MIME-Version: 1.0 Content-Type: multipart/related; boundary="----=_NextPart_01CB107A.B18662E0" This document is a Single File Web Page, also known as a Web Archive file. If you are seeing this message, your browser or editor doesn't support Web Archive files. Please download a browser that supports Web Archive, such as Microsoft Internet Explorer. ------=_NextPart_01CB107A.B18662E0 Content-Location: file:///C:/B134598E/sin.htm Content-Transfer-Encoding: quoted-printable Content-Type: text/html; charset="us-ascii"
|
Sin [Seven Deadly, See Vices] |
|
A Sabaean =
deity.
The analogue of the Chaldean divinity of the same name. (1876c1) |
|
The Moon-g=
od. He
was the father of the younger Ishtar. He was the favourite deity of the
Cushite kings of the early Babylonians, and the principal object of worsh=
ip
in the city of |
|
An early king of |
|
An early Babylonian monarch who ruled at <=
st1:place
w:st=3D"on"> |
|
The front part of th=
e head.
The back part is the occiput.(1883m1) |
|
Sindon (= F4= <*= f<[=3Dsindon]). (See CORPORAL.) (1883= m1) |
|
Syndon or Sindon. A bette=
r kind
of cendal
(q.v.).(1883m1) |
|
A mythical or divine prehistoric king of <=
st1:place
w:st=3D"on"> |
|
In Scandinavian mythology the name of one =
of
the horses of the gods. (1876c1) |
|
An early Babylonian king who reigned at |
|
Chr. The larger altar breads used in the mass were
called singing‑bread; t=
he
smaller ones consecrated for the people were known as houseling‑bread. (See also HOLY BREAD.)(1883m1) |
|
A country which was rendered tributary by =
|
|
An early Babylonian king. He reigned at |
|
An early Babylonian monarch who reigned at=
|
|
Sinister, Her. The l=
eft side
of a shield (considered from the back, or wearer's point of view). The |
|
Sinister. (Her.) That side of the shield which would be =
to
the left of a man standing behind it is called the sinister. Thus the si=
nister
side of a shield comes to the right
hand of a person looking at the shield. ILLUS. sinister(1891a1)
|
|
Sinking. (Arch.) A sudden depre= ssion of the ground, which causes the destruction of the supe= rincumbent masonry.(1891a1) |
|
Sinopia. (Her.) [See Vert.] (1891a1) |
|
A fine red pigment f=
ound
upon ancient mural paintings.(1883m1) |
|
The executioner, or one of the executioner=
s,
of the |
|
The most ancient capital of the Sinites of Phenicia. It=
was
afterwards deserted for Gebal, which see. (18=
76c1) |
|
Another form of the Assyrian royal name Si=
n-gasit, which see. (1876c1) |
|
Sin-said. "Sin is his Lord. A very early Babylo= nian king; possibly the same as Abel-sin or Iribasin. He ruled at Erech, where= he executed many important works. (1876c1) |
|
The governor of Rezep=
h,
in the reign of Assur-nirari II. He was epony=
m of
the year B.C. 747, in which year there was "peace in the land."
(1876c1) |
|
The Tukulu of =
Tiglath Pileser II. He =
was
eponym of the year B.C. 739, in which year took place an expedition to |
|
A district in |
|
R. A vessel of small
dimensions, but tolerably wide and deep, which was used for holding wine =
or
milk.(1883m1) |
|
In Scandinavian mythology the goddess of
affection, tenderness, and sympathy. (1876c1) |
|
An Egyptian lady, the granddaughter of |
|
Siayut. The modern nam=
e of
the city of |
|
Siout. Or Siayut. The modern name for the city and nome=
span>
in |
|
Another form of the name of the god Taut-<=
span
class=3DSpellE>mutf, one of the four genii of Amenti.
(1876c1) |
|
R. The curtain of a =
theatre.
