aggressive warfare.=
In
the time of the decline of the empire he was regarded with abhorrence, and
his name erased from the monuments; but the very fact that his name formed
part of some royal names shows that this detestation was a later developm=
ent.
The district about Kom O=
mbos
was at one time a centre of his cult, and at
|
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An Egyptian lady, the mother of Fai-bor-ou-oer, and grandmother of Ra-t-oker, the prefect of the palace of a king of the |
|
Set-amen. The wife of Antef, an Egyptian officer of = the XIIth dynasty. (1876c1) |
|
Set-amen. A daughter of Antef, an Egyptian officer o= f the XIIth dynasty. (1876c1) |
|
An Egyptian lady, the daughter of Hapiu and the wife of Osirtese=
n;
a private person, probably of the XIIth dynas=
ty.
(1876c1) |
|
A prince of |
|
The servant and Pandar of Prince Setnau-chaem-uset, in the Egyptian Romance of Setnau. (1876c1) |
|
The grandson of Tetet=
,
an early Egyptian king. (1876c1) |
|
An Egyptian princess, the daughter of Ti-<=
span
class=3DSpellE>osiris. Period uncertain. (1876c1) |
|
The
commencement of the universal formula found in tombs which constitutes a =
kind
of prayer for benefits for the deceased. It has been translated in many
different ways, none of which are entirely satisfactory. "A royal oblation give," &c. "A royal t=
able
of propitiation grant," &c. The whole prayer runs on these lines:
"A royal oblation grant Osiris, dwelling=
in Amenti, Lord of Abydos.=
May he
grant the funeral oblations, bread, beer, oxen, geese, wine, milk, oil,
incense, wrappings, all gifts of vegetation, whatever heaven gives, or ea=
rth
produces, to enjoy the Nile, to come forth as a living soul, that the soul
may not be repulsed at the gates of the nether world, to be glorified amo=
ng
the favoured ones in presence of Un-nefer, to
breathe the delicious breezes of the north wind, and to drink from the de=
pth
of the river." About the time of the XIIth
Dynasty and onwards this prayer is distinctly for the Ka (q.v.) of the
deceased.
Seten
ta hetep Asar &nbs=
p; neb  =
; Zattu  =
; neter
aa &nb=
sp; neb Osiris
 =
; lord
(of) =
Tattu &=
nbsp; God
great,  =
; lord
(of)
Abtu<=
/span> &nbs=
p; ta-f &nb=
sp; =
per
kheru &n=
bsp;  =
; au
ner &nbs=
p; menkh |
|
The daughter of Tetet=
,
an early Egyptian king. (1876c1) |
|
A second wife of Ante=
f,
an Egyptian officer of the XIIth dynasty. (18=
76c1) |
|
An early king of |
|
The surname of Ramese=
s
VIII. of the XXth =
dynasty.
(1876c1) |
|
The Etruscan fire-god,=
or Vulcan. (1876c1) |
|
An obscure king of the XXIVth
dynasty. His position and the length of his reign are uncertain. (1876c1)=
|
|
Greek
name of the capital of one of the nomes of |
|
A nome of Lower
Egypt, East of the Phatnitic branch of the |
|
A chief town in the S=
ethroic
nome of |
|
Seti. A son of Rameses II. of the XIXth dynasty. (1876c1) |
|
Seti. A prince of |
|
|
|
Seti I. Or Seti Menepthah, =
Surnamed
Merenpthah, "The Living like Set." A
famous king of the XIXth dynasty, the adopted=
son
or son-in-law and the successor of Rameses I.=
He
seems to have been a soldier of fortune, of Hykshos<=
/span>
extraction, who by marriage with the heiress to the crown established him=
self
on the throne. On his accession he reintroduced the worship of Sutekh, which was still further strengthened by his=
son Rameses II., who founded a temple to that deity at =
|
|
Seti II. Sur=
named
Menepthah. The son of |
$H Seti
Menepthah. Egyptian king [See Seti
I - Editor]
|
Seti-nekht. "Set in his Strength." An Egyp=
tian prince, and the founder of the XXth Egyptian dynasty=
. He
arose into importance during the revolution caused by the invasion of Ars=
u,
the Syrian, which led to the destruction of the established religion for =
the
third time (See Apepi and Taia), and caused the differ=
ent
great lords of the provinces to arrogate the crown to themselves in their=
own
districts, after the death of Merenpthah I. These Syrians and their leade=
r,
Arsu, the Osarsiph of Josephus, Seti-Nekht expelled, and gradually subdue=
d or
pacified the revolted chiefs of |
|
The first king of the Hykshos,
under whom they invaded |
|
The sister of Sekhert=
a,
an Egyptian functionary of the XIIth dynasty.
(1876c1) |
|
A sister of Sekherta<=
/span>,
an Egyptian functionary of the XIIth dynasty.
