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In Scandinavian mythology the son of Borr, and brother of Odin and =
Vili,
which names see. (1876c1) |
|
The intercalary month of the Jewish year,
which answered to the Assyrian Arakh-makru.
(1876c1) |
|
R. (veho, to carry). A bar of=
wood
or iron used as a lever, crow‑bar, capstan bar, or pole for carrying
burdens on the back; the workman who made use of a vectis was called vectiarius.(1883m1) |
|
Veda. The great collection of sacred books=
of
the Hindus, the date of the compilation of which is unknown, but the hymn=
s in
which were probably written about B.C. 1500. It consists chiefly of four
chief sections called respectively the Rig-veda,
the Yajur-veda, the Sama=
-veda,
and the Atharva-veda. (1876c1) |
|
Vedas (from Sanskrit=
vid, to=
know),
Hind. Four collections of sacred books said to have been collated about 3=
000
B.C. from earlier documents. They are the RIGVEDA, a collection of hymns =
and
prayers; the YAJURVEDA, liturgical and ceremonial ordinances; SAMAVEDA,
lyrical pieces; and ATHARVAVEDA, chiefly incantations. Besides the above,
each Veda contains fragmentary writings called Sambuta, and dogmatic tre=
atises
called Brahm=
ana;
and certain Commentaries, called. Upavedas, Vedangas, and Upangas are regarded as forming a fifth Veda. The above
form the sacred books of the Hindoo
religion.(1883m1) |
|
In Vedic mythology the holy place immediat=
ely
round an altar. (1876c1) |
|
Nuts of a South Amer=
ican
palm (Phytel=
ephas macrocarpa)
resembling ivory, and much used for ornamental carving.(1883m1) |
|
Vehicles or Mediums.=
The
liquid in which pigments are applied. In fresco
and water‑colour painting gum‑wat=
er is
used; in distemper painting, =
size;
in oil painting, the fixed oi=
ls of
linseed, nut, and poppy. In encau=
stic
wax is used. (See also MEDIUM, COPAL, ITALIAN VARNISH, MEGYLP,
&c.)(1883m1) |
|
Vehicle. (Paint.) The liquid with which pigments are lai=
d on
in painting is termed the vehicle. Different vehicles are used in differe=
nt
branches of painting. In water‑colour of course the vehicle is wate=
r;
in oil‑painting oils of various kinds are used [Oil], while wax is =
the
vehicle in encaustic painting.(1891a1) |
|
The threads of various shades which are to be seen in
marble, and which add so much to its decorative effect; also the defects
which exist in stones that are to be cut, and in the white marble used by=
the
sculptor.(1891a1) |
|
A Persian chief of the city of |
|
The father of Intaphe=
rnes,
the chief officer of Darius Hystaspes. (1876c=
1) |
|
R. (velum, a veil). A veil worn by women, concealing the whole
person. (See FLAMMEUM.)(1883m1) |
|
R. (velum, a covering). An awning stretched over a theatre; usual=
ly
of woollen cloth, but sometimes of more costly
materials.(1883m1) |
|
In ancient times the term velarium<=
/span>
was applied to large awnings which were fixed with ropes to the top of ma=
sts
and protected the spectators in the theatre from the heat of the sun.(189=
1a1) |
|
It. A mode of glazin=
g,
adopted by the early Italian painters, by which the =
colour
was rubbed on by all the fingers or the flat of the hand, so as to fill t=
he
interstices left by the brush, and cover the entire surface of the picture
thinly and evenly. (Fairholt.)(1883m1) |
|
R. (velo, to cover). Veiled or
wearing flowing garments; having the forehead encircled with a garland. <=
span
class=3DSpellE>Milites=
velati<=
/i> were
supernumerary soldiers who filled the places of those who were killed or
disabled.(1883m1) |
|
R. A body of light=
8209;armed
infantry not forming part of the legion, who skirmished in small companie=
s.(1883m1) |
|
Fine parchment from =
the
skins of calves; any parchment binding is by librarians technically descr=
ibed
as vellum. It is a beautiful substitute for paper, for luxurious printing=
of
books for presentation, &c., and was much used by mediaeval artists f=
or
