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R. The high road. Th=
ese were
so constructed by the Romans that following generations used them without
repair for more than a thousand years. The earliest was the Appian or the |
|
(Arch.) A bridge built upon piles, at some distance from=
one
another connected with iron
girders or archways. Viaducts are built across a river or a depression in=
the
ground. ILLUS. viaduct=
(1891a1)
|
|
R. A provision for a=
journey.
Adopted by the Christian Church in reference to the last offices of relig=
ion
to the dying, with the obvious symbolical significance.(1883m1) |
|
The satrap of Arachotia under Darius
Hystaspes. He was invited to rebel by Veisdates, the rebel king of |
|
R. A cross‑bar=
and
uprights forming a trestle.(1883m1) |
|
(Paint.) A term applied in pictures to a strongly marked, nervous, living effect of colour, obtained by skilful contrasts.(1891a1)<= o:p> |
|
Vices. The seven VIC=
ES
commonly met with in Christian allegory are: Anger, Avarice, Envy, Lust,
Pride, Revenge, and Sloth.(1883m1) |
|
Vice. A vice such as is seen in our cut is used by cabin=
et‑makers
to hold fast pieces of wood, which which have been joined with size, as w=
ell
as in many other operations of their craft. Etchers make use of a small v=
ice
with a wooden handle to hold their plates with when they are heating them
before laying the etching ground. ILLUS. vice(1891a1)
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|
R. The animals used =
for
sacrifices were mostly domestic; as bulls, sheep, goats, pigs, dogs, or
horses; each god had his favourite animals. The head of the victim was
generally strewed with roasted barley meal, mixed with salt, and adorned =
with
garlands, and sometimes its horns were gilt. A bunch of hair was cut from=
its
forehead and thrown into the fire as primatiae.
It was killed by a person called the popa,
not by the priests; and part of the intestines were burned, or to river=
8209;gods,
thrown into the river, &c.(1883m1) |
|
In Christian art representations of two martyrs, both
bearing the name of St. Victor, are found. One of them is St. Victor of <=
st1:place
w:st=3D"on"> |
|
Victoria Cross is of=
bronze,
and was instituted by the Queen in 1856 to render honour to "conspic=
uous
bravery" in actual conflict by sea or land. It is worn on the left
breast attached to a blue ribbon for the Navy, and a red for the Army. =
span>Fig. 685. Victoria Cross.(1883=
m1)
|
|
R. A silver coin sta=
mped
with a figure of Victory, while its obverse represented a bearded Jupiter.
(Fig. 686.) Fig. 686. Victoriatus.(1883m1)
|
|
A deity or allegorical figure represented by artists as =
a girl
winged, crowned with laurel, placed upon a globe and holding a palm branc=
h in
her hand.(1891a1) |
|
Victory is represent=
ed by
the ancients winged, and bearing a palm
branch and a laurel crown. Fi=
g. 687
is the beautiful device adopted by Martin, King of Aragon, in 1396, with =
the
motto, "Not in the Darkness." Fig. 687. Victory. Device of Martin, King of Aragon.(1883m1)
|
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In Zendic mythology the book of the law
against demons. It is the only one of the original sacred books of
Zarathustra which has been preserved to us entire. It is now generally ca=
lled
by the Persians the Vendidad. (1876c1) |
|
Vidrecome, Fr. A large drinking‑glass.(1883m1)= |
|
Vidrecome. A large drinking glass used in
|
|
Fr. The "hurdy&=
#8209;gurdy,"
an ancient stringed instrument played with finger‑keys, and produci=
ng
sound by the friction of a wheel instead of a fiddle‑bow.(1883m1) |
|
A picture or drawing representing a town or site. A view=
of |
|
A picture or view executed to be exhibited as a
diorama.(1891a1) |
|
A view presenting the appearance of a panorama. Panoramic
views are nowadays drawings taken from one and the same point of view.