(1876c1) |
|
The father of Antef=
span>,
an officer of the XIIth dynasty. (1876c1) |
|
Setna, the papyrus of, =
in
the |
|
The son of a king named Usermat,
who is by some Egyptologists supposed to have been R=
ameses
II. He is the hero of the Egyptian romance entitled "The Story of |
|
Set‑offs, Arch=
. The mouldings and slopes on buttresses, dividing them into stages.(1883m1) |
|
Set‑off. (Arch.) When a moulding is terminated with an obli=
que
section, plain or curved, it is called a set‑off. Gothic buildings
offer frequent examples of such mouldings. The term is also applied to the
diminishing of the thickness of a piece of wood or pilaster. ILLUS. setoff(1891a1)
|
|
Setting drawings in pencil or c= rayon is done by simply passing them through a dish of milk, or by washing the sur= face with a weak solution of isinglass.(1883m1) |
|
Setting. (1.) The process of plating a precious stone in=
a
bezel and holding it fixed there with small clamps of metal. All the
decorative metal‑work in a ring or necklace is known as the setting. (2.) Drawings in pastels, crayon and lead pencil having a
tendency to rub out, a liquid is generally lai=
d over
them with a brush, to set or =
fix them, and to render them
permanent. Ox‑gall has been used for this purpose, as well as a
solution of gum or size in alcohol. The liquid is either applied directly=
to
the surface of the drawing, or if the paper used is sufficiently porous, =
it
is put on at the back of the pastel or crayon.(1891a1) |
|
An Egyptian official in the court of Osirtesen I. and III. and Amenemha III. of the |
|
Another form of the Egyptian royal name
Sebeka, or Shabaka, which see. (1876c1) |
|
A work of art is said to be severe when it displays a ri=
gid
adherence to the rules and traditions which govern it, when fancy and
originality are excluded from it. Greek statues, executed in accordance w=
ith
the archaic tradition, are conspicuous examples of severity of
treatment.(1891a1) |
|
Arch. A bay, or comp=
artment
in a vaulted ceiling.(1883m1) |
|
The celebrated manufactory at Sèvres was
established in 1756. Soon afterwards it became the property of the king,
Louis XV., and was much patronized both by him and Madame de Pompadour. S=
ome
of the first artists of Fig. 609. Sèvres Vase, with jewelled ornament.(1883m1)
|
|
R. (sextus, sixth). A copper =
coin
worth the tenth of an as, in weight about two ounces (unciae).(1883m1) |
|
The sixth part of a =
circle;
an arc of 60 degrees.(1883m1) |
|
R. (sextus). A measure of cap=
acity
used for liquids, grain, &c.; it held the tenth of a CONGIUS
(q.v.).(1883m1) |
|
R. A coin originally=
of
silver, and afterwards of fine copper (aurichalcum); it was wort=
h two ases and a half.(1883m1) |
|
R. The sixth part of=
the
ounce (uncia=
);
the smallest denomination of Roman money.(1883m1) |
|
The grandson of Tetet=
,
an early Egyptian king. (1876c1) |
|
(It.). In Music; wit=
h force,
louder than the rest.(1883m1) |
|
Sfregazzi. (Paint.) An Italian w=
ord,
which denotes a method of shading adopted by Titian and the Venetians.
Instead of the brush the finger was used, and by this means the colour was
laid on more thinly and uniformly than by the brush.(1891a1) |
|
Sfregazzi or Sfregature, It.
By this term is meant a peculiar thin kind of glazing, which is executed =
by
dipping the finger into the colour, and drawi=
ng it
once lightly and evenly along the part of the picture on which it is to be
applied ‑ such as the shade on the cheek, the limbs, &c., or
wherever it is wished to lay a soft thin shadow. (Consult Mrs. Merrifield, Ancient Practice of Painting, vol. ii. p. 879.)(1883m1) |
|
An Italian term, which may be applied to pictures which =
are
soft and vaporous in execution, and to drawings the outlines of which are
vague and put in with the stump.(1891a1) |
|
Sgraffito, It. (lit. scratched). A method of painting on
stucco, in which a ground of dark stucco is covered with a coat of white,=
and
the design is formed by scraping this away for the shadows. (Consult an
article by Mr. Alan Cole in t=
he House Furnisher and Decorator, M=
ay 10,
1873.)(1883m1) |
|
Sgraffito. An Italian method of =
decoration,
a kind of fresco painting, which consists in applying a white coat upon a
ground of black stucco, or a coat of a light colour upon a dark ground, b=
ut
picked out with hatchings, so as to give it the effect of a drawing. This
process can properly only be called sgraffito, but it is often called graffiti. The latter term, however, should, strictly speaking,
only be applied to drawings upon ancient walls.(1891a1) |