painting and illuminating.(1883m1) |
|
The skin of a calf. Vellum was used for illuminated book=
s in
the Middle Ages, and at a later age for miniature painting. To this purpo=
se
it is still put, any inequalities in its surface being first removed by
pumice stone. Any blemishes in the absorption of colour, which is inevita=
ble
in this material, is thus avoided, and it has the advantage of being
extraordinarily durable and lasting for centuries. It is also used for ta=
king
proofs of engravings and etchings.(1891a1) |
|
(Fr. Velvet). A kind=
of
velvet or plush for furniture, carpets, &c., manufactured in Prussia,
partly of linen, and partly of double cotton warps with mohair yarn weft.=
(Simmonds' Commercial Di=
ct.)(1883m1) |
|
A woollen
velvet, for tapestry, &c., made in the Netherlands.(1883m1) |
|
R. (1) A general term for any kind of sail, esp=
. the
square main‑sail of a s=
hip in
contradistinction to the other sails. (2) The curtain or d=
rop‑scene
of a theatre. (3) The curtain or h=
anging
put up as a covering in front of a door. (4) A synonym for
VELARIUM.(1883m1) |
|
A curtain hung over a door or window was called a velum by the Romans, but in mode=
rn
times the word has another signification. It denotes a piece of drapery o=
r a
strip of stuff which is suspended horizontally so as to sift the light an=
d to
intercept the rays of the sun. The velum
is sometimes held in its position by being tied with cords to lance‑=
;heads;
it then serves as a temporary shelter or decoration. In studios and
exhibition galleries a velum =
is
frequently stretched across the ceiling to intercept the light falling fr=
om
above.(1891a1) |
|
(Ital. velluto; hairy or shaggy,=
like
an animal's skin) was introduced into |
|
R. (venor, to hunt). A huntin=
g‑spear,
a strong staff with a broad lozenge‑shaped iron head.(1883m1) |
|
Hunting scenes and s=
ports in
the arena in which wild beasts were introduced fighting with each other a=
nd
with men, a common subject of representation on bas‑reliefs on anci=
ent
tombs.(1883m1) |
|
The Persian name of the Vidae-vadata,
which see. (1876c1) |
|
A method of decorating pieces of furniture, by means of
cutting out slips of variously coloured wood and by applying the pieces t=
hus
cut out to woods of inferior value. Veneer of mahogany is the characteris=
tic
of an epoch in the history of furniture.(1891a1) |
|
Veneering is the art=
of
covering wooden objects with a thin slice of ornamental wood, so as to gi=
ve
the whole the false appearance of being made of the superior wood. It is
distinct from MARQUETRY or INLAID‑WORK (q.v.).(1883m1) |
|
R. The crime of pois=
oning;
an accusation abused by the ancient Romans almost as that of witchcraft w=
as
in the middle ages.(1883m1) |
|
Venetian Blinds are =
those
made of laths strung together.(1883m1) |
|
A white talc used for
marking cloth, &c.(1883m1) |
|
A door lighted by pa=
nes of
glass on each side.(1883m1) |
|
The engraving repres=
ents an
exquisite specimen of Venetian point lace in relief, shown at the
International Exhibition, 1874, among other wonderful reproductions of
ancient needle‑made lace. (For method of working, see NEEDLE POINT.=
) Fig. 682. Venetian point in relief, English made.(1883m1)
|
|
A burnt ochre, used =
as a
pigment in oil and water colours. Its colour is red, alloyed with blue and yellow.(1883m1=
) |
|
(Arch.) A shutter which consists of a frame, across which
pieces of wood or iron are placed horizontally at some distance from one =
another
and inclined at such an angle that those inside a room can observe what is
passing without, but cannot be seen themselves from outside.(1891a1) |
|
A window with three =
separate
lights.(1883m1) |
|
(Fr. venu). A bout at a fencin=
g‑school.(1883m1) |
|
The illustration rep=
resents
the state costume of the Doge of Venice, wearing the traditional cap of
liberty, the ermine, and richly‑embroidered robes of his office. Fig. 683.