Sometimes in making conventional panoramic views, the point of view is
supposed to be shifted parallel to itself. Many panoramic views, drawn,
engraved, or photographed, are executed on this principle, and the skill =
in
their production consists in hiding the points of junction as skilfully as
possible.(1891a1) |
|
(Fr. a little vine). A small woodcut or illustration on a page. In
Architecture, a running ornament of leaves and tendrils, common in the ho=
llow
mouldings of Gothic Architecture; especially in the Decorated and
Perpendicular styles. (Parker=
.)(1883m1) |
|
The term vignett=
e,
which means nothing more than a little vine, originally denoted an orname=
nt
used in Gothic architecture. It was also applied to the initial letters in
manuscripts, which were decorated with the tendrils of a vine. The meanin=
g of
the word was then extended to cuts, forming head and tail pieces in a boo=
k,
whether they were decorative or illustrative. Here the meaning of the wor=
d was
quite lost, and now vignette
denotes any cut or engraving illustrating a book, which is not enclosed by
rigid lines, but is put in the text.(1891a1) |
|
A work of art is said to be vigorous when it is largely
conceived and boldly treated. In painting, the term vigorous is especially applied to brushwork.(1891a1) |
|
A musical instrument,
represented in the celebrated Portico della Gloria of Santiago da
Compostella, in |
|
A district bordering on |
|
In Scandinavian mythology the son of Borr,=
and
the grandson of Bure, the first man. He was one of the three murderers of=
the
frost giant Ymir. (1876c1) |
|
R. A Roman farmstead=
or
country house. It was divided into three distinct parts: the |
|
Hind. A Hindoo temple
consisting merely of a building in the form of a pyramid, allowing of sev=
eral
stories which recede one above the other. Vimanas are divided into five
groups: the medium vimana, called santiaca;
the victorious (pantica), the
enormous (jayada), the admira=
ble (atb' huta), and the amiable (sarvacama).(1883m1) |
|
Hind. A kind of Hind=
oo lyre
furnished with a small number of strings.(1883m1) |
|
Roman festivals of t=
wo kinds
‑ urban and rustic. The former were kept on =
23rd
April, when the wine of the previous year was first broached; the rustic on 19th August, when the
vintage opened by the priest solemnly plucking the first bunch of grapes,
after a sacrifice of lambs to Jupiter.(1883m1) |
|
A coarse mahogany wo=
od,
obtained in |
|
St. Vincent is a Spanish saint, and was born in the 3rd
century at |
|
R. (vincio, to bind). A general term to denote anything that bind=
s,
fastens, or clasps; such as a string, lace, ribbon, chaplet, or garland,
strap, dog or slave‑collar, manacles, fetters. (See AMENTUM, COLLAR=
E,
COMPES, |
|
(vindico, to claim). A fragment of any property under dispute
which, under the old Roman jurisprudence, the plaintiff was compelled to
bring before the court and to place beneath his foot while stating his ca=
se;
if the property in question were a flock, the vindiciae consisted of a tuft of wool; if an estate or field,=
of
a clod or turf taken from the said estate or field.(1883m1) |
|
R. (vindico, to deliver). The rod with which the praetor or his
lictor struck a slave on the head in the ceremony of manumissio, by way of declaration that he was free. (See
FESTUCA.)(1883m1) |
|
Vine. (See VITIS.) (1883m1) --
Vitis, Vine. R. and Chr. A vine or=
vine‑branch
with which a centurion punished any soldier who had neglected his duty. In
Christian symbolism, the vine‑stock with clusters of grapes is an
emblem of the Church. Representations of it are frequently met with on
monuments of Christian art.(1883m1) |
|
Vine.
Throughout the country vines were grown from the Delta to |
|
Ink used in copper=
8209;plate
printing; prepared from the charred husks of grapes and the residue of the
vine press.(1883m1) |
|
R. (lit. a bower of =
vine‑branches).