It was divided in the middle and withdrawn to the sides to disclose the
stage.(1883m1) |
|
An Assyrian city which supported Assurdan in his revolt against his father, Shalmaneser II. (1876c1) |
|
Gr. (F\NT<[=3Dsiphon], a hollow body). A siphon for exhau=
sting
liquids from a vessel by the pressure of the atmosphere. A painting at |
|
An Etruscan female divinity, who was an
attendant of Alpanu, and was represented carr=
ying a
mirror in her hand. (1876c1) |
|
A Chaldean cit=
y, the
|
$H <=
span
class=3DSpellE>Sipthah.
|
Sipthah. Or<=
/i>
Mer-en-pthah II. An usurping=
king
of |
|
A king of the Babarur=
ai,
who paid tribute to Samas-Rimmon or Samsi-Vul III., king of |
|
A king of the Singuri=
ai,
who paid tribute to Samas-Rimmon or Samsi-Vul, king of |
|
(Gr. G,4D<,H[=3DSeirenes] {prob=
ably from F,4D[=3Dseira], a chain, to signify their attracti=
ve
power}). These mythical representatives of the evil side of the seductive
power of music, are represented in art as lovely women to the waist, and
fishes or birds below. Sometimes they have wings, which the Muses are sai=
d to
have plucked (see MUSES) of their feathers; as Orpheus, by opening their
minds to the unattainable higher music, drove them to suicide in the end.=
In
Christian symbolism the sirens typify the three carnal lusts. (See Fig.
455.)(1883m1)
|
|
(Arch.) A piece of iron, generally in the shape of an S,
sometimes in the shape of a geometric pattern or of foliage, which is att=
ached
vertically to a wall, and is connected by a holdfast to horizontal pieces=
of
timber‑work.(1891a1) |
|
The common name of the dog-star. One of the
chief objects of Egyptian astrology. It was called also Sothis,
which see. (1876c1) |
|
A priest of Pthah.
The period when he lived is unknown. (1876c1) |
|
The Egyptian name of the sistrum,
or shaking-rod, used chiefly in the worship of Isis and Hathor.
(1876c1) |
|
The father of the rebel Martius,
who claimed to have been Omanes, king of |
|
The rendering which was at one time adopte=
d of
the Cuneiform characters of the Chaldean name=
Adra-hasis, which see. (1876c1) |
|
Hind. A Hindoo
work, the title of which means literally the science of manual art. It wa=
s a
kind of encyclopaedia, and comprised about th=
irty
treatises on the manual arts, and included a treatise on architecture wri=
tten
by a Hindoo whose name has not come down to u=
s; but
a sage or mage called Dupayana compiled, abri=
dged,
and edited, about 1500 B.C., the lost treatise of the Hindoo
architect. (=
Bosc.)(1883m1) |
|
sistrum:
ceremonial rattle, especially associated with the worship of the goddess
Hathor.(1894e1) |
|
Sistrum. An instrument used by=
the
Egyptians in the festivals of
|
|
Sistrum, Egyp. (=
F,=
ÃF=
JD=
@<[=3Dseistron]; =
F,=
\T[=3Dseio], to shake). A kind of rattle
formed by a certain number of metallic rods which passed through a framew=
ork
also of metal; this was attached to a short handle ending in a head of At=
hor.
By shaking the instrument by the handle the metallic rods and the movable
rings suspended from them were made to give out a sharp rattling sound. T=
he
Egyptians made use of the sistrum in the ceremonial worship of |
|
A
musical instrument, formed of a loop of bronze ribbon fastened to a handl=
e,
crossed by three or four metal bars passing through holes in each side of=
the
loop. These bars were quite loose, being merely bent at each end to keep =
them
from slipping out, and they sometimes bore metal rings, which considerably
added to the sound when the instrument was shaken. Sometimes the bars wer=
e in
the form of little serpents. The sistrum was =
one of
the usual attributes of the goddess Hathor, a=
nd was
used as a design for the capitals of columns over the head of Hathor. The handles of the instruments were almost =
always
in the form of the head of that goddess, and were usually of bronze,
sometimes inlaid with silver. Enamelled handles have also been found. The
length of the whole varied from eight to sixteen or eighteen inches. Plut=
arch
mentions (de Iside,
s. 63) that the sistrum was supposed by some =
to
have the power of frightening away Typhon, or=
the
evil spirit. Sistra were used in the most sol=
emn
religious services, when they were often carried by women of high rank.