|
|
A product of the lar=
ch, used
for varnishing pictures. It is liable to crack.(1883m1) |
|
Avent=
ail. Fr. (avant taille). The movable
front of a helmet. (1883m1) |
|
Ventaile or Aventail. A
movable front to a helmet, through which the wearer breathed: ‑ "quâ
ventus hauritur.&=
quot; "L'escu
au col, la ventaille fermée." (Roman de Roncevaux.)(1883m1) |
|
(Arch.) An opening which admits air into subterranean ro=
oms.
ILLUS. venthol=
e(1891a1)
|
|
R. (venter, the belly). A gir=
dle of
peculiar shape, fastened round the loins over the abdomen.(1883m1) |
|
Venturina, Sp. A precious stone, of a yellowish‑br=
own
colour. Hence: ‑ Venturine. A
powder of gold used to sprinkle over japanned surfaces.(1883m1) |
|
Chr. The t=
rue
image impressed upon the SUDARIUM (q.v.) of St. Veronica. In St. Pete=
r's
at |
|
An open portico to a=
house.
In the tropical countries the open verandah is the principal apartment of=
a
house, and Society appear to the passers‑by, in their illuminated
verandahs, like the actors on the stage of a theatre.(1883m1) |
|
(Arch.) A gallery, generally covered in with glass; a li=
ght
building open to the air and provided with blinds. The inhabitants of the
East build verandahs running the whole length=
of
their houses. In many modern buildings verandahs
take the form of greenhouses or glazed vestibules and are almost always b=
uilt
of iron. ILLUS. verandah(1891a1)
|
|
R. Sacred herbs torn=
up by
the roots from the enclosure of the Capitoline
hill; which the Roman fetiales
or ambassadors always carried in their hands on foreign embassies. (Compa=
re
VINDICIAE.) "When
an injury had been received from a foreign state four fetiales were deput=
ed
to seek redress, who again elected one of their number to act as
representative. He was styled pat=
er
patratus populi Romani. A fillet of white wool was bound round his he=
ad,
together with a wreath of sacred =
herbs
gathered within the enclosure of the Capitoline hill (verbenae, Sagmina), whence he was called Verbenarius." (=
Dr. Smith.)(1883m1) |
|
R. In a general sens=
e, any
kind of leather thong; as, for instance, the thong of a sling, the thong =
of a
whip for driving horses or scourging slaves, &c.(1883m1) |
|
A green mottled serp=
entine
marble, used by ancient sculptors, found at Taygetos=
.
It is much valued for its beautiful markings.(1883m1) |
|
A patina of bronze of a beautiful clear green tone found=
on
ancient bronzes. It is obtained artificially by applying a mixture of
ammoniac vinegar and sea salt with a hair brush.(1891a1) |
|
It. (1) A native car=
bonate
of copper, of a greenish‑blue colour; t=
he Armenian stone of Pliny. (2) A b=
lue‑green
pigment.(1883m1) |
|
A dark green pigment,
anciently used by the Venetian painters.(1883m1) |
|
A bright acetate of =
copper,
used as a green pigment.(1883m1) |
|
Verditer. (Paint.) A colour used
chiefly in distemper. It is found in a soft stone in copper mines, and th=
en
reduced to a powder and mixed with water. Some verdi=
ters,
used in the decoration of theatres, yield bright colours, while others are
grey and dull.(1891a1) |
|
Verditer, Green. A pigment used=
in
distemper painting. It is obtained from a kind of copper ochre or rust, b=
ut
it has the disadvantage of turning to a brown.(1891a1) |
|
Verditer (Blue and Green). A hydrated percarbonate
of copper. It is generally prepared by decomposing the solution of nitrat=
e of
copper, by the addition of chalk. The refined blue and green verditers, see CARBONATES of COPPER (Mountain blue). The verditer know=
n as Bremen Green is produced by subj=
ecting
copper to the action of sea salt and vitriol for three months. (Cf.
