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(1) A bundle of ripe corn bound up in the field; the device assumed by Alfonso d'Avalos, when he was made captain‑genera= l of the army of Charles V., with the motto implying incessant devotion to his work, ‑ that, as soon as one harvest is reaped, its successor must = be sown. (2) A bunch of twenty‑four arrows, enough to f= ill a quiver. Fig. 611. Sheaf. Device of Alphonso d'Avalos.(1883m1)
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(Her.) This pastoral implement occasionally appears on the coat‑of‑arms of knight or gentlem= an. In blazoning the herald specifies the position in which the shears are placed, but they are generally represented vertical with the blades uppermost.(1891a1) |
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(Sculp.) A term applied to
statues, the lower extremity of which is enclosed in a sheath, which
generally begins at the hips and continues to the base. Many caryatides a=
re
thus sheathed. The advantage =
of
this treatment of the figure is, that the beauty of the torso is not
sacrificed, while the lower portion, being conventional in its arrangemen=
t,
harmonizes admirably with the architectural forms beneath it. ILLUS. sheathed(1891a1)
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The surname of Abd-sh=
ems,
king of |
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The ancient name of the Adite
capital Marib. See
Abd-shems. (1876c1) |
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A place in |
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The principal deity of the |
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In Arabian history the son of the patriarch
Ad. He conquered all |
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The feminine form of the Hittite deity She=
d.
(1876c1) |
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In Arabian history the son of Ad. He reign=
ed
over the Adites, and was succeeded by his bro=
ther Shedad. (1876c1) |
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In Byzantine art twelve sheep represented the Twelve Apostles, while Christ was pictured as the Good Shepherd. [Apostles.](1891a1) |
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In Christian art, th=
e twelve
apostles occur in early mosaics as twelve sheep, and our Lord in the mids=
t as
their Shepherd.(1883m1) |
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A Jewish coin, value=
about 2s. 6d.(1883m1) |
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Shell. (Arch.) A vault in the shape of a quarter of a
sphere, sometimes decorated with flutings, and forming the upper part of a
semicircular niche. ILLUS. shell(1891a1)
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Shell, Chr.
In Gallic as in Christian tombs shells are of frequent occurrence; there =
is
no doubt that they symbolize the resurrection, the body of man being look=
ed
upon as a shell which he leaves behind him at death. Different kinds of s=
hell
are met with, but that of most frequent occurrence is the common snail=
209;shell
(helix pomat=
ia).
(See ESCALLOP.)(1883m1) |
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Shellac. A solid varnish obtained from certain trees. Wh=
en
it is in a pounded form, it is called seed‑lac=
;
when it is in cakes with a smooth uniform surface, it is called shellR=
09;lac. [Lac.](1891a1) |
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Cameos carved on she=
lls.
These are certain conch shells or strombs, th=
e substance
of which consists of two distinct layers of different colours.