Models of sistra in enamelled ware were often=
deposited
in the tombs, but were first broken in sign of mourning. (See Brit. M=
us.,
4th Egyptian Room, table case A.) ILLUS. Sistrum.(1902b1)
|
|
Sistrum=
span>. A peculiar instrument in the shape of a loop crossed with lo=
ose
bars; it was almost always made of brass, and had generally the figure of=
a
cat on the top and the head of the goddess Hathor
on the handle. It was chiefly used by the priestesses of |
|
An unidentified Egyptian name of a royal l=
ady.
(1876c1) |
|
A daughter of Amenhot=
ep
III. of the XVIIIth dynasty. (1876c1) |
|
A mountainous country on the West of the <=
st1:place
w:st=3D"on">Upper Euphrates, where Ahuni=
,
king of Lahlahte, was finally conquered by |
|
A royal lady or consort in the reign of |
|
The Accadian n=
ame
for a city or district, whose site is not known. (1876c1) |
|
A royal pallacist in
the reign of |
|
Siton. "Bread
Corn." A name which was=
given
by the Greco-Phenician historians to the deit=
y Dagon
or Dakan, as the discoverer of the art of mak=
ing
bread. (1876c1) |
|
Sitra. A wife of one of the last kings of the XXth dynasty. (1876c1) |
|
Sitra. The mother of one of the last kings of the XX= th dynasty. (1876c1) |
|
The Persian form of the royal name which w=
as
written by the Assyrians Sidirpana, which see.
(1876c1) |
|
A Median officer, who revolted against Dar=
ius Hystaspes, claiming himself to have been one of the=
blood
royal of Cyaxares. He was defeated and taken
prisoner by Camaspates, the general of Darius=
, who
cut off his nose, lips, and ears, and then sent him to his master, who
chained him to the door of his palace. See
also Phraortes. (1876c1) |
|
(Paint.) A term applied to the space of time during whic=
h an
artist works, either from nature or from a model. Thus an artist may be s=
aid
to finish a sketch at a sitting. If the matter be looked at from the poin=
t of
view of the model who sits to the artist, it has a slightly different
meaning. A portrait, for instance, may want one or two more sittings (of =
the
model) to be finished.(1891a1) |
|
R. A bucket for draw=
ing
water from a well.(1883m1) |
|
In Hindu mythology a form of the abstract
Deity Brahma as the destroyer and reproducer of life. He forms the third =
in
the great Hindu triad, and his representations are horribly obscene. (187=
6c1) |
|
Egyptian deity. See NEKHEBT.(1902b1) |
|
Assyrian month. See Sivanu
- Editor |
$H <=
span
class=3DSpellE>Sivanu.
|
Sivanu. Or Sivan. The th=
ird
month of the Assyrians. Its Accadian name was=
Munga, "Of Bricks," or Kas,
"The Twins." It was sacred to the Moon-god Sin, and answered
roughly to our May. (1876c1) |
|
Her. A flower of six leaves. Fig. 616. Sixfoil.(1883m1)
|
|
A Syrian kingdom, which was one of the gre=
at
Palestinian confederacy against Shalmaneser I=
I.
(1876c1) |
|
Size is used to prep=
are
paper for printing upon, and as a vehicle
in oil painting. (See DISTEMPER.)(1883m1) |
|
(Paint.) The purpose of sizing =
is to
render drawing‑paper fit to receive a wash of any colour whatsoever.
The paper is smeared with a sponge soaked in a mixture of white soap and =
|