CHRYSOCOLLA.)(1883m1) |
|
A French term applied to pieces of tapestry or other
hangings representing landscapes, in which green is the dominant tone bot=
h in
the central subjects and in the systems of ornament which make up the
border.(1891a1) |
|
O.E. A rod. In Media=
eval
Architecture the shaft of a column.(1883m1) |
|
Verge‑board. [See Barge‑board.] (1891a1) |
|
Verge Board, Arch. T=
he external
gable‑board of a house, which is often elaborately ornamented with
carvings. (See BARGE BOARD.)(1883m1) |
|
(Fr. verge, a staff). Officers who carry a rod or staff of office.=
In
the law courts a white wand, before the judges; in cathedrals, &c., a=
rod
tipped with silver.(1883m1) |
|
A kind of pavement d=
isposed
in wreathed lines like the undulations of worms (vermes). (See
PAVIMENTUM.)(1883m1) |
|
The minium of the ancients. A
bright and beautiful red colour.(1883m1) |
|
The bisulphuret
of mercury in powder, a delicate bright red pigment which is pale or deep; supposed to be the pigment known to the Romans as minium.=
(Cf.
CINNABAR, RED LEAD.)(1883m1) |
|
(Paint.) A bright red pigment. It is a sulphide of mercu=
ry,
and is found in a natural state or is manufactured artificially. It is a
useful pigment, being permanent and having a good body. It loses its too
brilliant tone with time and becomes a kind of brown.(1891a1) |
|
A pigment used in watercolour drawing. It is of a striki=
ng
red colour and should be laid on with sufficient lightness to allow the p=
aper
to be seen through it. When the vermilion is laid on too thickly, or is n=
ot
sufficiently diluted, it looks dull and opaque.(1891a1) |
|
(Arch.) A wall or other surface is said to be vermiculat=
ed
when it is covered with lines, like worms, describing irregular and sinuo=
us
curves. ILLUS. vermicul(1891a1)
|
|
Chr. A term for the VERA ICON.(1883m1) |
|
An instrument invented in the 17th century by Vernier, the geometrician. It consists of a small r=
ule,
so graduated as to allow the smallest dimensions to be measured. It is
generally about nine millimetres in length, each millimetre being divided
into ten equal parts. Thus fractions of a tenth of a millimetre may be
measured.(1891a1) |
|
A Japanese style of =
painting
and enamelling on furniture, carriages, and s=
mall
objects, named after the introducer, who was born about 1706.(1883m1) |
|
Vernon Gallery, foun=
ded in
1847 by the gift of Mr. Robert Vernon of 157 pictures of the British scho=
ol,
is now in the South Kensington Museum.(1883m1) |
|
A variety of GREEN E=
ARTH
(q.v.). (See APPIANUM.)(1883m1) |
|
A thin textile fabri=
c, made
of worsted, or mohair, and of cotton.(1883m1) |
|
Veronica. (See VERA ICON.) (1883m1) |
|
According to an old legend when Jesus was on the way to =
the
cross a woman wiped His face with a napkin, upon which there appeared at =
once
an image of the face. This image was called the vera icon, or true image, and the woman to whose napkin it was
transferred has been known as St. Veronica. One tradition says that St.
Veronica was Berenice, the niece of Herod. Pi=
ctures
of St. Veronica holding up the handkerchief, upon which is an image of the
face of Jesus, are common. In St. Peter's at |
|
R. (lit. a holy (or
dedicated) Spring). The dedication to sacrifice of all that is born in a
certain year, in the months of March and April, was a common practice of =
the
early Italian nations, especially of the Sabines.