The vineae, also called under=
the
emperors causiae, were a kind=
of
mantelets or sheds employed in siege operations, made of light timbers
covered with planks and the skins of animals.(1883m1) |
|
Viola or Alto‑viola. A
tenor violin; tuned an octave=
above
the violoncello. It is larger=
than
the ordinary violin and has four gut strings, of which the third and four=
th
are covered with silver‑plated copper wire. Its name in the ancient
"set of viols" was viol=
a di
braccio.(1883m1) |
|
It. An obsolete spec=
ies of
violin producing a very sweet and peculiar tone by an arrangement of metal
wires vibrating in unison with the gut‑strings.(1883m1) |
|
An instrument closely
resembling the modern violoncello. (See Fig. 689.) Fig. 689. Viola da Gamba.(1883m1)
|
|
Violet. A secondary colour obtained by the mixture of red and
blue.(1891a1) |
|
Violet is a combinat=
ion of
equal red and blue. It is complementary to yellow. In Christian art, the
colour violet or the amethyst, signified love and truth, or passion and
suffering.(1883m1) |
|
A turnery wood of |
|
This instrument has =
three
gut strings, and a fourth of silver wire. The back, neck, sides, and circles are generally made of sycamore; the belly, bass‑bar=
, sound‑post, and six blocks, of deal; the finger‑board and tail‑piece of ebony. The H=
indus
claim the invention of the bow, for
a period about 3000 years B.C. (See FIDDLE.)(1883m1) |
|
A large and deepR=
09;toned
instrument of the viol kind, =
the
two lowest strings being covered with silver wire.(1883m1) |
|
It. Contre‑bas=
so or
double bass; the largest instrument of the violin kind.(1883m1) |
|
A granite figure from |
|
According to Peruvian tradition a primaeval
king in whose reign the Deluge took place. (1876c1) |
|
A fashion of ladies'= dress in the reign of Charles I., perpetuated in the bishop's sleeves.(1883m1)<= o:p> |
|
Fr. A barbed arrow, =
used
with the early cross‑bow.(1883m1) |
|
It. A peculiar form =
of
arrow, the feathers in which are spirally arranged to produce a spinning =
movement
in its flight.(1883m1) |
|
R. A general term fo=
r any
kind of rod or wand; as, for instance, a riding‑whip; a switch for
chastising children or slaves; a very slight stick carried by a lictor to=
aid
him in opening a way through the crowd for the magistrate before whom he
walked.(1883m1) |
|
R. Striped; a term a=
pplied
to cloth or drapery ornamented with bands (virgae), or to anything plaited with twigs of osier, such as a
basket.(1883m1) |
|
A picture or statue representing the mother of Christ. A
virgin by Michael Angelo, for instance, or by Raphael.(1891a1) |
|
A musical instrument=
which
originated in the middle ages. A specimen of the time of
|
|
Virgins are usually
represented soberly robed with long hair streaming down their backs. The
parable of the wise and foolish virgins is a very common subject of media=
eval
sculpture and church decoration.(1883m1) |
|
Fr. The quality of r=
areness,
or art excellence sought in the selection of specimens of art‑work =
by a
Virtuoso.(1883m1) |
|
Such objects as are generally found in collections of
antiquities and curiosities are termed articles of virtu.(1891a1) |
|
A degree of the seco=
nd order
of ANGELS. They are usually represented in complete armour bearing pennons
and battle‑axes. The Cardin=
al
virtues are: Power, Prudence, Temperance, and Justice; and the Theological virtues are: Faith, =
Hope,
and Charity. There are innumerable other virtues variously represented in
Christian allegory, opposed to corresponding VICES.(1883m1) |
|
Virtuoso, It. A man =
skilled
in the selection of specimens of art‑work.(1883m1) |
|
Virtuosi. A term applied to connoisseurs and those who a=
re
capable of passing a judgment upon works of art and articles of
virtu.(1891a1) |
|