The black conch offers the most decided contrast in the colours.(1883m1) |
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Shell‑lac. Cru=
de lac‑resin melted into plates or shales. (See LAC.)(1883m1=
) |
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A surface which presents two sloping planes, which join =
at
their upper end, and meet a horizontal plane at their lower end. <=
span
lang=3DEN-GB style=3D'font-family:Arial;mso-bidi-font-family:"Times New R=
oman";
mso-ansi-language:EN-GB;mso-no-proof:no'>2 ILLUS. shelvin1, shelvin2(1891a1)
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Shemesh. Or<= /i> Shamash, or Samas. In Babylon= ian mythology the son of Ningal, and the god of the sun. He was called the "Judge of Heaven and Earth," "Director of All," and "Lord of the Cities of Larsa and Sippara." His consort and sist= er was the goddess Ishtar, the daughter of Sin, who must not be confounded w= ith Ishtar, the daughter of Anu. His analogue was the Shemesh or Shems of the Syrian religions. (1876c1) |
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Shems. A Himyaritic goddess, the feminine form of the deity =
Shemesh. (1876c1) |
|
Shems. A solar deity =
of the
Sabaeans, the analogue of the Chaldean
divinity Shamash. (1876c1) |
|
Shamas. Or=
i>
Shems. "The Sun." A Himyaritic deity, the same as the Shamas of=
the
Chaldeans and the Shemesh of Hebrew history. (1876c1) |
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Another rendering of the name Samsi-Vul, which see. (1876c1) |
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Shen. Or= Sunt. The Egyptian name of the acacia tree, the wood of which was much used for ordinary carpentry, its bark for tanning, and its resinous gum for the preparation of varnishes and cements. (1876c1) |
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Shen-pe-uts-nete=
r. "Turn of
Heaven, Conductor of the Gods." The second of the mystical cows or <=
span
class=3DSpellE>Hathors of Egyptian mythology. (1876c1) |
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The Egyptian mystical name of the sacred
Heron, into which among other animals the souls of the justified deceased
were transformed. (1876c1) |
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Funeral
form of |
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Shenti. The Egyptian name of the sin of simple cursi=
ng or
of incantation. (1876c1) |
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Shenti. Egyp. A short pair of drawers, fastened round the h=
ips by
a belt, worn by the ancient Egyptians.(1883m1) |
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Shenti. The short loin cloth worn by the Egyptians a= like by princes and peasants. It seems to have been made of the same materials= as the Namms, which see.(1876c1) |
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A town in the first Northern nome of |
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Shepen-aput. Or
Shap-en-ap. The daughter of Piankhi II. of the XXIInd dynasty. She marrie=
d |
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An Egyptian lady, the sister of Nekhtmutf, which see. (1876c1) |
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The chief priest of the |
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See HYKSOS.(1902b1) |
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An Egyptian lady of the XXVIth
dynasty, whose mummy and coffin are in the |
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A cabinet‑maker who flourished in the 18th century.
Everything that left his hand was light and graceful in form, and far more
refined in taste than the heavy, over‑elaborate productions of
Chippendale. His name is now prefixed as an adjective to the chairs and
tables which he fashioned as well as to those which are constructed in ac=
cord
with his style. Thus we speak of a Sherraton =
table,
a Sherraton side‑board.(1891a1) |
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An Egyptian amulet in the form of a peculi=
ar
kind of tie. It was usually carved in cornelian. (1876c1) |
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In Hindu mythology the great seven-headed
serpent which floats upon the cosmical ocean,=
and
upon whose folds the throne of Brahma is situated. (1876c1) |
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Sheshanka.
The son of |
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Sheshanka. The son of Osorkon II. of the XXIInd dynasty. (1876c1) |
|
Sheshanka.
The father of Namurot, a prince of the blood royal of |
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Sheshanka. A prince of the blood royal of the house of Piankhi, of the XXIInd dynasty, the son of Prince Petnit, which see. (1876c1) |
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Sheshanka.
An Egyptian priest and officer of the |
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Sheshanka.
One of the petty kings of |
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Sheshanka
I. Or Shishak, or Sheshonk. The son of Nimrod or Namurot, a great off=
icer
in the court of one of the last kings of the house of Her-hor, and of a
princess of the blood royal. He was adopted by his grandfather, and at fi=
rst
governed |
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The son of |
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An Egyptian king of the XXIInd
dynasty. He succeeded Takelot II., and reigned
fifty-one years, but no particulars of his long reign are known. He was
succeeded by his son (?) Pamai or Pekhi. (1876c1) |
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The successor of Pama=
i.