In the most ancient times actual infanticide was a part of this offering;=
but
in later years the practice was modified as regarded children. They were
brought up, under a vow of dedication, to the age of twenty‑one, and
then with veiled faces expelled across the frontiers. Many colonies resul=
ted
from this practice.(1883m1) |
|
Vert, Her. Green, represented in engraving by lines
sloping downwards from left to right.(1883m1) |
|
Vert. (Her.) The heraldic colour green shown on a shield by diagonal lines from dexter to sinister.(1891a1) |
|
That which is perpendicular to the horizon is said to be
vertical.(1891a1) |
|
R. (verto, to turn). The whor=
l of a
spindle, a small disk of wood, stone, or metal, by means of which a rotary
movement is given to the spindle. (Cf. TURBO.)(1883m1) |
|
R. Literally, a roas=
ting‑spit
made of wood and with an iron point. The term was also applied to a weapo=
n of
Samnite origin used by the Roman infantry, and
bearing much resemblance to a spit. (2) An arrow or dart. (Fr. vire.)(=
1883m1) |
|
R. (dimin.
of veru<=
/span>).
A small javelin used by the Roman infantry.(1883m1) |
|
Hind. A Hindoo
temple built on a circular plan.(1883m1) |
|
Vesica Piscis. A term app=
lied to
the elliptical aureole, within which Christ is sometimes represented. Its
literal meaning is the bladder of a fish, and it doubtless was given this
name on account of the traditional symbolism in accordance with which Chr=
ist
is often represented by a fish. ILLUS. vesicapi(1891a1)
|
|
Vesica Piscis (in Italian=
, mandorla,
almond). The oblong glory surrounding the whole person of Our Lord, or the
Virgin, or saints ascending into heaven. The seals of abbeys, colleges, and other religious establishments
were all of this form. (See Fig. 684.) It is in form symbolical of the
monogram =
ÇP2LH[=3Dichthus]. (See =
ACROSTIC.)
Fig. 684. Vesica Piscis.(1883=
m1)
|
|
Vespae, Vespillones. R. The
bearers of a bier in a funeral were so called by the common people, becau=
se
they came to fetch the bodies in the evening (vespertino tempore).(1883m1) |
|
Chr. In the Roman Church, the afternoon service; i=
n the |
|
O.E. "A wide ga=
rment
reaching to the knees, open before, and turned up with a facing or lining,
the sleeves turned up at the elbows." (Randle Holme, 1683.)(1883m1) |
|
Gr. and R. Festivals=
in honour of Vesta. Asses =
were
driven through |
|
R. The priestesses o=
f the
goddess Vesta, to whom the charge was committ=
ed of
the sacred fire. They were originally four, subsequently six in number. T=
heir
distinctive dress was the infula fitting close to the head, with vittae depending, a long =
tunic
of white linen, and the purple TOGA, or mantle, with a long train to
it.(1883m1) |
|
(Arch.) A covered space at the entrance of a building or=
in
front of a staircase or room.(1891a1) |
|
Arch. An entrance=
209;court
or vacant space before the entrance to a house, temple, or other building.
(See DOMUS.)(1883m1) |
|
A vestibule decorated with four detached columns.(1891a1=
) |
|
Chr. The hangings of an altar, and the robes of the
clergy; the term often comprises also the sacred vessels.(1883m1) |
|
Chr. The modern vestiarium in a church; called also the SACRISTY.(1883=
m1) |
|
A fortress city, the stronghold of Lalla of Millid. It was=
conquered
by Shalmaneser II., king of |
|
Vetos. Or Vetcifeu, "Soaker." An epithet applied to the god Bacchus on a Cypriote inscription in the Cesnola Collection. (1876c1) |
|
From
various tomb-paintings with their inscriptions, it has been found that the
Egyptians were in the habit of doctoring their animals. One painting
represents a man forcing a bolus, which he has taken out of a vase in fro=
nt
of him, down the throat of an ox, the inscription above reads,
"doctoring a young ox." Careful examination of the left humerus of a mummied ib=
is,
fractured and reunited in a particular way, convinced the learned Cuvier that it had undergone surgical treatment.(19=
02b1) |
|
Vetos. Or Vetcifeu, "Soaker." An epithet applied to the god Bacchus on a Cypriote inscription in the Cesnola Collection. (1876c1) |
|
R. Troops under one =
vexillum; and
thence the troops of the allies.(1883m1) |
|
R. A cavalry standard
consisting of a square piece of woollen cloth
spread upon a cross. (See SIGNA MILITARIA.)(1883m1) |