The human face. A visage devoid of character.(1891a1) |
|
(vicecomes). The fourth degree of rank and dignity in the Brit=
ish
peerage. Originally an earl's deputy in his county, made an arbitrary tit=
le
of honour, next in rank to an earl, by Henry VI. in=
span>
1440. A viscount's mantle is two doublings and a half of plain fur. His
coronet, granted by James I., has only a row of sixteen pearls set close =
to
the circlet. Fig. 691. Viscount's Coronet.(1883m1)
|
|
Arch. A spiral staircase. (See NEWEL.) "Vyce, a tourning
stayre, vis." (Palsgrave.)(1883m1) |
|
In Hindu mythology the third member of the
Trimurti, and preserver of the world. He had undergone ten Avatars or
incarnations, viz., a bird, tortoise, wild boar, andro-lion, the deity
Khrishna, etc. (1876c1) |
|
Chr. (It. La visitazione; German, die Heimsuchung Mariä). A
frequent theme of Christian art, representing the meeting of the Virgin M=
ary
and Elizabeth, the mother of |
|
The part of a helmet=
made to
cover the face. (See UMBRIL.)(1883m1) |
|
The front of a helmet, which opened and shut, so as to a=
dmit
light and air to the unfortunate person condemned to wear it.(1891a1) |
|
In Zendic mythology one of the collections=
of
fragments of the lost books of Zarathustra which go to make up the
Vendidad-sade. (1876c1) |
|
A famous king of |
|
St. Vitalis was a Roman soldier, who suffered martyrdom =
for
burying a Christian martyr, himself being buried alive. He is the patron
saint of |
|
In Vedic mythology darkness represented as=
a
deity, and the antagonist of Indra as the personified light. (1876c1) |
|
Wares having a glassy
surface. (See POTTERY.)(1883m1) |
|
A term applied to substances which are transformed into
glass by fusion.(1891a1) |
|
The method or process by which substances are converted =
into
glass.(1891a1) |
|
(Ital.). An ornament=
al glass‑work
invented by the Venetians in the 15th century, consisting of a sort of la=
ce‑work
of white enamel or transparent glass, forming a series of diamond‑s=
haped
sections; in the centre of each an air‑bubble was allowed to remain=
as
a decoration. (Fairholt.)(188=
3m1) |
|
Vitruvian Scroll, Ar=
ch. A
name given to a peculiar pattern of scroll‑work, consisting of
convolved undulations, used in classical architecture. (Parker.)(1883m1) |
|
Vitruvian Scroll. (Arch.) An extremely florid architectu=
ral decoration,
which consisted of scrolls and volutes, in which animal forms were someti=
mes
introduced. In our cut, which is from
|
|
R. A ribbon or band =
worn
round the head by Roman women of free birth to confine their hair. Vitta sacra was a long ribbon
confining the flocks of wool which formed an infula, and worn by the priests or the victim destined for
sacrifice. The term was further applied to the ribbon which passed round
garlands or festoons of leaves and fruits, and thence to any ribbon emplo=
yed
in the decoration of an architectural motive, such as tori for instance, =
as
shown in Fig. 693. Fig. 693. Vitta.(1883m1)
|
|
R. Adorned with the =
vitta; a term applied to women,
victims, and certain architectural ornaments.(1883m1) |
|
The satrap of Arachosia in the reign of Da=
rius
Hystaspes. He was at first defeated by the rebels whom Vahyazdata, the Me=
de,
had urged to rebel, but being reinforced with a larger army sent by Dariu=
s,
he completely put down the rebellion. He was called Hyana by the Greek
historians. (1876c1) |
|
R. (vivum, a living thing). A general term for any kind of place =
in
which live animals are kept; such as aviaries, warrens, fish‑ponds,
game preserves, &c.(1883m1) |
|
A blue phosphate of =
iron,
occasionally used as a pigment.(1883m1) |
|
A mask for the face.
"On with this robe of mine, This vizard
and this cap!" (Old Play=
.)(1883m1) |
|
vizier: the highest administrative official u=
nder
the king. (1894e1) |