He reigned thirty-six years, but nothing is known of the events which took
place in them. With him closed the XXIInd dyn=
asty,
after which the Ethiopians again overran |
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A city and nome in |
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(1.) As a portion of defensive armour, the shield has be=
en
used in all countries and in all ages. Its material and form have of cour=
se
changed from time to time. It has been made of wood covered with hide as =
well
as of metal. Shields have been round, semicircular, and oblong. Our first=
two
cuts represent the shield in use in the time of William the Conquerer; our third cut shows a shield ornamented =
with
the escutcheon of the bearer. [Scutum.] 2 ILLUS. shield1a, shield1b
(2.) (Her.) The heraldic shield has taken different form=
s at
different periods, and seems to have been influenced by the style of
architecture prevailing at the time. The form of an inverted Gothic arch =
was
the model for shields from the 13th to the 15th centuries. During the
succeeding two centuries heralds adopted a much squarer form, as shown in=
the
accompanying cut, probably for the sake of its convenience in inserting <=
span
class=3DSpellE>quarterings. The lozenge‑shaped shield has be=
en
employed since the 14th century for the arms of ladies of noble family. A
lozenge is also frequently employed by the Flemish, whilst the Italians m=
ake
use of an oval shield. The Germans, on the other hand, affect shields of a
fantastic outline. An example of such a shield, called a targe,
is given in the accompanying cut. 3 ILLUS. shield2a, shield2b, shield2c(1891a1)
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This is a small shield borne within another shield. It is
also called an inescutcheon, and is said to be pretended upon the main shield. =
By
means of this device the husband of an heiress blazons his claim to his
wife's lands, and in the same way George III. bore the arms of
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An Elamite dei=
ty, of
whom nothing is known. (1876c1) |
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Another Elamite
deity, of whom nothing is known. (1876c1) |
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Wooden tiles; freque=
ntly
used for church spires.(1883m1) |
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(Arch.) Small squares of pine, chestnut, or oak cut like
tiles, which were used to protect the beams of a building against the
dripping of water. The houses of the middle ages were generally covered w=
ith
shingles, which were sometimes painted or cut into patterns, so as to form
geometrical combinations. Small houses in the country are still to be seen
the façades of which are decorated with shingles. 2 ILLUS. shingle1, shingle2(1891a1)
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Ship. A symbol of the
Church. (See NAVETTE.)(1883m1) |
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Nef or Ship. A costly and curious piece of plate f=
or the
table, used as an épergne in the Middle
Ages. In the 16th century they were perfect models of actual ships, with
masts, yards, shrouds, and sailors climbing in the rigging. They were fil=
led
with sweetmeats, and were sometimes put on wheels; and there is one at |
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In Hebrew history the name by which Sheshanka, or Scheschang, the
first king of the XXIInd dynasty is mentioned.
(1876c1) |
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A great festival held in |
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The shoes worn by th=
e Greeks
generally reached to the middle of the leg; the ROMANS had the calceus=
and the
solea or
sandal; the former was worn with the toga on ordinary occasions; the sand=
al
on a journey or at a feast; but it was considered effeminate to appear in
public with them. Black shoes were worn by the citizens of ordinary rank =
(see
ATRAMENTUM, CHALCANTHUM), and white ones (sometimes red) by the women; on
ceremonial occasions the magistrates wore red shoes. Patricians and their
children wore a crescent shoe‑buckle (see LUNA). Slaves went
barefooted. The Jews had shoes of leather, wood, &c., tied with thongs
passed under the soles of the feet; to "untie the latchets" of a
man's shoes was a sign of deep subservience. In ancient as in modern times
the Oriental peoples put off their shoes as we uncover the head. (Consult=
Herbert Spencer on Ceremonies.)(=
1883m1) |
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In pre-Koranic
history an Arabian prophet, the son of Dhumahdam.
He was slain by the people of Hadura, who were
idolaters, to whom he had been sent to preach for their conversion. The t=
ribe
were afterwards destroyed from heaven in retribution for their crimes.
(1876c1) |
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The modern name of the Greco-Egyptian town=
of |
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In the time of the Hebrew commonwealth the
name of elders or judges. See als=
o Suffetes. (1876c1) |
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(Arch.) A transverse stay placed in the trenches dug at =
the
foundation of a building; a piece of timber employed to strengthen empty
spaces during the underpinning of a part already built. Windows and other
openings are frequently shored. ILLUS. shore(1891a1)
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An Egyptian amulet, in the form of a lotus
flower. It was often wrought in gold, inlaid with lapis lazuli or enamels.
(1876c1) |
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A son of Rameses II.
of the XIXth dynasty. (1876c1) |
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An Egyptian gentleman, who lived probably =
in
the XIIth dynasty. One of his sons was named =
Osirtesen-ankh, after the reigning monarch of that =
name.
(1876c1) |
|
These
little creatures were sometimes mummified, and have been found in small
bronze cases with a figure of the mouse on the top. It was sacred to Her-=
khent-an-ma, a form of Horus=
span>,
supposed to be blind, who was worshipped in Letopoli=
s.(1902b1) |
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Shrine. A repository=
for
relics; either fixed, as a tomb; or movable, as a feretory. (See Fig. 307.) The Shrine of the Three Kings in
Cologne Cathedral is one of the most celebrated and costly in the world.
(Fig. 612.) Fig. 612. Shrine of the Three Kings in
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Shrine. A box or c=
offer of
a precious metal and richly carved, in which the relics of saints are kep=
t;
the term is also applied to a structure such as a tomb, in which relics a=
nd
bones may be deposited; the shrine of St. Thomas at Canterbury for instan=
ce.
Moveable shrines, before the 13th century, consisted of simple boxes of w=
ood,
covered with plates of metal. They were often large enough to hold the wh=
ole
body of a saint. Towards the end of the 13th century shrines were made of
gold, silver, or enamelled copper, and took the form of miniature churches
and chapels. In the 15th century they were surmounted with pierced spires=
and
enriched with statuettes, and in the 17th and 18th century they were
characterised by volutes and are of a swelling outline. Some ancient shri=
nes
are of sculptured and gilded wood; these are often placed under a canopy =
and
above the altar. 2 ILLUS. shrin=
e1,
shrine2(1891a1)
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A diminution in the volume of c= eramic paste or terra‑cotta, which results from drying or baking. The same phenomenon, though less sensible than in terra‑cotta, may be observ= ed in bronze founding.(1891a1) |
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An Egyptian amulet in the form of a ring, =
cartouch, or signet. It was an emblem of the solar =
orbit.
(1876c1) |
|
Shu. "Light." In Egyptian mythology the deity of light. He was sometimes called Sos. See also -(1876c1) [Shu in Ritual of the Dead below - Editor] |
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Shu. One of the mystical deities of the Ritual of the Dead. He was one of the chil= dren of Ra, and the consort of Tefnut, which see. (1876c1) |
|
Shu. The
son of Ra and Hathor, though a later legend says that Ra produced Shu and
Tefnut (q.v.) without the
co-operation of a goddess. As a nature god he may be said to be a
personification of the atmosphere which divides the sky (Nut) from the ea=
rth
(Seb). He is frequently figured with arms uplifted, supporting the starry
Nut, while Seb lies beneath. He is represented as a man, with his symbol =
the
feather on the top of his head. The little faïence figures of Shu ho=
lding
up the sun-disk, represent the god placing the sun in its right position
between sky and earth. He is the twin-brother of Tefnut, the two being
frequently associated as two lions. ILLUS. Shu.(1902b1)
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An Elamite dei=
ty, of
whom nothing is known. (1876c1) |
|
An Egyptian generic name denoting weeds or
water-flowers. (1876c1) |
|
An Egyptian architect, whose funereal stel=
e,
with that of his companion Har, is in the |
|
A Mesopotamian people, who paid tribute to=
Assurnazirpal, king of |
|
An Elamite dei=
ty, of
whom nothing is known. These Elamitic deities=
are
simply enumerated in the Assyrian annals as having been carried off by |
|
An Elamite cap=
ital
city, on the river Ula, where Assurbanipal
defeated the army of Tiumman, king of |
|
(Arch.) Pieces of wood or iron fitted together and servi=
ng
to close a window or bay. Some shutters consist of a single leaf, though =
this
single leaf may consist of two leaves held together with iron hinges as s=
hown
in our first cut; other shutters are composed of planks of wood, which fit
into grooves. In old‑=
fashioned =
shops
these moveable shutters, fitting into grooves, were invariably used. The =
most
modern kind of shutter is a mechanical arrangement of slips of wood or a
sheet of iron, turning round a horizontal cylinder, placed above the open=
ing
or window, and put into its place by means of a wheel. 2 ILLUS. shutter1, shutter2(1891a1)
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